Сценарий братства кольца

Сценарий фильма «Властелин колец: Братство кольца» на сайте KINOMANIA.RU
    • Автор сценария:
    • Дж.Р.Р. Толкин
    • Фрэн Уолш
    • Филиппа Бойенс
    • Питер Джексон
    • Режиссер:
    • Питер Джексон

Сказания о Среднеземье — это хроника Великой войны за Кольцо, войны, длившейся не одну тысячу лет. Тот, кто владел Кольцом, получал власть над всеми живыми тварями, но был обязан служить злу. Хоббит Фродо призван уничтожить Кольцо. Он отправился за ним в Мордор и на огненную Гору Судьбы вместе с союзниками — эльфами, карликами, людьми и хоббитами. «Властелин колец» повествует о борьбе добра и зла, сохраняя сказочную атмосферу классики жанра «фэнтези».

СКАЧАТЬ

                                        The Fellowship of the Rings - Movie Transcript
This was transcribed by Rachel Lee (me), and may not be used elswhere without my permission. 
I put countless hours into this transcript, so please respect my work. 

For your reference:- 
Descriptions are written like this 
Things in other languages (usually elvish) are written like this 
Voice over effects are written like this. 

Names are written like this, 
What are said by the characters are written like this 

--------------------------------------------------------------------------------

(Black screen). 

I amar prestar aen. The world is changed. 
han mathon ne nen. I feel it in the waters. 
han mathon ne chae. I feel it in the earth. 
a han noston ned gwilith. I smell it in the air. 
Much that once was is lost. For none now live who remember it. 

The words 'The Lord of the Rings' appears in gold lettering on the screen, the screen fades back 
to black, then a fire comes onto the screen. A pair of tongs are seen pouring a heated liquid into a 
mould. 

It began with the forging of the great rings. 

(Three elf hands are seen, each wearing one of the elven rings, which each have jewels on them. 
We see the elves looking at the rings on their fingers.) 
3 rings to the elves, immortal, wisest and fairest of all beings. 

7 to the dwarf lords, great miners and craftsmen of the mountain halls. 
(We see the dwarves take their rings) 

And 9. 9 rings were gifted to the race of men, who above all else desire power. 
(The men are seen with thier rings) 

For within these rings was bound the strength and will to govern each race. But they were all of 
them deceived. 
(We see a map of Middle Earth, which blackens, as the screen blacks out.) 

For another ring was made. 
(Map is shown again, this time showing Mordor). 

In the land of Mordor, in the fires of Mount Doom, the dark lord Sauron forged in secret a master 
ring to control all others. 
(We see Mt Doom, a volcano, spitting out lava from the top. We see Sauron's face, wearing a 
golden mask. Then we see a more distant shot of Sauron, this time holding something up in his 
hand). 

And into this ring he poured his cruelty, his malice, and his will to dominate all life. 
(Fire blots out his image, and in the fire we see round, gold ring. We see a close shot of Sauron, 
with the ring on his hand. The camera zooms in on the ring, which has fiery elvish letters on it.) 

One ring to rule them all. 
(Once again, we see a map of Middle Earth. A dark cloud originating from Mordor spreads to the 
rest of Middle Earth). 

One by one, free lands in Middle Earth fell to the power of the ring. 
(The map blends into a village in Middle Earth, where people are running away from orcs, who 
are brandishing axes, and burning down houses) 

But there were some who resisted. 
(We see an army of men marching, then a long shot of the battle field, where there are thousands 
of men, elves, and orcs in battle, marching towards each other. The camera moves up to show Mt 
Doom) 

A last alliance of Men and Elves marched against the armies of Mordor. On the slopes of Mount 
Doom, they fought for the freedom of Middle Earth. 

We see an orc snarling, then a line of archers shooting arrows. Once again, we see a long shot of 
the battle field, with orcs falling off cliff tops as they are shot. There are tens of thousands on the 
battle field. 

We see an army of elves and men, commanded by Elrond, who shouts a battle cry 

Elrond: 
Tangado a chadad 
(Translation: Establish to hurling)
(The Elves/Men have their sheilds drawn, and as the orcs charge towards them, they draw their 
swords and fight them. They slaughter many orcs) 

Victory was near. But the power of the ring could not be undone. 

(Sauron appears, and with him, a hazy cloud. We see a close up shot of his hand, which is 
wearing the golden ring. The fiery letters are very clear. Sauron swings his sword, and the men 
and elves against him are flung outwards, yelling in pain. The king charges forward, trying to kill 
Sauron. Sauron slashes at him, flinging him to the ground. His sword falls. Isildur, his son, runs 
to his side, and takes off his helmet) 

Isildur: 
Father...
It was in this moment, when all hope had faded, that Isildur, son of the king, took up his father's 
sword. 

As he grabs at the sword, Sauron steps on it, breaking it. But Isildur still has a hold on its hilt, 
and slashes at Sauron's hand, cutting off the finger which wears the ring. The finger, still with the 
ring on it, falls to the ground, as Sauron falls backwards. Isildur sits up and leans over the ring, 
as Sauron is destroyed in a light that seems to come from his body. A bright light comes from 
him, and a cloud spreads over the battlefield, killing all the orcs and Sauron's allies. Sauron's 
mask/helmet falls to the ground, smoke coming out of it. 

Sauron, the enemy of the free people of Middle Earth, was defeated. 
(Isildur, amazed, picks up Sauron's finger, with the ring on it) 

The ring passed to Isildur, who had this one chance to destroy evil forever. 
(We see the ring in Isildur's hand, and as he holds it, the finger of Sauron turns to powder) 

But the hearts of men are easily corrupted, and the ring of power has a will of its own. 
(We see Isildur on a horse, and the ring on a chain around his neck. He is attacked by orcs. One 
jumps onto his back, and the others shoot him with their arrows. He is seen in the Great River, 
dead, with three arrows in his back.) 

It betrayed Isildur to his death. 
(The ring is seen floating down to the bottom of the river) 

And some things that should not have been forgotten were lost. History became legend; legend 
became myth. And for two and a half thousand years the ring passed out of all knowledge. Until, 
when chance came, it ensnared a new bearer. 

(Screen fades to black, we see the same spot of the river, then we see the ring, half buried, still 
on the river floor. A hand is seen closing over it) 

Gollum: 
My preciousss. 

(We see Gollum holding the ring in his hand, then a shot of the Misty Mountains) 
The ring came to the creature Gollum who took it deep into the tunnels of the Misty Mountains. 
And there it consumed him. 
(We see Gollum, deep in a cave, squatting on a rock, looking at the ring in his hand) 

Gollum: 
It came to me. My own, my love, my own, my preciousss. Gollum...
The ring brought to Gollum unnatural long life. For five hundred years it poisoned his mind. And 
in the gloom of Gollum's cave it waited. 
(Screen blacks out, then we see an indistinct shape, which comes into focus: a full moon. The 
image sharpens more, and we see it behind the cover of a tree.) 

Darkness crept back in the forest of the world. Rumour grew of a shadow in the east, whispers of 
a nameless fear. 
(We see a ripple in the Great Lake, the the screen merges into a shot of a red sunset.) 

And the ring of power perceived it's time had now come. 
(We hear the sound of metal on rock, echoing through Gollum's cave, and see his ring falling.) 

It abandoned Gollum. But something happened then, that the ring did not intend. It was picked 
up by the most unlikely creature imaginable. 
(A hand is seen on the ring) 

Bilbo: 
What's this? 
A hobbit. Bilbo Baggins of the Shire. 
(We see a full view of a hobbit, who fingers it, then smiles) 

Bilbo: 
A ring. 
Gollum: 
(Offstage, in the distance) Lost!!! 
(We see the outside of the Misty Mountains, now moving away from them.) 
For the time would soon come when hobbits would shape the fortunes of all. 

(The screen blacks out). 


--------------------------------------------------------------------------------


Gandalf: 
The road goes ever on and on, 
Down from the door where it began, etc. 
Frodo: 
You're late 
Gandalf:
A wizard is never late, Frodo Baggins. Nor is he early. He arrives precisely when he means to. 
(both laugh. Frodo jumps onto his wagon). 
Frodo: 
It's wonderful to see you, Gandalf! 
Gandalf:
(laughs) You didn't think I'd miss your uncle Bilbo's birthday? (laughs) 
Frodo:
What news of the outside world? Tell me everything. 
Gandalf:
Everything? You're far to eager and curious for a hobbit. Most unnatural... Well, what can I tell 
you? Life in the wide world goes on, much as it has this past age. All the comes and goings, 
scarcely aware of the existence of hobbits. For which I am very thankful. 
Hobbit: 
(waves) Look! It's Gandalf! 
Gandalf: 
Ooh - The long expected party. (Hobbits can be seen putting up a banner saying 'Happy Birthday 
Bilbo Baggins') 
Gandalf: 
So how is the old rascal? I hear it's going to be a party of special magnificence. 
Frodo: 
You know Bilbo. He's got the whole place in an uproar. 
Gandalf: 
Now, well, that should please him. 
Frodo: 
Half the Shire's been invited! 
Gandalf: 
Goodness 
Frodo: 
He's up to something 
Gandalf: 
Hmm... (mutters) 
Frodo: 
All right then, keep your secrets. Before you came along, we Bagginses were very well thought 
of. 
Gandalf: 
Indeed. 
Frodo: 
Never had any adventures or did anything unexpected. 
Gandalf: 
If you're referring to the incident with dragon, I was barely involved. All I did was give your 
uncle a little nudge out of the door. 
Frodo: 
Whatever you did, you're officially labelled a disturber of the peace. 
Gandalf: 
(mutters) Oh, really? (A hobbit sees Gandalf, and looks rather displeased) (Hobbit children are 
seen running through the fields) 
Hobbit kids: 
Gandalf! Gandalf's here!! Oh! Gandalf! GanDALF! etc, (Gandalf steers the wagon away, but lets 
some fireworks out of the back of the wagon. 
Hobbit children cheer ^-^ Gandalf laughs. Hobbit man laughs, but stops when he sees the look 
on his wife's face). 
Frodo: 
(Gets off the wagon) Gandalf - I'm glad you're back. 
Gandalf: 
So am I, dear boy. (mutters to himself:) So am I. 
(Frodo runs off into the fields, Gandalf continues on to Bag End. Gandalf opens a gate, which 
reads 'No admittance except on party business.' Gandalf knocks on the door) 
Bilbo: 
No thankyou! We don't want any more visitors, well wishers, or distant relations! 
Gandalf: 
And what about very old friends. 
Bilbo: 
Gandalf? 
Gandalf: 
Bilbo Baggins 
Bilbo: 
My dear Gandalf! 
Gandalf: 
Good to see you. One hundred and eleven years old. Could you believe it. You haven't aged a 
day. (they both laugh) 
Bilbo: 
Come on, come in. Welcome, welcome. (Bilbo takes Gandalf's stick and hat). 
Bilbo: 
Tea? Or maybe something a little stronger. I've got a couple of bottles of the old Wineyards left. 
1296. Very good year. Almost as old as I am. Ha ha ha ha ha It was laid down by my father. 
What's say we open one? Hey? 
Gandalf: 
Just tea, thankyou. (Gandalf hits his head on one of the lights. Then, as he's putting it straight, he 
hits his head on the ceiling). Ohh... 
Bilbo: 
(mutters in the background:) I was expecting you here last week! Not that it matters - you come 
and go as you please. Always have done and always will. You caught me a bit unprepared, I'm 
afraid. We have some old chicken and pickles... Here's some cheese - oh no, it won't do! There, 
we've got brussels, and jam, and apple tart... Not much for afterlunch - oh, no! We're all right, I 
have some cake. 
(Gandalf looks at some maps on the table) 
Bilbo: 
I can make you some eggs if you li-- Ganda- Gandalf? 
Gandalf: 
Just tea, thankyou 
Bilbo: 
Oh, right. (Stuffs some cake in his mouth, and mumbles:) You don't mind if I do, do you? 
Gandalf: 
No, not at all. 
Female Voice:
(bangs on door) Bilbo! Bilbo Baggins. (bangs on door more loudly) 
Bilbo: 
I'm not at home! I've got to get away from these confounded relatives, hanging on the bell all 
day, never giving me a moment's peace. I want to see mountains again, mountains, Gandalf. And 
then find somewhere quite where I can finish my book... Ooh - tea! 
Gandalf: 
So you mean to go through with your plans? 
Bilbo: 
Yes, yes, it's all in hand. All the arrangements are made. (Bilbo gets the tea, and Gandalf takes 
the lid off for him). 
Bilbo: 
Oh, thankyou. 
Gandalf: 
Frodo suspects something. 
Bilbo: 
'Course he does. He's a Baggins! Not some blockheaded Bracegirdle from Hardbottle. 
Gandalf: 
You will tell him, won't you. 
Bilbo: 
Yes, yes. 
Gandalf: 
He's very fond of you. 
Bilbo: 
I know. He'd probably come with me if I asked him. I think in his heart, Frodo's still in love with 
the Shire. The woods, and the fields, little rivers. I'm old, Gandalf. I know I don't look it, but I'm 
beginning to feel it in my heart. I feel thin, sort of stretched, like butter, stretched over too much 
bread. I need a holiday. A very long holiday. And I don't expect I shall return. In fact I mean not 
to. 
--------------------------------------------------------------------------------
(The night of the party. Bilbo and Gandalf are sitting on the top of a hill together) 
Bilbo: 
Old toby. The finest weed in the south farthing. 
(Bilbo blows a smoke ring, and Gandalf blows a ship that goes through it) 
Bilbo: 
Gandalf, my old friend. This will be a night to remember. 
--------------------------------------------------------------------------------
(fireworks go off, everyone cheers. Hobbits are dancing). 
Bilbo: 
(Is talking to some guests) 
Frodo: 
Go on, Sam, ask Rosie for a dance 
Sam: 
I think I'll just have another ale 
Frodo: 
No you don't! (Sam stands up for another ale, but Frodo pushes him towards Rosie. They dance). 
(Bilbo is telling a group of young hobbit children a story) 
Bilbo: 
So there I was, at the mercy of 3 monstrous trolls. And they were all arguing amongst themselves 
about how they were going to cook us. Whether it be turned on a spit, or whether they should sit 
on us one by one, and squash us, to jelly. 
Hobbit girl: 
(gasps) 
Bilbo: 
And they spent so much time arguing, the whether to's and the why fore's that the sun's first light 
cracked over the top of the trees -poof- 
Hobbit kids: 
(gasp) 
Bilbo: 
And turned them all to stone! 
--------------------------------------------------------------------------------
(Gandalf takes out some fireworks from a wagon in a tent. As he leaves, Merry and Pippin come 
out from behind the tent.) 
Pippin: 
(whispers) Quick! (Merry gives Pippin a leg up onto the wagon) 
--------------------------------------------------------------------------------
(Gandalf is letting off some butterfly fireworks for the young hobbit children) 
Gandalf: 
Oh! Off we go! 
--------------------------------------------------------------------------------
(Pippin takes out a cracker) 
Merry: 
No, no, the big one, big one (Pippin takes out a dragon shaped one. They light it) 
Pippin: 
It's done (pushes the top end towards Merry) 
Merry: 
You're supposed to stick it in the ground. (pushes it back to Pippin) 
Pippin: 
It is in the ground (Pushes it back to Merry, who pushes it back to Pippin) 
Merry: 
Outside... (They continue pushing the lit firework back and forth) 
Pippin: 
It was your idea! (Cracker goes off, and Merry and Pippin are both thrown to the ground. The 
cracker lets out fireworks, then turns into a fiery dragon. The hobbits scream and run away from 
it.) 
Frodo: 
Bilbo, watch out for the dragon 
Bilbo: 
Dragon? Nonsense, there hasn't been a dragon in these parts for a thousand years! The 'dragon' 
goes off in to the distance, and fills the sky with fireworks. 
Hobbits: 
oh! They cheer 
Merry: 
That was good! 
Pippin: 
Let's get another one 
Gandalf: 
(grabs them by the ears.) Meriadoc Brandybuck and Peregrin Took. I might have known. 

Merry and Pippin are seen washing up the dishes. 
The hobbit crowd 
Speech! Speech, Bilbo! Speech! Speech! (The cheer and clap) 
Frodo: 
Speech! 
(Bilbo walks up to the front of the crowd) 
Bilbo: 
My dear Bagginses and Boffins! (Cheers from the crowd) Tooks and Brandybucks! (More 
cheers) Grubbs! (cheers) Chubbs! (yet more cheers) Hornblowers! (cheers) Bolgers! (cheers) 
Bracegirdles! Proudfoots! 
Proudfoot: 
Proudfeet! 
Bilbo: 
Today is my one hundred and eleventh birthday! (Cheers from the crowd). Alas. Eleventy one 
years is far too short a time to live amongst such excellent, admirable hobbits. I don't like half of 
you half as well as I should like, and I like less than half of you half as well as you deserve. I er 
... I have things to do. (whispers). I've put this off far too long. I regret to announce this is the 
end. I'm going now. I bid you all a very fond farewell. (whispers) Goodbye (He vanishes, and the 
crowd gasps. He makes his way back to Bag End, still invisible, and takes off his ring once he 
has closed the door behind him.) 
Gandalf: 
I suppose you think that was terribly clever 
Bilbo: 
Oh, come on Gandalf, could you see their faces! 
Gandalf: 
There are many magic rings in this world, Bilbo Baggins, and none of them should be used 
lightly! 
Bilbo: 
It was just a bit of fun... Oh, you're probably right, as usual... You will keep an eye on Frodo, 
won't you? 
Gandalf: 
Two eyes, as often as I can spare them. 
Bilbo: 
I'm leaving everything to him. 
Gandalf: 
What about this ring of yours, is that staying too? 
Bilbo: 
Yes, yes. Take a look over there, on the mantlepiece... No, wait it's - here in my pocket. (Takes 
ring out and fingers it). Why - isn't that - isn't that odd, now. Yet after all that, why not. 
(whispers) Why shouldn't I keep it? 
Gandalf: 
I think you should leave the ring behind, Bilbo. Is that so hard? 
Bilbo: 
Well no... And yes. Now it comes to it, I don't feel like parting with it. It's mine! I found it! It 
came to me! 
Gandalf: 
There's no need to get angry. 
Bilbo: 
Well if I'm angry, it's your fault! ... It's mine. My own. My precious. (eyes bulge) 
Gandalf: 
Precious? It's been called that before, but not by you. 
Bilbo: 
Oh, what business is it of yours what I do with my own things?! 
Gandalf: 
I think you've had that ring quite long enough. 
Bilbo: 
You want if for yourself!! 
Gandalf: 
(Rises up, and becomes very angry)BILBO BAGGINS! DO NOT TAKE ME FOR SOME 
CONJUROR OF CHEAP TRICKS! I AM NOT TRYING TO ROB YOU!! (Becomes normal 
again). I'm trying to help you. (kneels down beside Bilbo, and places his hand on his shoulder). 
All your long years, we've been friends. Trust me, like you once did. 
Bilbo: 
You're right. The ring must go to Frodo. (Prepares to leave) The road is long... Yes, it is time... 
(Walks out the door) 
Gandalf: 
Bilbo. The ring is still in your pocket. 
Bilbo: 
Oh - yes. (slowly drops it onto the floor. He turns around to look at Gandalf). I've thought of an 
ending for my book. "And he lived happily ever after, for the end of his days" 
Gandalf: 
And I'm sure you will 
(They shake hands) 
Gandlf: 
Goodbye, dear Bilbo 
Bilbo: 
Goodbye Gandalf. (He leaves) The road goes ever on and on, etc. 
Gandalf: 
(Softly, to himself)'Till our next meeting 
Gandalf: 
(Walks back into the house. He leans over the ring, and reaches out the touch it, but sees a red 
eye. He sits by the fire, smoking). 
Voice of Bilbo: 
It's mine. My own. My precious 

Gandalf: 
Riddles in the dark... 
Frodo: 
(In the distance). Bilbo! (Opens door). Bilbo! (Leans over, and picks up the ring). 
Gandalf: 
A precious... 
Frodo: 
He's gone, hasn't he? 
Gandalf: 
(Lets out a puff of smoke) 
Frodo: 
He talked so long about leaving. I didn't think he'd really do it... Gandalf? 
Gandalf: 
(Turns around to face Frodo) 
Frodo: 
(Shows Gandalf the ring in the palm of his hand) 
Gandalf: 
(smiles) Bilbo's ring. He's gone to stay with the elves. He's left you Bag End. (He holds out an 
envelope to Frodo, who puts the ring into it. Gandalf seals the envelope with a red stamp). Along 
with all his possessions. The ring is yours now. (Gandalf holds out the envelope to Frodo, who 
takes it). (whispers) Put it somewhere out of sight. 
(Gandalf prepares to leave). 
Frodo: 
Where are you going? 
Gandalf: 
There are some things that I must see to. 
Frodo: 
What things? 
Gandalf: 
Questions. Questions that need answering 
Frodo: 
You've only just arrived. I don't understand. 
Gandalf: 
(stops and turns around) Neither do I. (Leans over to face Frodo). Keep it secret. (Places his hand 
on Frodo's shoulder). Keep it safe. (He leaves, and shuts the door) 
Frodo: (Looks at the envelope in his hand).

Voice: 
Shire! Shire! Baggins! 
The Gates of Minas Morgul open, and the riders in black are seen riding out from them. Then the 
scene switches to Gandalf, who is riding up a slope and looking out onto Mount Doom. He then 
rides off to Minas Tirith, and enters a building full of old scrolls. 

Gandalf: 
(reads) The year 3434, of the second age. Here follows the account of Isildur, high king of 
Gondor, and the finding of the ring of power. (Images are seen of Isildur taking the ring from the 
hand of Sauron). It has come to me, the one ring, which shall be an heirloom of my kingdom. All 
that will follow in my bloodline shall be bound to its fate, for I shall risk no hurt to the ring. It is 
precious to me, though I abide with a great pain... The markings upon the band begin to fade. 
The writing at first was as clear as red flame, has all but disappeared, a secret now that only fire 
can tell. 
--------------------------------------------------------------------------------
Scene switches to a house in the Shire. It is dark, and a man and his dog are standing outside the 
door, when a rider in black approaches. The dog starts barking, but backs into the house. 
Rider: 
Shire. Baggins 
Hobbit: 
Baggins is not here. They're up in Hobbiton. 
(Rider leaves, scene switches to Hobbiton, where Frodo is at a party. He leaves the party and 
walks back to Bag End. He finds the windows open, and his papers flying about the house. 
Suddenly, he feels a hand on his shoulder. He turns around, and sees Gandalf. 
Gandalf: 
Is it secret? Is it safe? 
Frodo: 
(Searches in a box, where he finds the envelope he put the ring into) Ah. 
Gandalf: 
(Grabs it from him, and throws it into the fire.) 
Frodo: 
What are you doing? 
Gandalf: 
(Takes it out from the fire with tongs, and holds it out to Frodo). Hold out your hand, Frodo. It's 
quite cool. 
Frodo: 
(Takes the ring) 
Gandalf: 
What can you see? Can you see anything? 
Frodo: 
(Examines the ring). Nothing. There's nothing. 
Gandalf: 
(sighs in relief). 
Frodo: 
Wait - there are markings. It's some form of elvish. I can't read it. 
Gandalf: 
There are few who can. The language is that of Mordor. Which I will not utter here. 
Frodo: 
Mordor?! 
Gandalf: 
In the common tongue, it says 'One Ring to Rule them all, One Ring to find them. One Ring to 
bring them all, and in the darkness bind them.' 
(Gandalf sits at the table, smoking, while Frodo makes tea) 
Gandalf: 
This is the one ring, forged by the Dark Lord, Sauron in the fires of Mount Doom, taken by 
Isildur from the hand of Sauron himself. 
Frodo: 
Bilbo found it. In Gollum's cave. 
Gandalf: 
Yes. For 60 years the ring lay quiet, in Bilbo's keeping, prolonging his life, delaying old age. But 
no no longer, Frodo. Evil is stirring in Mordor. The ring has awoken. It's heard its master's call. 
Frodo: 
But he was destroyed. Sauron was destroyed. 
Gandalf: 
(whispers) No, Frodo. The spirit of Sauron endured. His life force is bound to the ring, and the 
ring survived. Sauron has returned. His orcs have multiplied, his fortress of Barad-dur is rebuilt 
in the land of Mordor. Sauron needs only this ring to cover all the lands of a second darkness. He 
is seeking it. Seeking it, all his thought is bent on it. (whispers)The ring yearns above all else to 
return to the hand of its master. They are one. The ring, and the Dark Lord. Frodo. He must 
never find it. 
Frodo: 
(Takes the envelope, and walks into the next room, as though seeking for a place to hide it). 
Alright. We put it away. We keep it hidden. We never speak of it again. No one knows it's here 
do they. Do they, Gandalf? (Turns around to face Gandalf) 
Gandalf: 
There is one other that knew that Bilbo had the ring. I looked everywhere for the creature 
Gollum. But the enemy found him first. I don't know how long they tortured him for. But amidst 
the endless screams and the babble, they discerned two words. 
Gollum 
SHIRE! BAGGINS! 
Frodo: 
Shire! Baggins?! But that would lead them here! 
--------------------------------------------------------------------------------

Scene switches, and the riders in black are seen. A hobbit holds out a lantern. 
Hobbit: 
Who goes there? 
One of the riders swings a sword at his head. 
--------------------------------------------------------------------------------


Frodo: 
Take it Gandalf! Take it! (Frodo holds out the ring to Gandalf). 
Gandalf: 
No Frodo 
Frodo: 
You must take it! 
Gandalf: 
You cannot offer me this ring. 
Frodo: 
I'm giving it to you! 
Gandalf: 
DON'T ... tempt me, Frodo! 
Frodo: 
(Frodo lowers his hand). 
Gandalf: 
I dare not take it. (whispers) Not even to keep it safe. Understand, Frodo, I would use this ring 
from a desire to do good. But through me, it would wield a power too great and terrible to 
imagine. 
Frodo: 
But it cannot stay in the Shire! 
Gandalf: 
NO - no it can't. 
Frodo: 
(Closes his hand over the ring) What must I do? 
Gandalf: 
You must leave. And leave quickly. 
Frodo: 
Where? Where do I go? 
Gandalf: 
Get out of the Shire. Head for the village of Bree. 
Frodo: 
Bree... What about you? 
Gandalf: 
I'll be waiting for you, at the inn of the Prancing Pony. 
Frodo: 
And the ring will be safe there? 
Gandalf: 
I don't know, Frodo. I don't have any answers. I must see the head of my order. He is both wise, 
and powerful. Trust me, Frodo. He'll know what to do. You'll have to leave the name of Baggins 
behind you, for the name is not safe outside the Shire. Travel only by day, and stay off the road. 
Frodo: 
I can cut across countries easily enough. 
Gandalf: 
My dear Frodo. Hobbits really are amazing creatures. You can learn all there is to know about 
their ways in a month, and yet after a hundred years, they can still surprise you. 
(A clicking noise is heard. The camera view moves to the window) 
Gandalf: 
Get down. (He takes his staff, slowly moving towards the window, then points his staff out of the 
window, and hits something. Then he sticks his hands out of the window and grabs something. It 
turns out to be a hobbit. He drops him onto the table.) 
Confound it all, Samwise Gamgee! Have you been eavesdropping? 
Sam: 
I haven't dropped no eaves, sir, honest. I was just cutting the grass under the window there, if 
you follow me. 
Gandalf: 
A little late for trimming the verge, don't you think? 
Sam: 
I heard raised voices... 
Gandalf: 
What did you hear? SPEAK! 
Sam: 
N-n-n-nothing important. That is I heard a great deal about a ring, Dark Lord, and something 
about the end of the world, but, please Mr Gandalf, sir, please don't 'urt me. Don't turn me into 
anything - unnatural... 
Gandalf: 
No... Perhaps not... (whispers) I've thought of a better use for you 
--------------------------------------------------------------------------------

The next day, at dawn, Gandalf is seen leading his horse into the woods, with Frodo and Sam 
following him. 
Gandalf: 
Come along, Samwise, keep up. Be careful, both of you. The enemy has many spies in his 
service... birds, beasts... (to Frodo:) Is it safe? 
Frodo: 
Puts his hand over his coat pocket. 
Gandalf: 
Never put it on. For the agent of the Dark Lord will be drawn to its power. Always remember, 
Frodo. The ring is trying to get back to its master. It wants to be found. (Gandalf rides off into 
the woods, birds are heard screeching). 
Sam and Frodo set off. 
Sam: 
This is it. 
Frodo: 
This is what? 
Sam: 
If I take one more step, it'll be the farthest away from home I've ever been. 
Frodo: 
(Walks back towards Sam) Come on, Sam. 
Sam: 
(Takes step) 
Frodo: 
(Puts his hand onto Sam's shoulder) 
You remember what Bilbo used to say? 
(They continue walking) 
Bilbo: 
It's a dangerous business, Frodo, going out your door. You step out onto the road, and if you 
don't keep your feet, there's no knowing where you might be swept off to. 
--------------------------------------------------------------------------------


Scene switches to Gandalf. He rides off to Isengard, to find Saruman, the head of his order.

Saruman: 
Smoke rises from the mountain of Doom, and the hour grows late, and Gandalf the Grey rides to 
Isengard seeking my counsel. For that is why you have come, is it not? My old friend 
Gandalf: 
Saruman. (bows head) 
--------------------------------------------------------------------------------

Gandalf and Saruman are talking as they walk in the garden. 

Saruman: 
You are sure of this? 
Gandalf: 
Beyond any doubt. 
Saruman: 
So the ring of power has been found. 
Gandalf: 
All these long years, it was in the Shire, under my very nose. 
Saruman: 
Yet you did not have the wits to see it. Your love of the Halflings' leaf has clearly slowed your 
mind. 
Gandalf: 
But we still have time. Time to counter Sauron if we act quickly. 
Saruman: 
Time? What time do you think we have? 


--------------------------------------------------------------------------------

The scene moves to Saruman's room. 
Saruman: 
Sauron has regained much of his former strength. He cannot yet take physical form, but his spirit 
has lost none of its potency. Concealed within his fortress, the Lord of Mordor sees all. His gaze 
pierces cloud, shadow, earth and flesh. You know of what I speak, Gandalf. A great eye, lidless, 
wreathed in flame. 
Gandalf: 
(Whispers) The eye of Sauron. 
Saruman: 
He is gathering all evil to him. Very soon he will summon an army great enough to launch an 
assault upon Middle Earth. 
Gandalf: 
You know all this? How? 
Saruman: 
I have seen it. 
--------------------------------------------------------------------------------


Gandalf and Saruman are walking into the hall. 

Gandalf: 
A palantir is a dangerous tool, Saruman. (walking towards the palantir). 
Saruman: 
Why? Why should we fear to use it? (Takes cover off palantir) 
Gandalf: 
They are not all accounted for, the lost seeing stones. You do not know who else may be 
watching. (Puts the cover back onto the palantir) 
Saruman: 
The hour is later than you think. Sauron's forces are already moving. The nine have left Minas 
Morgul. 
Gandalf: 
(whispers)The nine. 
Saruman: 
They crossed the river Isen on Midsummer's Eve, disguised as riders in black. 
Gandalf: 
They've reached the Shire... 
Saruman: 
They will find the ring, and kill the one that carries it. 
Gandalf: 
(whispers)Frodo! Frodo! (Makes for a door, but as he approaches it, it is closed. He makes for 
the other 3 doors, but each close as he heads for them). 
Saruman: 
You do not seriously think that a hobbit could contend with the will of Sauron? There are none 
who can. Against the power of Mordor, there can be no victory. We must join with him, Gandalf. 
We must join with Sauron. It would be wise, my friend. 
Gandalf: 
Tell me, friend. When did Saruman the wise abandon reason for madness? 

Saruman pins Gandalf against the wall about the door, then lets him drop. They use their staffs to 
fight, but Saruman manages to take Gandalf's staff from him. 

Saruman: 
I gave you the chance of aiding me willingly, but you have elected a way of paying! 
He then uses his staff to throw him to the top of the tower of Isengard.

Sam: 
Mr Frodo? Frodo! FRODO! (Frodo comes into sight, and Sam sighs in relief.)
I thought I'd lost you. 
Frodo: 
What are you talking about? 
Sam: 
It's just something Gandalf said. 
Frodo: 
What did he say? 
Sam: 
"Don't you lose him, Samwise Gamgee." And I don't mean to. 
Frodo: 
Sam, we're still in the Shire. What could possibly happen? 
Just then, Merry and Pippin come out from the bushes, and fall onto Frodo and Sam. 

Pippin: 
Frodo! Merry - It's Frodo Baggins! 
Merry: 
Hello, Frodo. 
Sam: 
(heaves Pippin off Frodo). Get off him! 
Frodo: 
What's the meaning of this? 
Merry: 
(To Sam) Hold these. 
Sam: 
You've been into Farmer Maggot's crop! 
Farmer Maggot: 
(Barking noises are heard) Hey! You get back here! ??? You get out of my fields..., etc. 
Sam: 
(Stands holding the cabbages and carrots) OOh. Drops them on the ground and follows the 
others into the cover of Farmer Maggot's crop. 
Merry: 
I don't know why he's so upset. It's only a couple of carrots 
Pippin: 
And some cabbages. And then those three bags of potatoes we lifted last week, and, and, the 
mushrooms, the week before! 
Merry: 
Yes, Pippin, my point is, he's clearly over reacting! Run! 
They run, but come to the edge of a steep slope, and fall off it. 
Pippin: 
(Falls near a pile of animal manure)Oooh. That was close. 
Merry: 
Ahhh. Ohhh. I think I've broken something. (Pulls out a broken carrot from underneath him) 
Sam: 
Trust a Brandybuck and a Took. 
Merry: 
What? It was just a detour. A shortcut. 
Sam: 
A shortcut to what? 
Pippin: 
(Spots something on the ground) Mushrooms!! 
Sam, Pippin, and Merry and whispering, as they put some mushrooms into a bag. 
Frodo: 
I think we should get off the road. 
The sound of a horse neighing is heard, and the leaves rustle on the ground. 
Frodo: 
Get off the road! QUICK! 

The hobbits hurry off the road, and find a hiding place under the roots of a tree. A rider in black 
comes dismounts, and comes towards their hiding place. Frodo is tempted to put on the ring, but 
Sam stops him. Merry throws something off into the distance, and the rider moves towards it. 
The hobbits leave their hiding place and run. 

Merry: 
What was that? 
The hobbits are shown running through the woods in the dark. At least one rider is nearby. 
Merry: 
Anything? 
Frodo: 
Nothing! 
Pippin: 
What is going on? 
Merry: 
That black rider was looking for something. Or someone... Frodo? 
Frodo: 
(Turns around to face Merry) 
Pippin: 
Get down! 
The hobbits get down, and a rider is seen nearby. 
Frodo: 
I have to leave the Shire. Sam and I must get to Bree. 
Merry: 
Right... Buckleberry Ferry. Follow me. 
The follow Merry, but a black rider sees and chases them. 
Merry: 
Hurry! Follow me! 
They run, and come to the river. Sam, Merry and Pippin are there, but Frodo is still being chased 
by a black rider. 
Merry: 
Get the boats out! 
Sam: 
Frodo! 
The Hobbits:
Frodo! No! Hurry! Come on! 
The others have untied the boat, and it is drifting off. Frodo runs, and manages to jump onto the 
boat. The rider stops at the river bank, and turns around. 
Frodo: 
How far to the nearest crossing? 
Merry: 
The brandywine bridge. Twenty miles. 
The rider is seen riding off, and is joined by at least two other riders in black. 


--------------------------------------------------------------------------------


The hobbits are seen approaching the gate into Bree. 
Frodo: 
Come on. 
They knock on the gate. The gatekeeper opens a shutter, but it is too high up to see the hobbits, 
and opens a lower one. 
Gatekeeper: 
What do you want? 
Frodo: 
We're heading for the Prancing Pony. 
Gatekeeper: 
(Opens gate). Hobbits. Four hobbits! What business brings you to Bree? 
Frodo: 
We wish to stay at the inn. Our business is our own. 
Gatekeeper: 
Alright, young sir, I meant no offence. It's my job to ask questions after nightfall. There's talk of 
strange folk abroad. Can't be too careful. 

The gatekeeper lets them in. Bree is full of men, or 'big folk', as the hobbits call them, and it is a 
rough area. One of the hobbits bump into one of the men, who says 'watch where you're going!' 
Eventually, they find the inn of the 'Prancing Pony', and enter it. 

Frodo: 
(walks up to the counter)Excuse me. 
Innkeeper: 
Good evening, little masters. If you're seeking accommodation, we've got some nice cosy, hobbit 
sized rooms available... Mr... er... 
Frodo: 
Underhill. My name's Underhill. 
Innkeeper: 
Underhill... 
Frodo: 
We're friends of Gandalf the Grey. Can you tell him we've arrived? 
Innkeeper: 
Gandalf... Gandalf... Oh.... yes! I remember. Elderly chap. Big grey beard, and pointy hat. 
Frodo: 
(Smiles and nods) 
Innkeeper: 
Not seen him for 6 months. 
Frodo: 
(turns around to face Sam, Merry, and Pippin) 
Sam: 
What do we do now? 
The scene skips to the hobbits sitting at a table 
Frodo: 
Sam - he'll be here. He'll come 
Merry: 
(Comes to the table with a large mug of drink) 
Pippin: 
What's that? 
Merry: 
This, my friend, is a pint. 
Pippin: 
It comes in pints? I'm getting one. (walks off) 
Sam: 
You've got a whole half already!! (To Frodo). That fellow's done nothing but stare at you since 
we arrived. 
Frodo: 
(To innkeeper, as he walks past)Excuse me. That man in the corner. Who is he? 
Innkeeper: 
(Looks at the man) He's one of them rangers. Dangerous folk, they are, wandering in the wilds. 
What his right name is, I've never heard, but around here, he's known as Strider. (He walks off) 
Frodo: 
Strider... 
Frodo fingers his ring. He hears voices saying 'Baggins' 
Pippin: 
Baggins? Sure I know a Baggins. He's over there (Pippin is talking to some men, and points to 
Frodo). Frodo Baggins. He's my second cousin once removed on his mother's side and ... (The 
voices of the other people in the room drown out his voice) 
Frodo: 
(Anxiously makes his way towards Pippin to stop him) Pippin! (He grabs him, causing him to 
spill some of his drink) 
Pippin: 
Steady on! 
Frodo: 
(Trips on the foot of one of the men, falling backwards. As he hits the ground, his ring flies 
upwards, and it falls back down onto his finger, causing him to disappear). 


The black riders are seen coming closer to the inn: they are drawn to its power. Frodo sees the 
world in darkness when he puts on the ring. There are many shadows, and he hears a voice. 

Voice: 
You cannot hide. I see you. 

Frodo: 
(He sees a great red eye, and pulls the ring off his finger. Just as he is recovering, he finds a hand 
on his shoulder. The man, Strider pulls him up the stairs into his room). 
Strider: 
You draw far too much attention to yourself, Mr Underhill. 
Frodo: 
What do you want? 
Strider: 
A little more caution from you, that is no trinket you carry. 
Frodo: 
I carry nothing. 
Strider: 
Indeed. I can avoid being seen if I wish. But to disappear entirely. That is a rare gift. (he pinches 
the candles in the room to put them out, and takes off his hood) 
Frodo: 
Who are you? 
Strider: 
Are you frightened? 
Frodo: 
Yes. 
Strider: 
Not nearly frightened enough. I know what hunts you. 
The door is opened, and Strider draws his sword. Merry, Pippin, and Sam are seen standing in 
the doorway. Sam has his fists held forward. 
Sam: 
Let him go, or we'll have you, long shanks! 
Strider: 
You have a stout heart for a hobbit (Puts his sword away) But that will not save you. You can no 
longer wait for the wizard, Frodo. They're coming. 
--------------------------------------------------------------------------------

The scene switches to the Black riders. The gatekeeper hears them coming to the gate, and walks 
towards it. The Black riders knock down the gate, and enter Bree. 

The scene switches back to the hobbits, who are sleeping. Then we see the Black riders 
approach, and enter the hobbit rooms. There is a rider standing over each bed, and in unison, 
they thrust their swords into them. They do this several times, but when they take the blankets 
off, they find that there was no one sleeping in the beds. They turn over the beds, and ride off. 
The scene switches back to Strider, who is sitting by the window with the hobbits, who have 
awoken. 
Frodo: 
What are they? 
Aragorn: 
They were once men. Great kings of men. Then Sauron the deceiver gave to them 9 rings of 
power. Blinded by their greed, they took them without questioning, one by one, falling to 
darkness. Now they are slaves to his will. They are the Nazgul. Ring wraiths. Neither living nor 
dead. At all times they feel the presence of the ring. Drawn to the power of the One. They will 
never stop hunting you. 
--------------------------------------------------------------------------------


The next day, Strider is seen leading a pony into the countryside, with the hobbits following him. 
Frodo: 
Where are you taking us? 
Strider: 
Into the wild. 
Merry: 
How do we know this Strider is a friend of Gandalf's? 
Frodo: 
We have no choice but to trust him. 
Sam: 
But where is he leading us? 
Strider: 
To Rivendell, Master Gamgee, to the House of Elrond. 
Sam: 
Did you hear that? Rivendell. We're going to see the elves. 

They walk on for some time. At one point, Strider hears the Hobbits whispering behind him, and 
realises that they have stopped. 
Strider: 
(turns around) Gentlemen. We do not stop 'till nightfall. 
Pippin: 
What about breakfast? 
Strider: 
You've already had it. 
Pippin: 
We've had one, yes. What about second breakfast? 
Strider turns around, and continues on. 
Merry: 
Don't think he knows about second breakfast, Pippin. 
Pippin: 
What about elevensies? Luncheon. Afternoon tea. Dinner? Supper. He knows about them. 
Doesn't he? 
Merry: 
I wouldn't count on it. 
Strider throws an apple back, and Merry catches it. He hands it to Pippin, pats him on the back. 
Then Strider throws another apple, which hits Pippin on the head. Pippin looks up, and around 
him, bewildered. 
Merry: 
Pippin... 
--------------------------------------------------------------------------------

In Isengard: Saruman is using the Palantir 
Saruman: 
The power of Isengard is at your command, Sauron, lord of the earth. 
Voice of Sauron 
Build me an army worthy of Mordor. 

The scene switches to a room in Saruman's tower. 
Orc: 
What orders from Mordor, my lord? What does the eye command? 
Saruman: 
We have work to do. 

The orcs outside Isengard are uprooting all the trees. We see Gandalf on top of the tower of 
Isengard. Then we see the orcs working down below, pulling down the trees. 
Orc: 
The trees are strong, my lord. The roots go deep. 
Saruman: 
Rip them all down. 
Once again, we see Gandalf at the top of the tower of Isengard 


--------------------------------------------------------------------------------

The scene goes back to Strider and the hobbits. 
Strider: 
This was the great watchtower of Amon Sul. We will rest here tonight. 
(The hobbits settle down in a corner. Strider takes out four short swords, and passes one to each 
hobbit) 
Strider: 
These are for you. Keep them close. I'm going to have a look around. Stay here. 
(Some time later, when it is dark, Frodo wakes up suddenly. Merry, Pippin, and Sam are cooking 
something around a fire) 
Pippin: 
Can I have some meat? 
Merry: 
Ok. Want some tomatoes, Sam? Great tomatoes... 
Frodo: 
(Gets up, and walks over to his friends) 
(In an urgent voice) What are you doing?! 
Merry: 
Tomatoes, sausages, nice crispy bacon. 
Sam: 
We saved some for you, Mr Frodo. 
Frodo: 
(Stamps onto the fire, putting it out with his bare feet). 
Put it out, you fools! Put it out! 
Pippin: 
Oh, that's nice! Ash on my tomatoes... 
The cry of the Nazgul is heard. The hobbits draw their swords, and see the the Nazgul encircling 
Amon Sul 
Frodo: 
(Gesturing for the others to go up to the top of the watchtower) Go!!! 
(The Nazgul follow the hobbits to the top, and face them.) 
Sam: 
back you devils!!! 

The Riders draw their swords, and swipe Merry, Pippin, and Sam out the way. Frodo falls 
backwards. The riders stand over him with their swords, and Frodo puts on the ring. He sees the 
faces of the riders in bright light. The riders say something in another language then stab Frodo 
in arm 

Frodo: 
Ahhhhhhhh (He takes the ring off). 
Sam: 
Frodo! (He runs over to Frodo). 
Frodo: 
Sam. 
Strider comes, with a torch in one hand, and his sword in the other. He takes on the riders, and 
manages to set the alight, driving them away. 
Sam: 
Strider! Help him Strider! 
Aragorn: 
He has been stabbed by a Morgul blade. This is beyond my skill to heal. He needs elvish 
medicine. Hurry! (He picks Frodo up over his shoulder, and they head off into the night.) 
Sam: 
We're 6 days from Rivendell! He'll never make it! 
Aragorn: 
Frodo, Frodo 
Frodo: 
Gandalf!!! 


--------------------------------------------------------------------------------


A moth flies up to the tower of Isengard, where Gandalf is imprisoned. Gandalf catches the moth 
in his hand, and begins to speak to it in elvish. 
Gandalf: 
(something in elvish to moth) : Go: 
(Orcs cutting down trees near Isengard) (Uruk-Hai comes out from mud) 


--------------------------------------------------------------------------------


Strider and the hobbits have stopped walking. 
Sam: 
Mr Frodo? He's going cold! 
Pippin: 
Is he going to die? 
Aragorn: 
He's passing into the shadow. He'll soon become a wraith like them. 
Merry: 
(Hears horses) They're close! 
Aragorn: 
Sam, do you know the Athelas plant? 
Sam: 
Athelus? 
Aragorn: 
Kingsfoil. 
Sam: 
Kingsfoil, that's a weed. 
Aragorn: 
It may help to slow the poison. Hurry. (He gives Sam a torch, and then goes off to look for the 
weed. He finds some, and takes out a knife to cut it, but finds a blade at his throat.) 

Arwen: 
What's this, a ranger, caught off his guard?! 

Arwen: 
Frodo... Im Arwen. Telin le thaed. Lasto beth nin, tolo dan na ngalad. 
(Translation into English:) I am Arwen. I have come to help you. Hear my voice. Come back to 
the light. 
Merry: 
Who is she? 
Arwen: 
Frodo 
Sam: 
She's an elf. 
Arwen: 
He's fading. He's not going to last. We must get him to my father. I've been looking for you for 2 
days. 
Sam: 
Where are you taking him?! 
Arwen: 
There are 5 wraiths behind you. Where the other four are I do not know. 
Strider/Aragorn: 
Dartho guin berian. Rych le ad tolthathon. 
(Translation:)Stay with the Hobbits. I will send horses for you 
Arwen: 
Hon mabathon. Rochon ellint im. 
(Translation:) I'm the faster rider. I'll take him. 
Strider/Aragorn: 
Andelu i ven. 
(Translation:) The road is too dangerous 
Pippin: 
What are they saying? 
Arwen: 
Frodo fir. Ae athradon i hir, tur gwaith nin beriatha hon. 
(Translation:) If I can get across the river, the power of my people will protect him. 
I do not fear them. 
Strider/Aragorn: 
Beyest lin. 
Arwen, ride hard. Don't look back! 
Arwen: 
Noro lim, Asfaloth, noro lim! 
(Translation:) Ride on, Asfaloth, ride fast 
(Arwen rides off with Frodo) 
Sam: 
What are you doing! Those Wraiths are still out there!!
Arwen: 
(Arwen is chased by 8 riders, one reaches out for Frodo) Noro lim, asfaloth! (She reaches the 
river. Riders stop on the other side) 
A Rider: 
Give up the Halfling, she-elf! 
Arwen: 
If you want him, come and claim him. (Riders start to cross river) 
Nin o Chithaeglir, lasto beth daer, Rimmo nin Bruinen dan in Ulaer! 
(Translation:) Waters of the Misty Mountains listen to the great word: flow waters of Loudwater 
against the Ringwraiths! 

The water rises from the river, drowning the riders. Frodo becomes fainter, and makes strange 
noises 
Arwen: 
Frodo! No! Frodo, don't give in! Not now! (whispers) What grace is given me, let it pass to him. 
Let him be spared. Save him. 
--------------------------------------------------------------------------------

Elrond: 
(Standing over Frodo, saying things in elvish) 
Lasto beth nin. Tolo dan nan galad. 
Translation: (Hear my voice, come back to the light) 
--------------------------------------------------------------------------------

Frodo: 
Where am I? 
Gandalf: 
You are in the house of Elrond, and it is 10 o'clock in the morning, on October the 24th if you 
want to know 
Frodo: 
Gandalf. 
Gandalf: 
Yes? Yes, I'm here. And you're lucky to be here too. A few more hours, and you would have 
been beyond our aid. But you had some strength in you. My dear hobbit. 
Frodo: 
What happened? Why didn't you meet us? 
Gandalf: 
Oh, I'm sorry Frodo. I was delayed. 

(FLASHBACK:) 
Saruman: 
A friendship with Saruman is not lightly thrown aside. One ill turn deserves another. It is over. 
Embrace the power of the ring, or embrace your own destruction. 
Gandalf: 
There is only one Lord of the Ring. Only one can bend to his will. And he does not share power. 
(Jumps off tower onto the eagle, Gwaihir) 
Saruman: 
So you have chosen death. 
We see that the eagle takes Gandalf far, across mountains. 
(END OF FLASHBACK:) 

Frodo: 
Gandalf? What is it? 
Gandalf: 
Nothing. 
Sam: 
Frodo! Frodo! 
Frodo: 
Sam! 
Sam: 
Bless you, you're awake! 
Gandalf: 
Sam has hardly left your side. 
Sam: 
We were that worried about you, weren't we, Mr Gandalf! 
Gandalf: 
By the skills of Lord Elrond, you are beginning to mend. 
Elrond: 
Welcome to Rivendell, Frodo Baggins. 
--------------------------------------------------------------------------------

(Frodo walks around Rivendell with Sam, and meets Merry and Pippin. He embraces them. Then 
Frodo sees Bilbo) 

Frodo: 
Bilbo! 
Bilbo: 
Hello, Frodo, my lad! 
Frodo: 
Bilbo! (Reads:) There and back again, A hobbit's tale, by Bilbo Baggins. This is wonderful. 
Bilbo: 
I meant to go back. Wonder the paths of Mirkwood. Visit Laketown. See the Lonely Mountain 
again. But age, it seems has finally caught up with me. 
Frodo: 
I miss the Shire. I spent all my childhood pretending I was off somewhere else, off with you on 
one of your adventures. But my own adventure turned out to be quite different. I'm not like you, 
Bilbo. 
Bilbo: 
My dear boy. 
--------------------------------------------------------------------------------

Sam: 
(to himself) Now, what have I forgotten? 
Frodo: 
Packed already. 
Sam: 
No 'arm in being prepared 
Frodo: 
Thought you wanted to see the elves, Sam. 
Sam: 
I do. 
Frodo: 
More than anything 
Sam: 
I did: It's just: We did what Gandalf wanted, didn't we? We got the ring this far to Rivendell. 
And I thought, seeing now you're on the mend, we'd be off soon. Off home. 
Frodo: 
You're right, Sam. We did what we set out to do. The ring will be safe in Rivendell. I am ready 
to go home. 
--------------------------------------------------------------------------------

Elrond: 
His strength fully returns 
Gandalf: 
That wound will never fully heal. He will carry it the rest of his life. 
Elrond: 
And yet, to have come so far, still bearing the ring, the hobbit has showed extraordinary 
resilience to its evil. 
Gandalf: 
It is a burden he should never have had to bear. We can ask no more of Frodo. 
Elrond: 
Gandalf, the enemy is moving. Sauron's forces are massing in the east. Its eye is fixed on 
Rivendell. And Saruman, you tell me, has betrayed us. Our list of allies grows thin 
Gandalf: 
His treachery runs deeper than you know. By foul craft Saruman has crossed Orcs with Goblin 
men. He's breeding an army at the caverns of Isengard. An army which can move in sunlight, 
and cover great distance and speed. Saruman is coming for the ring. 
Elrond: 
This evil cannot be concealed by the power of the Elves. We do not have the strength to fight 
both Mordor and Isengard. Gandalf. The Ring cannot stay here. (music plays) (Dwarves, Elves, 
and Men arrive) 
Elrond: 
This peril belongs to all Middle Earth. They must decide now how to end it. The time of the 
Elves is over. My people are leaving these shores. Who will you look to when we've gone? The 
Dwarves? They hide in their mountains seeking riches. They care nothing for the troubles of 
others. 
Gandalf: 
It is in men that we must place our hope. 
Elrond: 
Men? Men are weak. The race of men is failing. The blood of Numenor is all but spent. Its pride 
and dignity forgotten. It is because of men the ring survives. I was there, Gandalf. I was there 
three thousand years ago... It is because of men the ring survives. I was there the day the strength 
of men failed. 

(FLASHBACK) 
Elrond: 
Isildur! Hurry 
Elrond: 
(Voice over) I led Isildur into the heart of Mount Doom. Where the ring was forged. The one 
place it could be destroyed. 
Elrond: 
Cast it into the fire. Destroy it!!! 
Isildur: 
No 
Elrond: 
Isildur!!!!!! 
(END OF FLASHBACK) 

Elrond: 
It should have ended that day, but evil was allowed to endure. Isildur kept the ring, the line of 
kings is broken, there's no strength left in the world of men. They are scattered, divided, 
leaderless 
Gandalf 
There is one that might unite them. One who could reclaim the throne of Gondor. 
Elrond: 
He turned from that path a long time ago. He has chosen exile. 
--------------------------------------------------------------------------------

Boromir: 
The shards of Narsil, the blade that cut the ring from Sauron's hand. (He fingers the blade, and 
cuts his finger). Still sharp. (Sees Strider watching him.) 
No more than a broken heirloom. 
(He puts the sword back in its place and walks off. As he walks off, the sword falls, but he does 
not pick it up). 
(Strider picks up sword, and places it back in its place. He stands in front of the sword for a 
while.) 
Arwen: 
Why do you fear the past? You are Isildur's heir, not Isildur himself. You are not bound to his 
fate. 
Strider: 
The same blood flows in my veins. The same weakness. 
Arwen: 
Your time will come. You will face the same evil and you will defeat it. 
A si i-dhuath u-orthor, Aragorn. U or le a u or nin 
(Translation: The Shadow does not hold sway yet. Not over you, not over me.) 
--------------------------------------------------------------------------------

Arwen: 
Renech i lu ned ol reniannen? 
(Translation: Do you remember when we first met?) 
Strider: 
Nauthannem i ned ol reniannen. 
(Translation: I thought I had strayed into a dream.) 
Arwen: 
Gwenwin in enninath. U-arnech n naeth i si celich. Renech i beth i pennen? 
(Translation: Long years have passed. You did not wear the troubles you carry now. Do you 
remember what I told you?) 
Strider: 
You said you'd bind yourself to me, forsaking the immortal life of your people. 
Arwen: 
And to that I hold. I would rather share one lifetime with you, than face all the ages of this world 
alone. 
(She gives him her necklace, the evenstar jewel, a symbol of her immortality) 
I choose a mortal life. 
Strider: 
You cannot gives me this 
Arwen: 
It is mine to give to whom I will. Like my heart. 
(They kiss) 
--------------------------------------------------------------------------------

The scene switches to a part of Rivendell, where dwarves, elves, and men, and elves are sitting in 
a semicircle. 

Elrond: 
Strangers from distant lands, friends of old. You have been summoned to answer the threat of 
Mordor. Middle Earth stands upon the brink of destruction. 
None can escape it. You will unite, or you will fall. Each race is bound this fate, this one doom. 
Bring forth the ring, Frodo. 
Frodo: 
(Places the ring onto the table) 
Unknown: 
The doom of man. 
Boromir: 
So it is true: It is a gift. A gift to the foes of Mordor. Why not use this ring. Long has my 
father, the steward of Gondor kept the forces of Mordor at bay by the blood of our people are 
your lands kept safe. Give Gondor the weapon of the enemy. Let us use it against him! 
Aragorn: 
You cannot wield it. No one can. The one ring answers to Sauron alone. It has no other master. 
Bormir: 
And would a ranger know of this matter? 
Legolas: 
This is no mere ranger. He is Aragorn, son of Arathorn. You owe him your allegiance. 
Boromir: 
Aragorn? This is Isildur's heir? 
Legolas: 
An heir to the throne of Gondor. 
Aragorn: 
Havo dad, Legolas 
(Translation:) Sit down, Legolas. 
Boromir: 
Gondor has no king. Gondor needs no king. 
Gandalf: 
Aragorn is right. We cannot use it. 
Elrond: 
You have but one choice. The ring must be destroyed. 
Gimli: 
What are we waiting for (tries to smash ring with axe, axe breaks) 
Elrond: 
The ring cannot be destroyed, Gimli, son of Gloin by any craft that we here possess. The ring 
was made in the fires of Mount Doom. Only there can it be unmade. It must be taken deep into 
Mordor and cast back into the firey chasm from whence it came. One of you must do this. 
Boromir: 
One does not simply walk into Mordor. Its black gates are guarded by more than just orcs. There 
is evil there that does not sleep. And the great eye is ever watchful. 'Tis a barren wasteland, 
riddled with fire and ash and dust. The very air that you breathe is a poisonous fume. Not with 
ten thousand men could you do this. It is folly. 
Legolas: 
Have you heard nothing that Lord Elrond has said? The ring must be destroyed! 
Gimli: 
And I suppose you think you're the one to do it! 
Boromir: 
And if we fail, what then? What happens when Sauron takes back what is his? 
Gimli: 
I will be dead before I see the ring in the hands of an elf! 

(All the elves stand up, then the Dwarves, then everyone except Frodo). (Frodo hears the voice 
of the ring, saying:) 
Ash nazg durbatuluk, Ash nazg gimbatul, Ash nazg thrakatuluk, Agh burzum-ishi krimpatul 
(One ring to rule them all, one ring to find them, one ring to bring them all and in the darkness 
bind them) 
Frodo: 
I will take it! I will take it! (everyone else stops and listens to him) I will take the ring to 
Mordor: Though : Though I do not know the way. 

Gandalf: 
I will help you bear this burden, Frodo Baggins. As long as it is yours to bear. 
Aragorn: 
By my life or death, if I can protect you, I will. (kneels beside Frodo) You have my sword. 
Legolas: 
And you have my bow. 
Gimli: 
And my axe 
Boromir: 
You carry the fate of us all little one. If this is indeed the will of the council, then Gondor will 
see it done. 
Sam: 
Hey! Mr Frodo's not going anywhere without me. 
Elrond: 
No, indeed, it is hardly possible to separate you from him, even when he is summoned to a secret 
council, and you are not. 
Merry: 
Oi! We're coming too! You'd have to send us home tied up in a sack to stop us. 
Pippin: 
Besides, you need people of intelligence on this sort of mission: quest: thing. 
Merry: 
Well that rules you out, Pip. 
Elrond: 
Nine companions. So be it! You shall be the fellowship of the ring. 
Pippin: 
Great. Where are we going?
Bilbo: 
My old sword, Sting. Here, take it, take it. 
Frodo: 
It's so light. 
Bilbo: 
Yes, yes: made by the elves, you know? The blade glows blue when orcs are near, and it's at 
times like that, my lad, when you have to be extra careful. Here's a pretty thing. Mithril. As light 
as a feather, and as hard as dragons scales. Let me see you put it on. 
Frodo: 
(Eagerly begins to unbutton his shirt) 
Bilbo: 
(Sees the Ring hanging from a chain on Frodo's neck). 
Oh - M-my old ring. I sh-should very much like - to hold it again, one last time. 
Frodo: 
(Begins to button up his shirt again) 
Bilbo: 
(Transformed by the ring, makes a grab towards Frodo, his eyes bulging out) 
Frodo: 
(Alarmed, backs away) 
Bilbo: 
(Now normal again, backs away, and sinks into a chair, with his back to us. He sits, there, 
weeping. 
I'm sorry I brought this upon you, my boy... I'm sorry that you must carry this burden... I'm sorry 
for everything! 
Frodo places his hand reassuringly onto Bilbo's shoulder, and Bilbo, in a sudden movement 
places his hand onto Frodo's. 

The Fellowship departs from Rivendell. 
The next scene shows the Fellowship travelling together. 

Voice of Gandalf: 
We must hold this course west from the Misty Mountains for forty days. If our luck holds, the 
Gap of Rohan will still be open to us. From there our road turns east to Mordor. 
--------------------------------------------------------------------------------

The Fellowship has stopped, and Boromir is teaching Merry and Pippin to sword fight. 

Boromir: 
Two, Three, Four, Five. Very good. 
Aragorn: 
(While smoking) Move your feet. 
Merry: 
That's good, Pippin. 
Pippin: 
Thanks. 
Boromir: 
Faster. 

Gimli: 
If Anyone was to ask for my opinion, which I note they're not, I'd say we were taking the long 
way round. Gandalf! We could pass through the Mines of Moria. My cousin Balin would give us 
a royal welcome. 
Gandalf: 
No, Gimli. I would not take the roads through Moria unless I had no other choice. 
(Boromir is now fighting with Pippin. He hits him). 
Pippin: 
Ahhh. 
Bormir: 
Sorry. 
Pippin: 
Get him! 
Merry: 
Arr, ow, etc. He got my arm, he got my arm: 
Sam: 
What is that? 
Gimli: 
Nothing, it's just a wisp of cloud. 
Boromir: 
Well, it's moving fast. Against the wind. 
Legolas: 
Crebain from Duneland 
Unknown: 
HIDE, etc. 
Gandalf: 
Spies of Saruman. The passage south is being watched. We must take the pass of Caradhras 


--------------------------------------------------------------------------------


(The Fellowship are seen walking up the steep and snowy mountains. Frodo falls, and finds he 
has dropped the ring. Boromir picks it up) 
Aragorn: 
Boromir. 
Boromir: 
It is a strange fate. For which should suffer so much fear and doubt. One so small a thing. Such a 
little thing. 
Aragorn: 
Boromir! Give the ring to Frodo. 
Boromir: 
As you wish. 
(Frodo grabs it). 
Boromir: 
I care not. (laughs and ruffles Frodo's hair. He walks off, and Aragorn takes his hand off the hilt 
of his sword). 
--------------------------------------------------------------------------------

The birds seen in the previous scene make their way to Isengard, where Saruman is. 
Saruman: 
So Gandalf, you try to lead them over Caradhras And if that fails. Where then will you go? If the 
mountain defeats you, will you risk the more dangerous road? 
Legolas: 
There is a fell voice from the air. 
Gandalf: 
It's Saruman! 
Aragorn: 
He's trying to bring down the mountain! Gandalf! We must turn back! 
Gandalf: 
No!! (Shouts something in elvish to Saruman) 
Saruman: 
(Stands at the top of the tower of Isengard, and says something in elvish) Bow to the power of 
Isengard! Hits mountain with lightning. 
(The fellowship gets buried, but get out of the snow) 
Boromir: 
We must get off the mountain! Make for the Gap of Rohan! Or take the west road to my city! 
Aragorn: 
The Gap of Rohan takes us too close to Isengard. 
Gimli: 
If we cannot go over the mountain, let us go under it! Let us go through the Mines of Moria. 
Saruman: 
Moria. You fear to go into those mines. The Dwarves delved too greedily and too deep. You 
know what they awoke there in the darkness of Khazad Dum. Shadow, and flame. 
Gandalf: 
Let the Ring-bearer decide: Frodo. 
Frodo: 
We will go through the mines. 
Gandalf: 
So be it. 
--------------------------------------------------------------------------------

Gimli: 
The walls of Moria. 
Gandalf: 
Now, let's see... Ithildin. It mirrors only starlight and moonlight: (doors are revealed) It reads: 
The doors of Durin, Lord of Moria. Speak friend and enter. 
Merry: 
What d'you suppose that means? 
Gandalf: 
Oh, it's quite simple. If you are a friend, speak the password, and the doors will open. 
Annon Edhellen edro hi ammen! 
Translation: Gate of the Elves open now for me! 

Ando Eldarinwa a lasta quettanya, Fenda Casarinwa! 
Translation: Gate of Elves listen to my word, Threshold of Dwarves! 

Aragorn: 
The mines are no place for a pony. Even one so brave as Bill. 
(Takes the baggage off Bill the pony) 
Sam: 
Bub bye, Bill. 
Aragorn: 
Go on, Bill. Go on. Don't worry Sam. He knows the way out. 
(Merry and Pippin are throwing stones into the water. As Pippin is about to throw one, Aragorn 
grabs him by the collar). 
Aragorn: 
Do not disturb the water. 
(The camera shifts over to Gandalf, who sits down and takes off his hat) 
Gandalf: 
Oh, it's useless 
Frodo: 
It's a riddle. Speak friend, and enter. What's the elvish word for friend? 
Gandalf: 
Mellon. 
(Doors open, the fellowship walks into the mines) 
Gimli: 
Soon Master Elf, you will enjoy the fabled hospitality of the dwarves! Roaring fires, malt beer, 
red meat off the bone! This, my friend, is the home of my cousin Balin. And they call it a mine. 
A MINE! 
Boromir: 
This is no mine. It's a tomb. 
Gimli: 
No! Nooo! NOOOO! 
Legolas: 
(takes out an arrow from a dead body) Goblins! 
Boromir: 
We make for the Gap of Rohan. We should never have come here! Now get out of here! Get 
out!! 
(The fellowship backs out, Frodo is taken by a tentacle from a creature in the water) 
Frodo: 
Strider!!! 
Sam: 
Strider!!! 
The hobbits slash at the creature with their swords 
Sam: 
Strider! 
Unknown: 
Aragorn!! 
The hobbits manage to free Frodo from the creature, but as he backs away from the water, many 
tentacles come out from the water, this time swinging Frodo high up in the air. Legolas shoots 
the tentacles with his bow, while Boromir and Aragorn enter the water, and slash at the tentacles 
with thier swords. Aragorn cuts off the tentacle that is holding Frodo, and Boromir manages to 
catch Frodo as he falls. 
Gandalf: 
Into the mines!!! (The creature comes out of the water and crumbles the doors down, blocking 
the way out) 
Gandalf: 
You now have but one choice. You must face the long dark of Moria. Be on your guard. There 
are older and fouler things than orcs in the deep places of the world. 
Gandalf: 
It's a four day journey to the other side. Let us hope that our presence may go unnoticed. 
(going upwards, Pippin lets some rocks fall onto Merry). 
Merry: 
Pippin! 
Gandalf: 
I have no memory of this place. (The company stops for a while) 
Pippin: 
Are we lost? 
Merry: 
No 
Pippin: 
I think we are 
Merry: 
Shhh: 
Pippin: 
Merry: 
Merry: 
What? 
Pippin: 
I'm hungry 
Frodo: 
(Frodo sees something some distance away) (to Gandalf) There's something down there 
Gandalf: 
It's Gollum. 
Frodo: 
Gollum? 
Gandalf: 
He's been following us for 3 days 
Frodo: 
He escaped the dungeons of Barak Dur 
Gandalf: 
Escaped. Or set loose. He hates and loves the rings. As he hates and loves himself. He will never 
be rid of his need for it. 
Frodo: 
It's a pity Bilbo didn't kill him when he had the chance. 
Gandalf: 
Pity? It was pity that stayed Bilbo's hand. Many that live deserve death. Some that die deserve 
life. Can you give it to them, Frodo? Do not be too eager to deal out death and judgement. Even 
the very wise cannot see all ends. My heart tells me that Gollum has some part to play yet. For 
good or evil. When all this is over, the pity of Bilbo may rule the fate of the ring. 
Frodo: 
I wish the ring had never come to me. I wish none of this had happened. 
Gandalf: 
So do all that come to see such times. But that is not for them to decide. All we have to decide is 
what to do with the time that is given to us. There are other forces in this world than good and 
evil. Bilbo was meant to have this ring. In which case you were also 'meant' to have it. And that 
is an encouraging thought. Eh - it's that way 
Merry: 
He's remembered. 
Gandalf: 
No, but the air doesn't smell so foul down here. If in doubt, Meriadoc, always follow your nose. 
Let me risk a little more light. 
(The light on his staff brightens, and the Fellowship find themselves in a great hallway, with tall 
pillars, as far as the eye can see. 
Behold the great realm of the dwarf city of Dwarrowdelf 
Sam: 
There's an eye opener, and no mistake. 

They walk on, but as they do so, Gimli sees a doorway to the side. It is strewn with the bodies of 
dead orcs. Gimli runs through the door into a chamber. 
Gandalf: 
Gimli! 
Gimli: 
No! Oh - no! No. (cries) 
Gandalf: 
Here lies Balin, son of Fundi, Lord of Moria. He is dead then. It is as I feared. 
(Gandalf gives Pippin his hat and staff) 
Legolas: 
(to Aragorn) We must move on. We cannot linger. 
Gandalf: 
(reads) They have taken the bridge and the second hall. We have barred the gates but cannot hold 
them for long. The ground shakes. The drums, the drums in the deep. We cannot get out. A 
shadow moves in the dark. We cannot get out. They are coming. 
(Pippin touches a skeleton by a well, and it falls in, making a lot of noise) 
Gandalf: 
Fool of a Took! Throw yourself in next time, and rid us of your stupidity. 
(Drumming noises are heard. Frodo's sword glows blue) 
Sam: 
(Sees the blue blade)Frodo! 
Legolas: 
Orcs! 
Aragorn: 
(to the hobbits) Back! Stay close to Gandalf! (They bar the doors) 
Boromir: 
They have a cave troll. 
Gimli: 
Let them come! There's one dwarf yet in Moria that still draws blood. 
(The orcs come; they fight) 
(Cave troll comes) 
Sam: 
I'm getting the hang of this! 
Aragorn: 
Frodo! 
(Frodo is dragged by the troll) 
Frodo: 
Aragorn! 
(Aragorn fights the troll, saving Frodo from it. He thrusts a spear into its chest, but it does not 
pierce its thick hide. Then the troll bits Aragorn, and he is thrown aside. Frodo runs to Aragorn's 
side, and faces the troll. The troll hurls a spear at Frodo, and he is pinned against the wall) 
Sam: 
Frodo! FRODO!! 
(Merry and Pippin jump onto the trolls back. Legolas shoots an arrow into its throat, and it 
collapses. Aragorn crawls over to Frodo) 
Aragorn: 
(whispers) Oh no. 
Sam: 
He's alive. 
Frodo: 
I'm alright. I'm not hurt. 
Aragorn: 
You should be dead. That spear would have skewered a wild boar. 
Gandalf: 
I think there's more to this hobbit than meets the eye 
(Frodo reveals Mithril coat) 
Gimli: 
You are full of surprises, Mr Baggins! 
(They hear more orcs coming) 
Gandalf: 
Quick! To the bridge of Khazad Dum! 
(They run, but Moria is filled with orcs. Soon they are surrounded. But from the end of the 
hallway, we can see a red glow on the walls. The orcs run. Legolas holds his bow out, ready, but 
soon lowers it.) 
Boromir: 
What is this new devilry? 
Gandalf: 
A balrog. A demon of the ancient world. The foe is beyond any of you. RUN! 
(They run) 
Aragorn: 
Gandalf! 
Gandalf: 
Lead them on Aragorn. The bridge is near. Do as I say! Swords are no more use here! 

They all move on, but a lot of the stone is breaking. They come to a break in the rock. Legolas 
jumps the gap, and stands ready to help the others over.

Legolas: 
Gandalf. (Signals for him to jump the gap. Gandalf jumps, and is helped over by Legolas) 
Boromir: 
Merry! Pippin! (He holds one of them with each hand, and jumps over with them. Legolas helps 
them over on the other side) 
Aragorn: 
Sam. (He tosses Sam over the gap) 
Gimli: 
Nobody tosses a dwarf. 
(He tries to jump the gap, but almost misses. Legolas grabs him by beard to stop him falling into 
the abyss)
Not the beard!!! 
Unknown: 
Gandalf! 

Aragorn and Frodo remain on the other side of the gap. The piece of rock they are standing on 
looks as though it is about to collapse. 
Aragorn: 
(To Frodo:) Lean forward. 
Gandalf: 
Over the bridge! Fly! 
(Gandalf remains on other side of bridge) 
Gandalf: 
You cannot pass! 
Frodo: 
Gandalf!!! 
Gandalf: 
I am a servant of the Secret Fire, wielder of the flame of Anor! You cannot pass! The dark fire 
will not avail you, falme of Udun! Go back to the shadow!! YOU SHALL NOT PASS!!! 

(He breaks the bridge, causing the Balrog to fall. Gandalf sighs, and turns around, but as he does 
so, the whip of the Balrog catches onto his ankle, and he is pulled down. He grabs onto the edge 
of the bridge, but cannot keep his grip. There is nothing the fellowship can do to save him). 
Boromir: 
Grabs Frodo, to stop him running back onto the bridge. 
Frodo: 
No! GANDALF!!! 
Gandalf: 
Fly, you fools (he falls) 
Frodo: 
NO!! NO!!!! (He has to be carried away by Boromir) 
The fellowship leaves, but Aragorn remains behind, still looking into the abyss. 
Boromir: 
(From the distance) Aragorn! 
The fellowship finally gets out of Moria, and there they stop for a short while. 

Aragorn: 
(After some time): Legolas. Get them up. 
Boromir: 
Give them a moment for pity's sake 
Aragorn: 
By nightfall these hills will be swarming with orcs. We must reach the woods of Lothlorien. 
Come Boromir, Legolas, Gimli, get them up. 
(He walks over to Sam, and helps him up) On your feet, Sam. 
(Then he sees Frodo, who has wondered away). Frodo! Frodo!! 
Frodo: 
(Frodo stops and turns around. Tears are running down his face) 

(They leave, and make their way to Lothlorien)
Gimli: 
Stay close, you hobbits. They say a great sorceress lives in these woods. An elf witch of terrible 
power. All who look upon you fall under her spell. 
Voice: 
Frodo. 
Gimli: 
And are never seen again. 
Voice: 
You are coming to us... is as the footsteps of doom... You bring great evil here, Ring-bearer. 
Sam: 
Mr Frodo? 
Gimli: 
Well, here's one dwarf she won't ensnare so easily. I have the eyes of a hawk and the ears of a 
fox. 
(Elves appear, covering the company with arrows) 
Gimli: 
Oh... 
Haldir (an elf): 
The dwarf breathes so loud we could have shot him in the dark. 
Aragorn: 
Haldir o Lгrien. Henion an­ron, boe ammen i dulu l®n. Boe ammen veriad l®n. 
(Translation:) Haldir of Lorien. We come here for help. We need your protection. 
Gimli: 
Aragorn! These woods are perilous. We should go back! 
Haldir: 
You have entered the realm of the Lady of the Wood. You cannot go back. Come, she is waiting. 


--------------------------------------------------------------------------------


(Celeborn and Galadriel come, in a bright light) 
Celeborn: 
Eight that there are here, yet 9 there were set out from Rivendell. Tell me, where is Gandalf, for I 
much desire to speak with him. 
Galadriel: 
(Looks at Aragorn) He has fallen into shadow. The quest stands upon the edge of a knife. Stray 
but a little, and it will fail to the ruin of all. (Looks at Boromir, who is uncomfortable) 
Galadriel: 
Yet hope remains while company is true. (looks at Sam). 
Galadriel: 
Do not let your hearts be troubled, go now and rest, for you are weary with sorrow and much 
toil. Tonight, we will: 
(Voice of Galadriel): 
Welcome, Frodo of the Shire, one who has seen the eye! 
--------------------------------------------------------------------------------

Legolas: 
A lament for Gandalf. 
Pippin: 
What did they say about him? 
Legolas: 
I have not the heart to tell you. For me the grief is still too near. 
Aragorn: 
(to Boromir) Take some rest. These borders are well protected. 
Boromir: 
I will find no rest here. I heard a voice inside my head. She spoke of my father and the fall of 
Gondor. She said to me, even now there is hope left. But I cannot see it. It's long since we had 
any hope. My father is a noble man, but his rule is failing. And then our. Our people lose faith. 
He looks to me to make things right, and I, I would do it. I would see the glory of Gondor 
restored. have you ever seen it, Aragorn? The white tower of Ithilien. Glimmering like a spike of 
burning silver. Its banner caught high in the morning breeze. Have you ever been called home by 
the clear ringing of silver trumpets? 
Aragorn: 
I have seen the white city. Long ago. 
Boromir: 
One day our paths will lead us there. And the tower guard shall take up the call. For the Lords of 
Gondor have returned. 
--------------------------------------------------------------------------------

(Frodo sees Galadriel walking somewhere, and follows her) 
Galadriel: 
Will you look into the mirror? 
Frodo: 
What will I see? 
Galadriel: 
Even the wisest cannot tell. For the mirror shows many things. Things that were, things that are, 
and some things that have not yet come to pass. 
(Frodo looks into the mirror) 
Frodo sees Legolas' back, then Sam and Pippin. They all look sad and grave. Then he sees the 
Shire. It is filled with flame, and orcs. (Frodo gasps). Sam is seen with his ankles chained on a 
line with many other hobbits. They are whipped. Then Frodo sees the eye. He feels his ring 
slipping in towards the mirror, but he pulls it backwards, falling onto the ground. 

Galadriel: 
I know what it was that you saw. For it is also in my mind. It is what will come to pass if you 
should fail. The fellowship is breaking . It has already begun. He will try to take the ring. You 
know of whom I speak. One by one it will destroy them all. 
Frodo: 
If you ask it of me, I will give you the one ring. 
Galadriel: 
You offer it to me freely. I do not deny that my heart has greatly desried this. In the place of a 
dark lord, you would have a QUEEN! 
(She changes, and she seems very powerful) 
NOT DARK, BUT BEAUTIFUL AND TERRIBLE AS THE DAWN! TREACHEROUS AS 
THE SEA! STRONGER THAN THE FOUNDATIONS OF THE EARTH! ALL SHALL LOVE 
ME AND DESPAIR. 
(She becomes normal again, and breathes heavily, as though trying to catch her breath) 
I pass the test. I will diminish, and go into the west, and remain Galadriel. 
Frodo: 
I cannot do this alone 
Galadriel: 
You are a Ring-bearer, Frodo. To bear a ring of power is to be alone. This task was appointed to 
you, and if you do not find a way, no one will 
Frodo: 
Then I know what I must do, it's just, I'm afraid to do it. 
Galadriel: 
Even the smallest person can change the course of the future. 
--------------------------------------------------------------------------------

Saruman: 
Do you know how the orcs first came into being? They were elves, once, taken by the dark 
powers, tortured, and mutilated. A ruined, and terrible form of life. Now, perfected, my fighting 
Uruk-Hai. Whom do you serve? 
Uruk-Hai: 
Saruman. 
Saruman: 
Hunt them down! Do not stop until they are found. You do not know pain, you do not know fear. 
You will taste man flesh! One of the Halflings carries something of great value. Bring them to 
me alive and unspoilt. Kill the others. 
--------------------------------------------------------------------------------

Galadriel: 
Farewell, Frodo Baggins. I give you the light of Earindil, our most beloved star. 
Namarie. (Farewell) 
(The Fellowship row off, and Galadriel stands on the shore, waving) 
Voice of Galadriel:
May it be a light for you in dark places, where all other lights go out. 
--------------------------------------------------------------------------------

(orcs are coming) 
Aragorn: 
Frodo. The Argornath. Long have I desired to look upon the Kings of old. My kin. (They stop 
rowing, and rest on the western shore) 
Aragorn: 
We cross the lake at nightfall. Hide the boats, and continue on foot. We approach Mordor from 
the north. 
Gimli: 
Oh yes? Just a simple matter of finding our way through Emyn Muil? An impassable labyrinth of 
razor sharp rocks? And after that, it gets even better! The festering, stinking marshlands, as far as 
the eye can see. 
Aragorn: 
That is our road. I suggest you take some rest and recover your strength, Master Dwarf. 
Gimli: 
Recover my strength... 
Legolas: 
(to Aragorn) We should leave now. 
Aragorn: 
No. Orcs patrol the eastern shore. We must wait for the cover of darkness. 
Legolas: 
It is not the eastern shore that worries me. A shadow and a threat has been growing in my mind. 
Something draws near. I can feel it. 
Gimli: 
Recover strength... (To Pippin) Pay no heed to that, young hobbit. 
Merry: 
Where's Frodo? 
(Aragorn sees Boromir gone as well) 
--------------------------------------------------------------------------------

Boromir: 
None of us should wander alone. You least of all. So much depends on you. Frodo? I know why 
you seek solitude. You suffer. I see it day by day. You sure you do not suffer needlessly? There 
are other ways, Frodo. Other paths that we might take. 
Frodo: 
I know what you would say, and it would seem like wisdom, but for the warning in my heart. 
Boromir: 
Warning? Against what? We're all afraid, Frodo, but to let that fear drive us to destroy what hope 
we have. Don't you see, it's madness. 
Frodo: 
There is no other way. 
Boromir: 
I ask only for the strength to defend my people! If you would but lend me the ring: 
Frodo: 
(Backs away) No! 
Boromir: 
Why do you recoil? I am no thief! 
Frodo: 
You are not yourself! 
Boromir: 
What chance do you think you have? They will find you. They will take the ring. And you will 
beg for death before the end! You fool! It is not yours save by unhappy chance. 
(Walks towards Frodo, who is still backing away)It should have been mine! (Lunges forward 
towards Frodo) 
Give me the ring! Give it to me! 
(Boromir manages to get hold of Frodo) 
Frodo: 
No! 
(Frodo disappears, and hits Boromir) 
Boromir: 
I see your mind!! You will take the ring to Sauron! You will betray us! You go to your death! 
And the death of us all! Curse you!! And all the Halflings! 
(Frodo, still invisible, hits Boromir again). 
Boromir: 
(His anger passes, and he says softly:) Frodo? Frodo. I must find him. Please, Frodo: 
--------------------------------------------------------------------------------

(Frodo still has the ring on, and the world is in darkness) 
Voice: 
Frodo, Frodo. 
(Frodo sees Isengard, and then the eye. He takes the ring off, and the world comes back into its 
full light.) 
Aragorn: 
Frodo? 
Frodo: 
It has taken Boromir. 
Aragorn: 
Where is the ring? 
Frodo: 
Stay away! 
Aragorn: 
Frodo! I swore to protect you. 
Frodo: 
Can you protect me from yourself?! (shows him the ring) Would you destroy it? (He puts his 
hand out, as if offering the ring to Aragorn). 
Aragorn: 
Aragorn kneels beside Frodo, and closes Frodo's hand over the ring.) 
I would have gone with you to the end. Into the very fires of Mordor. 
Frodo: 
I know. Look after the others. Especially Sam. He will not understand 
(Orcs can bee seen coming) 
Aragorn: 
Come, Frodo. Run. RUN! 
(Aragorn comes out and faces an orc army. He fights them) 
Sam: 
Mr Frodo! 
(back to Aragorn fighting orcs) 
Urakai: 
Find the Halflings! Find the Halflings! 
(Legolas and Gimli come to help Aragorn) 
Legolas: 
Aragorn! Go! 
(Frodo can be seen running away. He hides behind a tree. Merry and Pippin can be seen in a 
more safe hiding place) 
Merry: 
Frodo! 
Pippin: 
Hide here, quick! Come on! 
(Frodo shakes his head) 
Pippin: 
What's he doing? 
(Frodo shakes his head again) 
Merry: 
He's leaving! 
Pippin: 
NO! 
Merry: 
Pippin. 
(Pippin jumps out of his hiding place, and Merry follows. Orcs can be seen coming). 
Merry: 
Run, Frodo. Go! 
Merry: 
(waving at orcs) Hey, hey you! Over here! 
Pippin: 
Over here! Over here! This way! 
Pippin: 
It's working! 
Merry: 
I know it's working! Run! 
(Legolas and others fight orcs) 
(Merry and Pippin are seen surrounded by orcs. Boromir comes along, and fights them). 
(Back to Legolas and others. Boromir's horn is heard) 
Legolas: 
The horn of Gondor 
Aragorn: 
Boromir! 
(They make their way towards Boromir). 
(back to Boromir) 
(An orc shoots Boromir in the chest. He continues to fight. He is shot 3 times. Then Merry and 
Pippin try to fight the orcs, but are taken. A last orc is about to shoot Boromir in the head, but 
Aragorn manages to kill it). 
Boromir: 
They took the little ones. 
Aragorn: 
Stay still 
Boromir: 
Frodo. Where is Frodo 
Aragorn: 
I let Frodo go. 
Boromir: 
Then you did what I could not. I tried to take the ring from him 
Aragorn: 
The ring is beyond our reach now. 
Boromir: 
Forgive me. I did not see it. I have failed you all. 
Aragorn: 
No, Boromir. You fought bravely. You have kept your honour. 
(Is about to take an arrow out of him). 
Boromir: 
Leave it! It is over. The world of men will fall. And the whole world will come to darkness. My 
city to ruin. 
Aragorn: 
I do not know what strength is in my blood. But I swear to you, I will not let the White City fall. 
Nor our people fail. Boromir: 
Our people. Our people. (Aragorn gives him his sword). 
(Legolas and Gimli see Aragorn leaning over Boromir) 
Boromir: 
I would have followed you , my brother. My captain. My king. 
(He dies) 
Aragorn: 
Be at peace, son of Gondor. (He kisses his forehead). 
--------------------------------------------------------------------------------
Frodo is seen standing by the boats. 
Sam: 
Frodo! 
Frodo is seen holding the ring on the palm of his hand. 
FLASHBACK 
Frodo: 
I wish the ring had never come to me. I wish none of this had happened 
Gandalf: 
So do all who live to see such times, but that is not for them to decide. All you have to decide is 
what to do with the time that is given to you. 
END OF FLASHBACK 

(Frodo closes his hand over the ring, and sets out in one of the boats) 
Sam: 
(Reaches the shore)Frodo, no!!! 
(He enters the water) 
Frodo: 
(Softly, to himself) No, Sam. 
(To Sam) Go back, Sam. I'm going to Mordor alone. 
Sam: 
(wading deeper into the water) 
Of course you are. And I'm coming with you!! 
Frodo: 
You can't swim. Sam! (Sam's head goes under water) SAM! 
(Frodo rows the boat back, and pulls Sam into it). 
Sam: 
I made a promise, Mr Frodo. A promise. Don't you leave him Samwise Gamgee. And I don't 
mean to. I don't mean to. 
Frodo: 
Oh, Sam. 
(They hug each other) Come on, then. 
(They row off) 
--------------------------------------------------------------------------------

Boromir sailing off in one of the boats. 
--------------------------------------------------------------------------------

Legolas: 
Hurry! Frodo and Sam have reached the eastern shore. (He begins to push a boat out into the 
water) 
(Aragorn makes no sign of following.) 
Legolas: 
You mean not to follow them. 
Aragorn: 
Frodo's fate is no longer in our hands. 
Gimli: 
Then it has all been in vain. The fellowship has failed. 
Aragorn: 
(Walks over to Legolas and Gimli, and places his hands on thier shoulders) Not if we hold true to 
each other. 
Gimli: 
(Places his hand onto Aragorn's) 
Aragorn: 
We will not abandon Merry and Pippin to torment and death. Not while we have strength left. 
Leave all that can be spared behind. We travel light. Let's hunt some orc. 
Gimlil: 
YEAH!!! 
Legolas: 
(Smiles) 
(They run off) 
--------------------------------------------------------------------------------

Frodo and Sam are seen looking over to Mordor 
Frodo: 
Mordor. I hope the others find a safer road. 
Sam: 
Strider will look after them. 
Frodo: 
I don't suppose we'll ever see them again. 
Sam: 
We may yet, Mr Frodo. We may. 
Frodo: 
Sam. 
(He smiles) 
I'm glad you're with me. 
~ The End ~
                                    

«Властелин колец: Братство кольца»
Упрощённый сценарий

КАМЕРА ПОКАЗЫВАЕТ КРОМЕШНУЮ ТЬМУ

РАССКАЗЧИК

Однажды Саурона посетила замечательная идея о том, как править

миром с помощью кое-каких колец.

САУРОН, который выглядит как вконец поломавшийся кухонный комбайн, демонстрирует свою новую вульгарную драгоценность.

РАССКАЗЧИК

Не всех увлекла эта идея, поэтому началась война.

Уйма ЭЛЬФОВ и ЛЮДЕЙ сражаются с ОРКАМИ. ЭЛРОНД выглядит разозленным.

РАССКАЗЧИК

У САУРОНА было Главное Кольцо, поэтому он раздавал тумаки направо

и налево.

САУРОН надирает задницу ОТЦУ ИСИЛДУРА и выбивает все дерьмо из ИСИЛДУРА.

РАССКАЗЧИК

Но САУРОН опрометчиво повернулся к Исилдуру рукой с Кольцом,

и Исилдур ее отрубил.

Первый из множества кадров с УПАВШИМ ПАЛЬЦЕМ САУРОНА, на который надето КОЛЬЦО.

РАССКАЗЧИК

Исилдур мог уничтожить Кольцо, но не-е-ет. Он оказался большим

остолопом и оставил его себе. Кольцу это не понравилось и оно

быстро подстроило Исилдуру несчастный случай.

КОЛЬЦО вызывает удар на ИСИЛДУРА. На него набрасывается ОРК, но затем ИСИЛДУР каким-то образом оказывается в РЕКЕ со стрелами в спине. КОЛЬЦО падает на ДНО.

КОЛЬЦО

Как некстати.

2.

РАССКАЗЧИК

И все почти позабыли об этой крайне важной войне.

ГОЛЛУМ решает поплавать и находит ГИГАНТСКУЮ ЖЕМЧУЖИНУ, то есть КОЛЬЦО.

РАССКАЗЧИК

Кольцо поражено социальной жизнью ГОЛЛУМА.

ГОЛЛУМ

Прелес-с-с-с-сть…

КОЛЬЦО

О, боже…

БИЛЬБО находит КОЛЬЦО. ГОЛЛУМ дурачится.

РАССКАЗЧИК

Что переносит нас… В нынешнее время.

НАМ ПОКАЗЫВАЮТ СЧАСТЛИВУЮ, ВЕСЕЛУЮ ДЕРЕВНЮ ШИР

ФРОДО

Всем привет. Я чрезвычайно милый.

Мимо проезжает ГЭНДАЛЬФ, напевая единственный стишок, для которого сподобились написать мелодию.

ГЭНДАЛЬФ

Привет, ФРОДО. Почему бы мне ни о чем тебе не рассказать?

ФРОДО смеется. Зрителям следует запомнить этот звук, потому что больше они его никогда не услышат.

Внезапно ГЭНДАЛЬФ покидает ФРОДО и идет повидаться с БИЛЬБО.

БИЛЬБО

Пока ГЭНДАЛЬФ увлечен своим дешевым представлением, я скажу пару

вещей, которые заставят вас почувствовать смутное беспокойство.

ГЭНДАЛЬФ бьет его по ГОЛОВЕ.

3.

ГЭНДАЛЬФ

Давай покурим.

ЗРИТЕЛИ

Хотел кольцо я изучить,

Но следом обкурился.

Хотел тварюгу замочить,

Но снова обкурился.

Теперь грозит опасность всем,

И вот источник всех проблем —

Я обкурился, обкурился, обкурился.

———————————-

I was gonna go research the Ring

But then I got high.

I was gonna destroy the bloody thing

But then I got high.

Now the world is in imminent danger

And I know why.

Because I got high, because I got high,

Because I got high.

НАМ ПОКАЗЫВАЮТ СЧАСТЛИВУЮ, ВЕСЕЛУЮ ВЕЧЕРИНКУ

БИЛЬБО

Надо бы сделать пару умных отсылок к «Хоббиту».

МЕРРИ и ПИППИН делают что-то очень глупое, тем самым причисляя себя к КОМИЧЕСКИМ ПЕРСОНАЖАМ.

БИЛЬБО

А теперь я произнесу оскорбительную речь, которую никто не поймет,

потому что в ней нет никакого смысла. Господи, какой же я умный!

САМОМНЕНИЕ БИЛЬБО взрывается, и он исчезает.

ГЭНДАЛЬФ

Ох, да ради всего святого…

ГЭНДАЛЬФ ругает БИЛЬБО за то, что он хочет оставить у себя КОЛЬЦО.

БИЛЬБО

Помните мои слова, которые вызывали у вас беспокойство? Сейчас

я скажу кое-что такое, от чего вы забеспокоитесь еще сильнее.

4.

ГЭНДАЛЬФ переубеждает БИЛЬБО, устроив СВЕТОВОЕ ШОУ или, если уж быть точным, ТЕНЕВОЕ ШОУ.

БИЛЬБО

Ну ладно, я больше не буду делать со своими глазами этот жуткий

фокус.

ГЭНДАЛЬФ

Оставь КОЛЬЦО ФРОДО. Я уверен, что он не будет возражать против

обладания столь зловещим предметом.

БИЛЬБО уходит, тоже напевая единственный стишок, для которого сподобились написать мелодию.

БИЛЬБО

В поход, беспечный пешеход,

Уйду, избыв печаль, —

Спешит дорога от ворот

В заманчивую даль,

Хммм, хммм, хммм

БОРК! БОРК! БОРК!

———————————

The Road goes ever on and on

Down from the door where it began

Hmmm, hmmm, hmmm

BORK, BORK, BORK!

ГЭНДАЛЬФ

Я должен подождать ФРОДО, чтобы ничего ему не рассказать.

ФРОДО

Я дома! Эй, откуда столько крупных планов кольца БИЛЬБО?

ГЭНДАЛЬФ

Я не могу тебе этого сказать.

ГЭНДАЛЬФ уезжает в сгенерированный компьютером ГОРОД МИНАС ТИРИТ, чтобы набраться ВОСПОМИНАНИЯ О ВОСПОМИНАНИИ.

КАМЕРА ПОКАЗЫВАЕТ СГЕНЕРИРОВАННЫЙ КОМПЬЮТЕРОМ ГОРОД БАРАД-ДУР

ГОЛЛУМ

Шир… Бэггинс!

5.

НЕВЕРОЯТНО ЖУТКИЕ ЧЕРНЫЕ ВСАДНИКИ скачут на поиски кого-то по имени ШИР в землях БЭГГИНСА.

КАМЕРА ПОКАЗЫВАЕТ СЧАСТЛИВЫЙ, ВЕСЕЛЫЙ (НО НЕ НАДОЛГО) ШИР

ФРОДО

Ля-ля-ля. Жизнь прекрасна. Ничего плохого не может случиться.

ГЭНДАЛЬФ

БУ!

ФРОДО

Вот дерьмо.

ГЭНДАЛЬФ

Кольцо — это чистое зло.

КОЛЬЦО

Эй, я это слышало!

ГЭНДАЛЬФ

Тебе пора идти. Голлум всем рассказал.

ГЭНДАЛЬФ показывает ВОСПОМИНАНИЕ, которое нам вовсе необязательно видеть.

ГЭНДАЛЬФ

Пойду повидаюсь с явно злым САРУМАНОМ.

ФРОДО

Замечательно. Я уверен, что тебя схватят, и мне придется потратить

кучу времени впустую, дожидаясь тебя.

ГЭНДАЛЬФ

Хмм… Ты не можешь пойти один, так что…

ГЭНДАЛЬФ вытаскивает СЭМА из воздуха.

СЭМ

Ик! Ухаживал за садом! Ночью!

6.

ГЭНДАЛЬФ

Неважно. Я хочу, чтобы кто-нибудь увязался за ФРОДО.

СЭМ

Я тот, кто тебе нужен.

ГЭНДАЛЬФ уходит, чтобы быть схваченными, а ФРОДО и СЭМ отправляются на встречу с МЕРРИ и ПИППИНОМ, делающими что-то глупое.

ФРОДО

Приближается невероятно жуткий черный всадник. Прячемся!

ЧЕРНЫЙ ВСАДНИК

Черт возьми, почему я не могу найти этот Бэггинс?

КОЛЬЦО

Эй, ты! Я здесь, внизу! Фродо, надень Кольцо!

Сражаясь с КОЛЬЦОМ, ФРОДО выглядит очаровательно.

ЧЕРНЫЕ ВСАДНИКИ выглядят разочарованными и кричат как ПРИБЛИЖАЮЩИЙСЯ ПОЕЗД МЕТРОПОЛИТЕНА.

ХОББИТЫ бегут что есть мочи в РАЗДОЛ.

ЧЕРНЫЙ ВСАДНИК

Эй! Ты! Куда скакать-то?

ФРОДО

Аргх!

ЧЕРНЫЙ ВСАДНИК

Подожди! Мне тут помощь нужна!

Всего через пять прыжков ФРОДО оказывается в РАЗДОЛЕ.

ВНУТРИ ОРТАНКА, ДОМА ЯВНО ЗЛОГО САРУМАНА

ГЭНДАЛЬФ

Мне нужна твоя помощь.

7.

САРУМАН

Я хочу высосать твою кровь.

ГЭНДАЛЬФ

Несмотря на то, что у меня от твоего поведения мурашки бегут

по коже, я открою тебе несколько секретов.

САРУМАН

Я работаю на Саурона.

ГЭНДАЛЬФ

Ты мудрейший из мудрых.

САРУМАН

Я злой.

ГЭНДАЛЬФ

Я всецело тебе доверяю.

САРУМАН

Я заставлю тебя танцевать брейк-данс.

ГЭНДАЛЬФ

Так ты ЗЛОЙ!

ГЭНДАЛЬФ и САРУМАН затевают очень глупо выглядящую потасовку.

КАМЕРА ПОКАЗЫВАЕТ ГОРОДОК БРИ

ФРОДО

ГЭНДАЛЬФА здесь нет. С чего бы это?

МЕРРИ

Давайте напьемся!

ПИППИН

Почему бы и нет?

КОЛЬЦО

Эти проклятые Призраки Кольца снова потерялись. ФРОДО, надень

меня, чтобы Око смогло указать им путь.

8.

ФРОДО

Ик! Сейчас я должен выглядеть печально и страдальчески. И мило.

ПИППИН делает что-то глупое. ФРОДО пытается его остановить и — УПС! — падает. КОЛЬЦО приземляется прямо на его палец.

КОЛЬЦО

В яблочко! Я думало, что это займет недели!

ФРОДО оказывается в ШИЗАНУТОМ мире ТЬМЫ.

ОКО САУРОНА

РОАР! Я… Боже, у тебя голубые глаза!

ФРОДО

Ну да, я же очаровательный.

ЧЕРНЫЕ ВСАДНИКИ

А, так это кто-то по имени Бэггинс, живущий в Шире!

ЧЕРНЫЕ ВСАДНИКИ кричат так, как будто ПО ДОСКЕ ПРОВЕЛИ ГВОЗДЕМ

ФРОДО снимает КОЛЬЦО как раз вовремя, чтобы к нему пристал БРОДЯЖНИК.

БРОДЯЖНИК

Все, хватит уже этой очаровательности. Пришло время суровой красоты

Бродяжника.

ЗРИТЕЛИ

Тираннозавр!

СЭМ

ФРОДО пропал с моего взгляда на три секунды!

БРОДЯЖНИК

Я появился, чтобы провести тебя до следующей отправной точки

сюжета. Мы должны подстроить все так, чтобы ЗРИТЕЛИ подумали,

что Черные Всадники убили вас, хотя вы в это время будете находиться

рядом со мной, в полной безопасности.

9.

ЧЕРНЫЕ ВСАДНИКИ протыкают мечами кровати, а камера в этот момент показывает СЭМА. На этот трюк не покупаются даже ИДИОТЫ и МАЛЕНЬКИЕ ПЕСИКИ. ЧЕРНЫЕ ВСАДНИКИ кричат как останавливающийся поезд на Американских горках.

ЗРИТЕЛИ

Хватит уже!

БРОДЯЖНИК

О, кстати, на самом деле мое имя — АРАГОРН.

ФРОДО

Не слишком-то долго ты притворялся БРОДЯЖНИКОМ.

АРАГОРН

Ну, в разных именах очень легко запутаться. Спроси хотя бы Мирандира.

СЭМ

Кого?

КАМЕРА ПОКАЗЫВАЕТ ЗАВЕТЕРЬ aka СЛЕДУЮЩУЮ ОТПРАВНУЮ ТОЧКУ СЮЖЕТА

АРАГОРН

Я собираюсь отойти, что для кое-кого будет очень удобно.

ФРОДО

А я собираюсь поспать, что тоже будет весьма кстати.

Без должного надзора ПИППИН сразу же делает что-то глупое.

ЧЕРНЫЕ ВСАДНИКИ

А, вот они где!

ЗРИТЕЛИ

Вы, ребята, не слишком сообразительные, верно?

ЧЕРНЫЕ ВСАДНИКИ окружают ХОББИТОВ. Все это очень зловеще и страшно. ФРОДО падает.

ЗРИТЕЛИ

Ох, да во имя…

10.

ЧЕРНЫЙ ВСАДНИК закалывает ФРОДО.

ЗРИТЕЛИ

Не-е-е-ет! А его привлекательность пострадает?

ФРОДО

Нет, у меня просто расширятся вены, я начну немного глючить и

издавать забавные звуки, но по-прежнему останусь самым милым

созданием, которое вы когда-либо видели.

АРАГОРН соизволяет появиться.

СЭМ

Вовремя.

АРАГОРН

Извини, пробки.

АРАГОРН одолевает ЧЕРНЫХ ВСАДНИКОВ при помощи огня.

ЧЕРНЫЕ ВСАДНИКИ

Огонь плохой!

Остается лишь один ЧЕРНЫЙ ВСАДНИК. АРАГОРН бросает горящую палку ему в лицо.

ЧЕРНЫЙ ВСАДНИК

Ну, я, пожалуй, пойду.

КАМЕРА ПОКАЗЫВАЕТ ЛИХОЛЕСЬЕ

ГЛОРФИНДЕЛ

Пожалуй, пришло время спасти Фродо.

Внезапно на голову ГЛОРФИНДЕЛА опускается ЛОПАТА. Появляется АРВЕН с ЛОПАТОЙ наперевес.

АРВЕН

Извини, Глори. Мой выход.

АРВЕН непринужденно бросает его тело в канаву — где-то неподалеку от тела ТОМА БОМБАДИЛА.

11.

АРВЕН

Привет, милый. Я здесь, чтобы спасти тебя.

АРАГОРН

АРВЕН! Я так рад тебя видеть. Но где Глорфиндел?

АРВЕН тайком присыпает тела грязью.

АРВЕН

А вот не знаю!

АРАГОРН

А, ясно. Ты можешь спасти Фродо?

АРВЕН

Типа, канешна!

АРВЕН хватает ФРОДО и скачет что есть мочи.

ЧЕРНЫЕ ВСАДНИКИ

Эй, ты не можешь его увезти! Он наш!

АРВЕН

Типа, попробуйте его забрать, придурки набитые!

АРВЕН делает за ОТЦА ЕГО РАБОТУ и сама учиняет потоп.

ЧЕРНЫЕ ВСАДНИКИ

А-А-АРГХ! Сначала огонь, теперь вода! Природа — отстой!

ФРОДО теряет сознание и ему снятся НАРКОМАНСКИЕ СНЫ об архитектуре.

ВНУТРИ НАПЫЩЕННОГО ЭЛЬФИЙСКОГО ГОРОДА РИВЕНДЕЛЛА

ФРОДО

Нет, я ненавижу Барокко! Что? Где я?

ГЭНДАЛЬФ

Привет, ФРОДО.

12.

ФРОДО

ГЭНДАЛЬФ! Где тебя черти носили?

ГЭНДАЛЬФ предается ВОСПОМИНАНИЯМ.

КАМЕРА ПОКАЗЫВАЕТ ОРТАНК, ДОМ ЯВНО ЗЛОГО САРУМАНА

САРУМАН избивает ГЭНДАЛЬФА.

САРУМАН

Идиот! Конечно, я злой!

Но, поскольку ГЭНДАЛЬФ знает ЯЗЫК БАБОЧЕК, ему удается спастись, оседлав одного из ШИРОКОЗАДЫХ ОРЛОВ СРЕДИЗЕМЬЯ.

КОНЕЦ ВОСПОМИНАНИЯ

ФРОДО

Э… ГЭНДАЛЬФ? Алле?

ГЭНДАЛЬФ

Извини, что? Знаешь, я не могу тебе всего рассказать. Поздоровайся

с Элрондом.

3000 лет спустя ЭЛРОНД все еще выглядит зазозленным.

ГЭНДАЛЬФ

И с Бильбо.

БИЛЬБО выглядит так, как будто побывал в ДУХОВКЕ.

ФРОДО

Вау, а ты быстро стареешь.

БИЛЬБО

Это одна из тех вещей, которые вызывают неясное беспокойство

с самого рождения.

ФРОДО немного радуется, пока не начинается по-настоящему депрессивная часть фильма.

ГЭНДАЛЬФ

А теперь что?

13.

ЭЛРОНД

А теперь мы предадимся воспоминанию, которое объяснит, почему

я постоянно выгляжу разозленным.

Снова начинается ВОСПОМИНАНИЕ о ВОСПОМИНАНИИ, на этот раз с ТОЧКИ ЗРЕНИЯ ЭЛРОНДА. ИСИЛДУР отказывается отдать КОЛЬЦО. Который раз.

ЗРИТЕЛИ

Да, знаем мы, знаем.

КАМЕРА ПОКАЗЫВАЕТ НАПЫЩЕННЫЙ ЭЛЬФИЙСКИЙ ГОРОД РИВЕНДЕЛЛ

Появляется ЛЕГОЛАС и НЕСУЩЕСТВЕННЫЕ ЭЛЬФЫ.

Появляется ГИМЛИ и НЕСУЩЕСТВЕННЫЕ ГНОМЫ.

Появляется БОРОМИР и СТАРИКИ ИЗ ГОНДОРА.

БОРОМИР изучает картину с САУРОНОМ, предлагающим ИСИЛДУРУ приготовить картофель-фри в его шлеме. Затем БОРОМИР проявляет неуважение к СЛОМАННОМУ МЕЧУ, который все остальные просто боготворят.

БОРОМИР

Вот, теперь между мной и АРАГОРНОМ возникнет небольшая напряженность.

АРВЕН

Не позволяй ему доставать себя, милый. Давай устроим слащавую

сцену.

ЗРИТЕЛИ

<всех тошнит>

НА НЕ-ТАКОМ-УЖ-И-СЕКРЕТНОМ СОВЕЩАНИИ ЭЛРОНДА

БОРОМИР

В дальнейшем я буду причинять одни неприятности.

ЛЕГОЛАС

Я окажусь отличным воином.

14.

ГИМЛИ

А я буду постоянно возмущаться.

ЭЛРОНД

Мы должны избавиться от Кольца.

КОЛЬЦО

Только попробуй, Злючка.

ГИМЛИ пытается разбить КОЛЬЦО, но преуспевает лишь в поломке собственного ТОПОРА и вызывает у ФРОДО головную боль.

ЭЛРОНД

Кольцо может быть уничтожено только там, где его сделали. В Мордоре.

ЗРИТЕЛИ

Как кстати.

ЭЛРОНД

Итак, кто хочет умереть?

ФРОДО

Я пойду. Все лучше чем слушать, как Кольцо снова и снова повторяет

этот чертов стишок.

ГЭНДАЛЬФ

Тебе пригодится старик.

ЛЕГОЛАС

И моя способность быть прелестным, не будучи обреченным.

ГИМЛИ

АУЧ! И мой акцент.

АРАГОРН

Я должен идти, чтобы успокоить свое самомнение.

БОРОМИР

Ну, еще тебе понадобится какой-нибудь конфликт, так что я тоже

пойду.

15.

СЭМ

А если я потеряю ФРОДО из глаз, то начну паниковать.

МЕРРИ И ПИППИН

Эй, тебе будут нужны комические персонажи!

ЭЛРОНД

В худшем случае потеряем одного эльфа.

ВНУТРИ КОМНАТЫ БИЛЬБО

БИЛЬБО

Как ты думаешь, могу я, ну, знаешь, посмотреть на Кольцо?

ФРОДО

Я не думаю, что это хорошая…

Внезапно БИЛЬБО превращается в ГОЛЛУМА.

ЗРИТЕЛИ

СРАНЬ ГОСПОДНЯ!

ФРОДО

О’кей, пора уходить.

КАМЕРА ПОКАЗЫВАЕТ МЕСТА, В КОТОРЫЕ ОНИ НЕ ПОПАДУТ

ГЭНДАЛЬФ

Мы не можем идти этой дорогой.

ЗРИТЕЛИ

Ну вот, только время зря потеряли.

КАМЕРА ПОКАЗЫВАЕТ ОРТАНК, ДОМ ЯВНО ЗЛОГО САРУМАНА

КАКОЙ-ТО ОРК

Чего теперь хочет Око?

САРУМАН

Мы должны создать мутанта из «Маленьких Солдатов» и повалить

несколько деревьев, чтобы Энты обязательно разозлились.

16.

ЗРИТЕЛИ

Ногти подстриги!

КАМЕРА ПОКАЗЫВАЕТ МОРИЮ — ПО-НАСТОЯЩЕМУ ПЛОХОЕ МЕСТО

ГЭНДАЛЬФ не может понять, как открывается дверь.

ПИППИН делает что-то глупое и привлекает внимание ЗЛА.

САМ прощается с ПОНИ ПО ИМЕНИ БИЛЛ, самым недооцененным в мире персонажем.

ФРОДО решает загадку, которую не смог разгадать ГЭНДАЛЬФ, и дверь открывается.

ЗРИТЕЛИ

<вскидывают руки>

Оказывается, в МОРИИ ПОЛНО ТРУПОВ.

БОРОМИР

Как-то это все не ободряет.

ЗЛОЕ СОЗДАНИЕ немедленно бросается за ФРОДО.

ЗРИТЕЛИ

Это же гигантский кальмар из «20 000 лье под водой»!

ГИГАНТСКИЙ КАЛЬМАР запирает всех в МОРИИ.

ЗРИТЕЛИ

Как кстати.

КУЧА ТЕМНЫХ КАДРОВ.

ФРОДО

Эй, это не Голлум? Жаль, что он не мертв.

ГЭНДАЛЬФ

Не стоит судить поверхностно.

ФРОДО

Да, но если бы Голлум умер, Мордор не узнал бы о том, что Кольцо

у нас, и необходимость этого похода была бы под большим вопросом.

17.

ГЭНДАЛЬФ

Заткнись. Ему еще предстоит сыграть свою роль.

ЗРИТЕЛИ

<скрежещут зубами>

ГИМЛИ обнаруживает ТЕЛО КИНСМАНА и впадает в ЭМОЦИИ.

ЛЕГОЛАС

Надо… двигаться.

ЗРИТЕЛИ

Действительно.

ПИППИН делает что-то глупое и привлекает внимание ЗЛА.

ОРКИ появляются для БОЕВОЙ СЦЕНЫ. КАМЕРА переключается на режим «Ведьма из Блэр».

ДЕВЯТЬ ЧЕЛОВЕК здорово надирают задницы множеству ОРКОВ.

Сквозь дверь проламывается ПЕЩЕРНЫЙ ТРОЛЛЬ.

ЗРИТЕЛИ

Ах, прямо как в «Гарри Поттере»!

ЕЩЕ ОДНО ЗЛОЕ СОЗДАНИЕ немедленно бросается за ФРОДО.

ФРОДО закалывают.

ВСЕ ОСТАЛЬНЫЕ

Нееееееет!

ЗРИТЕЛИ

Что, опять?!

Исполненные ЯРОСТИ из-за «смерти» ФРОДО, ВСЕ бросаются на ПЕЩЕРНОГО ТРОЛЛЯ. Который умирает. Двадцатью минутами спустя.

ФРОДО

Я еще не совсем умер.

ВСЕ несутся что есть мочи. Их преследует ЗЛОЙ КРАСНЫЙ СВЕТ.

18.

ГЭНДАЛЬФ

Поднажмите, ребята!

ВСЕ несутся что есть мочи по ЗАКРУЧЕННЫМ ЛЕСТНИЦАМ. ГИМЛИ думает, что сможет совершить двадцатифутовый прыжок. Ну да, конечно.

ЗЛОЙ КРАСНЫЙ СВЕТ догоняет их. Это БАЛРОГ.

ГЭНДАЛЬФ

А, черт.

ГЭНДАЛЬФ останавливается на УЗКОМ МОСТУ, чтобы не дать БАЛРОГУ пройти.

БАЛРОГ

Пошел ты, ГЭНДАЛЬФ! Где этот Ральф Бакши?

ГЭНДАЛЬФ

Никто не пройдет.

ГЭНДАЛЬФ обрушивает МОСТ. БАЛРОГ падает.

ЗРИТЕЛИ

Разве у этой твари нет крыльев? Если есть, то почему бы ей просто

не полететь?

БАЛРОГ утаскивает с собой ГЭНДАЛЬФА.

ГЭНДАЛЬФ

Да я влегкую побуду на совершенно хамский волосок от смерти.

АРАГОРН и БОРОМИР хватают ФРОДО и не дают ему сделать ИЗ СЕБЯ ИДИОТА.

АРАГОРН

Время снова бежать что есть мочи.

КАМЕРА ПОКАЗЫВАЕТ ЛИХОЛЕСЬЕ

ХАЛДИР

Глупый гном.

19.

ГИМЛИ

АУЧ! Я снова должен негодовать!

КЕЛЕБОРН

Меня не существует. Игнорируйте меня на здоровье.

ГАЛАДРИЭЛЬ

Я вызываю у всех дрожь и неясное беспокойство, не уважаю чужую

ментальную автономность и похожа на Джоан Осборн.

ГАЛАДРИЭЛЬ вызывает дрожь у ФРОДО.

ВНУТРИ ЗАЧАРОВАННОЙ ДЕРЕВНИ ЛИХОЛЕСЬЯ

Мимо прогуливается ГАЛАДРИЭЛЬ.

ЗРИТЕЛИ

What if God was one of us?

———————————-

Что, если бы Бог был одним из нас?

ФРОДО следует за ГАЛАДРИЭЛЬ, чтобы посмотреть на ее ЗЕРКАЛО, ТУАЛЕТНЫЙ СТОЛИК и КОСМЕТИЧКУ.

ГАЛАДРИЭЛЬ

Ха-ха-ха. Хочешь увидеть кое-что по-настоящему страшное?

Снова появляется ОКО САУРОНА.

ОКО САУРОНА

Эй? Есть там кто-нибудь?

ФРОДО

Моя жизнь станет несчастной, не так ли?

ГАЛАДРИЭЛЬ

Ты можешь взять с собой одного друга, и твоя очаровательность

все еще останется при тебе.

ФРОДО

Это верно. Не хочешь взять мое Кольцо? Мне кажется, что я должен

спросить об этом у каждого встречного.

20.

ГАЛАДРИЭЛЬ тоже устраивает ШОУ СВЕТА И ТЕНИ.

ГАЛАДРИЭЛЬ

Не-а.

КАМЕРА ПОКАЗЫВАЕТ ОРТАНК, ДОМ ЯВНО ЗЛОГО САРУМАНА

САРУМАН произносит речь, вселяющую бодрость духа в его ОРКОВ.

САРУМАН

Устройте им ад в последней части фильма!

КАМЕР ПОКАЗЫВАЕТ РЕКУ

АРАГОРН

Спасибо за лодки!

ГАЛАДРИЭЛЬ дарит ФРОДО свет от ЗВЕЗДЫ и показывает свой МАНИКЮР.

ГАЛАДРИЭЛЬ

Мне его сделал тот же парень, что и САРУМАНУ.

МНОГО ПРЕЛЕСТНЫХ КАДРОВ НОВОЙ ЗЕЛАНДИИ.

АРАГОРН

Похоже на Аргонат!

АРГОНАТ

Стойте! Во имя Любви!

ЛЕГОЛАС

Нам нужно остановиться, чтобы БОРОМИР смог напасть на ФРОДО,

а ГИМЛИ — отдохнуть.

ГИМЛИ

АРГХ! Негодование!

НА БЕРЕГУ

ФРОДО

Я ухожу один!

21.

АРАГОРН

Позже.

ЗРИТЕЛИ

Да ФРОДО не особо и торопится.

КОЛЬЦО

Пссст. Боромир. Поди-ка сюда.

БОРОМИР

Эй, ФРОДО. Как дела? Я вот хотел узнать…

БОРОМИР бросается на ФРОДО. ФРОДО надевает КОЛЬЦО и исчезает.

БОРОМИР

Д’оу!

ФРОДО бежит со всех ног в ШИЗАНУТОМ МИРЕ ТЬМЫ. ОКО САУРОНА заставляет его упасть. Тут решает появиться АРАГОРН.

ФРОДО

Я ухожу. Один.

АРАГОРН

Что сделал этот идиот Боромир?

ФРОДО

Неважно. Орки!

КАМЕРА снова переключается в режим «ВЕДЬМЫ ИЗ БЛЭР».

Происходит УДЛИНЕННАЯ БОЕВАЯ СЦЕНА, пока ФРОДО убегает. Один.

АРАГОРН, ЛЕГОЛАС и ГИМЛИ серьезно надирают всем задницу.

БОРОМИР пытается защитить МЕРРИ и ПИППИНА. Получается у него паршиво, и он ОКАЗЫВАЕТСЯ ПРИ СМЕРТИ. Часть ЗРИТЕЛЕЙ ВПЕЧАТЛЕНА, часть СМЕЕТСЯ.

АРАГОРН спасает БОРОМИРА. Или что-то в этом роде.

22.

БОРОМИР

АРАГОРН. Я всегда любил тебя.

АРАГОРН

Э-э…

БОРОМИР наконец-то УМИРАЕТ.

ФРОДО ГДЕ-ТО В ДРУГОМ МЕСТЕ пытается спастись в одиночку. Хитроумный параноик СЭМ старается его догнать.

СЭМ

Я не могу позволить тебе пропасть с моих глаз!

ФРОДО

Ох, да во имя…

ФРОДО спасает СЭМА от УТОПЛЕНИЯ.

ЧУДНОЕ МГНОВЕНЬЕ

Всем привет. Не сдерживайте свои эмоции. Их на всех хватит.

ФИЛЬМ ЗАКАНЧИВАЕТСЯ.

ЗРИТЕЛИ

ЧТО!? СЕЙЧАС?!

ФРОДО

Если, конечно, вы не хотите просидеть здесь еще шесть часов.

ЗРИТЕЛИ

ДА!

ENYA НА САУНДТРЕКЕ

Хмм… Я как раз прикупила прописанного мне успокаивающего. Пора

записать новый альбом.

КОНЕЦ

Переводчик: Михаил Судаков

The Lord of the Rings:
The Fellowship of the Ring
The Lord of the Rings The Fellowship of the Ring (2001).jpg

Theatrical release poster

Directed by Peter Jackson
Screenplay by
  • Fran Walsh
  • Philippa Boyens
  • Peter Jackson
Based on The Fellowship of the Ring
by J. R. R. Tolkien
Produced by
  • Barrie M. Osborne
  • Peter Jackson
  • Fran Walsh
  • Tim Sanders
Starring
  • Elijah Wood
  • Ian McKellen
  • Liv Tyler
  • Viggo Mortensen
  • Sean Astin
  • Cate Blanchett
  • John Rhys-Davies
  • Billy Boyd
  • Dominic Monaghan
  • Orlando Bloom
  • Christopher Lee
  • Hugo Weaving
  • Sean Bean
  • Ian Holm
  • Andy Serkis
Cinematography Andrew Lesnie
Edited by John Gilbert
Music by Howard Shore

Production
companies

  • New Line Cinema[1]
  • WingNut Films[1]
Distributed by New Line Cinema[1]

Release dates

  • 10 December 2001 (Odeon Leicester Square)
  • 19 December 2001 (United States)
  • 20 December 2001 (New Zealand)

Running time

178 minutes[2]
Countries
  • New Zealand[1]
  • United States[1]
Language English
Budget $93 million[3]
Box office $897.7 million[4]

The Lord of the Rings: The Fellowship of the Ring is a 2001 epic fantasy adventure film directed by Peter Jackson from a screenplay by Fran Walsh, Philippa Boyens, and Jackson, based on 1954’s The Fellowship of the Ring, the first volume of the novel The Lord of the Rings by J. R. R. Tolkien. The film is the first installment in The Lord of the Rings trilogy. It features an ensemble cast including Elijah Wood, Ian McKellen, Liv Tyler, Viggo Mortensen, Sean Astin, Cate Blanchett, John Rhys-Davies, Billy Boyd, Dominic Monaghan, Orlando Bloom, Christopher Lee, Hugo Weaving, Sean Bean, Ian Holm, and Andy Serkis.

Set in Middle-earth, the story tells of the Dark Lord Sauron, who seeks the One Ring, which contains part of his might, to return to power. The Ring has found its way to the young hobbit Frodo Baggins. The fate of Middle-earth hangs in the balance as Frodo and eight companions (who form the Fellowship of the Ring) begin their journey to Mount Doom in the land of Mordor, the only place where the Ring can be destroyed. The Fellowship of the Ring was financed and distributed by American studio New Line Cinema, but filmed and edited entirely in Jackson’s native New Zealand, concurrently with the other two parts of the trilogy.

It premiered on 10 December 2001 at the Odeon Leicester Square in London, and was then released on 19 December in the United States and on 20 December in New Zealand. The film was acclaimed by critics and fans alike, who considered it to be a landmark in filmmaking and an achievement in the fantasy film genre. It received praise for its visual effects, performances, Jackson’s direction, screenplay, musical score, and faithfulness to the source material. It grossed over $880 million worldwide in its initial release, making it the second highest-grossing film of 2001 and the fifth highest-grossing film of all time at the time of its release.[5] Following subsequent reissues, it has as of 2021 grossed over $897 million.[4] Like its successors, The Fellowship of the Ring is widely recognized as one of the greatest and most influential films ever made. The film received numerous accolades; at the 74th Academy Awards, it was nominated for thirteen awards, including Best Picture, winning for Best Cinematography, Best Makeup, Best Original Score, and Best Visual Effects.

In 2007, the American Film Institute named it one of the 100 greatest American films in history, being both the most recent film and the only film released in the 21st century to make it to the list. In 2021, the film was selected for preservation in the United States National Film Registry by the Library of Congress for being «culturally, historically, or aesthetically significant».[6] Two sequels, The Two Towers and The Return of the King, followed in 2002 and 2003, respectively.

Plot[edit]

In the Second Age of Middle-earth, the lords of Elves, Dwarves, and Men are given Rings of Power. Unbeknownst to them, the Dark Lord Sauron forges the One Ring in Mount Doom, instilling into it a great part of his power, to dominate the other Rings to conquer Middle-earth. A final alliance of Men and Elves battles Sauron’s forces in Mordor. Isildur of Gondor severs Sauron’s finger and the Ring with it, thereby vanquishing Sauron and returning him to spirit form. With Sauron’s first defeat, the Third Age of Middle-earth begins. The Ring’s influence corrupts Isildur, who takes it for himself and is later killed by Orcs. The Ring is lost in a river for 2,500 years until it is found by Gollum, who owns it for over four and a half centuries. The ring abandons Gollum and it is subsequently found by a hobbit named Bilbo Baggins, who is unaware of its history.

Sixty years later, Bilbo celebrates his 111th birthday in the Shire, reuniting with his old friend, the wizard Gandalf the Grey. Bilbo departs the Shire for one last adventure, and he leaves his inheritance, including the Ring, to his nephew Frodo. Gandalf investigates the Ring, discovers its true nature, and learns that Gollum was captured and tortured by Sauron’s Orcs, revealing two words during his interrogation: «Shire» and «Baggins.» Gandalf returns and warns Frodo to leave the Shire. As Frodo departs with his friend, gardener Samwise Gamgee, Gandalf rides to Isengard to meet with the wizard Saruman, but discovers his betrayal and alliance with Sauron, who has dispatched his nine undead Nazgûl servants to find Frodo.

Frodo and Sam are joined by fellow hobbits Merry and Pippin, and they evade the Nazgûl before arriving in Bree, where they are meant to meet Gandalf. However, Gandalf never arrives, having been taken prisoner by Saruman. The hobbits are then aided by a Ranger named Strider, who promises to escort them to Rivendell; however, they are ambushed by the Nazgûl on Weathertop, and their leader, the Witch-King, stabs Frodo with a Morgul blade. Arwen, an Elf and Strider’s beloved, locates Strider and rescues Frodo, summoning flood-waters that sweep the Nazgûl away. She takes him to Rivendell, where he is healed by the Elves. Frodo meets with Gandalf, who escaped Isengard on a Great Eagle. That night, Strider reunites with Arwen, and they affirm their love for each other.

Learning of Saruman’s betrayal from Gandalf and now realizing that they are facing threats from both Sauron and Saruman, Arwen’s father, Lord Elrond, decides against keeping the Ring in Rivendell. He holds a council of Elves, Men, and Dwarves, also attended by Frodo and Gandalf, that decides the Ring must be destroyed in the fires of Mount Doom. Frodo volunteers to take the Ring, accompanied by Gandalf, Sam, Merry, Pippin, Elf Legolas, Dwarf Gimli, Boromir of Gondor, and Strider—who is actually Aragorn, Isildur’s heir and the rightful King of Gondor. Bilbo, now living in Rivendell, gives Frodo his sword Sting, and a chainmail shirt made of mithril.

The Fellowship of the Ring makes for the Gap of Rohan, but discover it is being watched by Saruman’s spies. They instead set off over the mountain pass of Caradhras, but Saruman summons a storm that forces them to travel through the Mines of Moria. After finding the Dwarves of Moria dead, the Fellowship is attacked by Orcs and a cave troll. They hold them off but are confronted by Durin’s Bane: a Balrog residing within the mines. While the others escape, Gandalf fends off the Balrog and casts it into a vast chasm, but the Balrog drags Gandalf down into the darkness with him. The devastated Fellowship reaches Lothlórien, ruled by the Elf-queen Galadriel, who privately informs Frodo that only he can complete the quest and that one of the Fellowship will try to take the Ring. She also shows him a vision of the future in which Sauron succeeds in enslaving Middle-earth, including the Shire. Meanwhile, Saruman creates an army of Uruk-hai in Isengard to find and kill the Fellowship.

The Fellowship travels by river to Parth Galen. Frodo wanders off and is confronted by Boromir, who, as Lady Galadriel had warned, tries to take the Ring. Uruk-hai scouts then ambush the Fellowship; their leader, Lurtz, mortally wounds Boromir as he fails to stop them from taking Merry and Pippin as prisoners. Aragorn arrives and kills Lurtz before comforting Boromir as he dies, promising to help the people of Gondor in the coming conflict. Fearing the Ring will corrupt his friends, Frodo decides to travel to Mordor alone, but allows Sam to come along, recalling his promise to Gandalf to look after him. As Aragorn, Legolas, and Gimli set out to rescue Merry and Pippin, Frodo and Sam make their way down the mountain pass of Emyn Muil, journeying on to Mordor.

Cast[edit]

The eponymous Fellowship from left to right: (Top row) Aragorn, Gandalf, Legolas, Boromir, (bottom row) Sam, Frodo, Merry, Pippin, Gimli

Before filming began on 11 October 1999, the principal actors trained for six weeks in sword fighting (with Bob Anderson), riding and boating. Jackson hoped such activities would allow the cast to bond so chemistry would be evident on screen as well as getting them used to life in Wellington.[7] They were also trained to pronounce Tolkien’s verses properly.[8] After the shoot, the nine cast members playing the Fellowship got a tattoo, the Elvish symbol for the number nine, with the exception of John Rhys-Davies, whose stunt double got the tattoo instead.[9] The film is noted for having an ensemble cast,[10] and some of the cast and their respective characters include:

  • Elijah Wood as Frodo Baggins: A young hobbit who inherits the One Ring from his uncle Bilbo. Wood was the first actor to be cast on 7 July 1999.[11] Wood was a fan of the book, and he sent in an audition dressed as Frodo, reading lines from the novel.[12] Wood was selected from 150 actors who auditioned.[13] Jake Gyllenhaal unsuccessfully auditioned for the role.[14]
  • Ian McKellen as Gandalf the Grey: An Istari wizard and mentor to Frodo. Sean Connery was approached for the role, but did not understand the plot,[12] while Patrick Stewart turned it down as he disliked the script.[15] Patrick McGoohan was also offered the role, but turned it down due to health issues.[16] Christopher Plummer also turned down the role.[17] Sam Neill was also offered the role but declined due to his scheduling conflict with Jurassic Park III. Before being cast, McKellen had to sort his schedule with 20th Century Fox as there was a two-month overlap with X-Men.[13] He enjoyed playing Gandalf the Grey more than his transformed state in the next two films,[9] and based his accent on Tolkien. Unlike his on-screen character, McKellen did not spend much time with the actors playing the Hobbits; instead he worked with their scale doubles.[7]
  • Viggo Mortensen as Aragorn «Strider» Elessar II: A Dúnedain ranger and heir to Gondor’s throne. Daniel Day-Lewis was offered the part at the beginning of pre-production, but turned it down.[18] Nicolas Cage also received an offer, declining because of «family obligations»,[19] while Vin Diesel, a fan of the book, auditioned for Aragorn.[citation needed] Stuart Townsend was cast in the role, before being replaced during filming when Jackson realised he was too young.[12] Russell Crowe was considered as a replacement, but he turned it down because he does not want to be typecast and believed it to be a similar role in Gladiator.[12] Day-Lewis was offered the role for a second time, but declined again.[18] Executive Producer Mark Ordesky saw Mortensen in a play. Mortensen’s son, a fan of the book, convinced him to take the role.[7] Mortensen read the book on the plane, received a crash course lesson in fencing from Bob Anderson and began filming the scenes on Weathertop.[20] Mortensen became a hit with the crew by patching up his costume[21] and carrying his «hero» sword around with him off-camera.[7]
  • Sean Astin as Samwise Gamgee: Better known as Sam, a hobbit gardener and Frodo’s best friend. Astin, who had recently become a father, bonded with the 18-year-old Wood in a protective manner, which mirrored Sam’s relationship with Frodo.[7]
  • Sean Bean as Boromir: A son of the Stewards of Gondor who journeys with the Fellowship towards Mordor. Bruce Willis, a fan of the book, expressed interest in the role, while Liam Neeson was sent the script, but passed.[12]
  • Billy Boyd as Peregrin Took: Better known as Pippin, an extremely foolish hobbit who is a distant cousin of Frodo and travels with the Fellowship on their journey to Mordor.
  • Dominic Monaghan as Meriadoc Brandybuck: Better known as Merry, a distant cousin of Frodo. Monaghan was cast as Merry after auditioning for Frodo.[12]
  • John Rhys-Davies as Gimli: A dwarf warrior who accompanies the Fellowship to Mordor after they set out from Rivendell. Billy Connolly, who was considered for the part of Gimli, would later portray Dáin II Ironfoot in Peter Jackson’s The Hobbit film trilogy.[12] Rhys-Davies wore heavy prosthetics to play Gimli, which limited his vision, and eventually he developed eczema around his eyes.[7] Rhys-Davies also played Gimli’s father Glóin during the scene where the fellowship is forged.
  • Orlando Bloom as Legolas Greenleaf: A prince of the elves’ Woodland Realm and a skilled archer. Bloom initially auditioned for Faramir, who appears in the second film, a role which went to David Wenham.[12]
  • Liv Tyler as Arwen Undómiel: An elf of Rivendell and Aragorn’s lover. The filmmakers approached Tyler after seeing her performance in Plunkett & Macleane, and New Line Cinema leaped at the opportunity of having one Hollywood star in the film. Actress Helena Bonham Carter had expressed interest in the role.[12] Tyler came to shoot on short occasions, unlike the rest of the actors. She was one of the last actors to be cast, on 25 August 1999.[22]
  • Cate Blanchett as Galadriel: The elven co-ruler of Lothlórien alongside her husband Celeborn. Lucy Lawless was considered for the role.[23]
  • Christopher Lee as Saruman the White: The fallen head of the Istari Order who succumbs to Sauron’s will through his use of the palantír. Lee was a major fan of the book, and read it once a year. He had also met J. R. R. Tolkien.[20] He originally auditioned for Gandalf, but was judged too old.[12]
  • Hugo Weaving as Elrond: The Elven-Lord of Rivendell who leads the Council of Elrond, which ultimately decides to destroy the Ring. David Bowie expressed interest in the role, but Jackson stated, «To have a famous, beloved character and a famous star colliding is slightly uncomfortable.»[13]
  • Ian Holm as Bilbo Baggins: Frodo’s uncle who gives him the Ring after he decides to retire to Rivendell. Holm previously played Frodo in a 1981 radio adaption of The Lord of the Rings, and was cast as Bilbo after Jackson remembered his performance.[12] Sylvester McCoy, who would later play Radagast the Brown Wizard in The Hobbit, was contacted about playing the role, and was kept in place as a potential Bilbo for six months before Jackson went with Holm.[24]
  • Andy Serkis as Gollum (voice/motion-capture): A wretched hobbit-like creature whose mind was poisoned by the Ring after bearing it for 500 years. This character appears briefly in the prologue. In Mordor, one can only hear his voice shouting and in Moria, only his eyes and his nose appear. Serkis was working on the 1999 six-episode Oliver Twist miniseries when his agent told him that Jackson wanted to approach him to play Gollum. Despite ultimately accepting the role, Serkis was initially doubtful about taking the part as one of his Oliver Twist fellow actors opined that it wasn’t a good idea if his face wasn’t going to appear onscreen, aside that Jackson was unsure if Gollum could be portrayed with motion-capture performance as they wished.[25]

The cast also includes:[citation needed]

  • Sala Baker as Sauron the Deceiver:[26] The Dark Lord of Mordor and the One Ring’s true master who manifests as an Eye after the destruction of his physical form.
  • Marton Csokas as Celeborn the Wise: The Elven-Lord of Lothlórien and Galadriel’s husband.
  • Lawrence Makoare as Lurtz: The commander of Saruman’s Uruk-Hai forces.
  • Craig Parker as Haldir: The leader of the Galadhrim warriors guarding the border of Lothlórien.
  • Mark Ferguson as Ereinion Gil-galad: The last Elven-King of the Noldor.
  • Peter McKenzie as Elendil the Tall: The last High King of Arnor and Gondor.
  • Harry Sinclair as Isildur: Elendil’s son and Aragorn’s ancestor who originally defeated Sauron.

Comparison with the source material[edit]

Jackson, Walsh and Boyens made numerous changes to the story, for purposes of pacing and character development. Jackson said his main desire was to make a film focused primarily on Frodo and the Ring, the «backbone» of the story.[27] The prologue condenses Tolkien’s backstory, in which The Last Alliance’s seven-year siege of the Barad-dûr is a single battle, where Sauron is shown to explode, though Tolkien only said his spirit flees.[28]

Some events from the book are condensed or omitted at the beginning of the film. The time between Gandalf leaving the Ring to Frodo and returning to reveal its inscription, which is 17 years in the book, is compressed for timing reasons. The filmmakers also decided to move the opening scenes of The Two Towers, the Uruk-hai ambush and Boromir’s death, to the film’s linear climax.[27]

The tone of the Moria sequence was altered. In the book, following the defeat on the Caradhras road, Gandalf advocates the Moria road against the resistance of the rest of the Fellowship (save Gimli), suggesting «there is a hope that Moria is still free…there is even a chance that Dwarves are there,» though no one seems to think this likely. Frodo proposes they take a company vote, but the discovery of Wargs on their trail forces them to accept Gandalf’s proposal. They only realize the Dwarves are all dead once they reach Balin’s tomb. The filmmakers chose instead for Gandalf to resist the Moria plan as a foreshadowing device. Gandalf says to Gimli he would prefer not to enter Moria, and Saruman is shown to be aware of Gandalf’s hesitance, revealing an illustration of the Balrog in one of his books. The corpses of the dwarves are instantly shown as the Fellowship enter Moria.[30] One detail that many critics commented upon is that, in the novel, Pippin tosses a mere pebble into the well in Moria («They then hear what sounds like a hammer tapping in the distance»), whereas in the film, he knocks an entire skeleton in («Next, the skeleton … falls down the well, also dragging down a chain and bucket. The noise is incredible.»).[31][32][33][34][35]

When Frodo is struck by a Nazgûl at Weathertop, in the book, the elf Glorfindel rides him to Rivendell, whereas in the film, Arwen takes on this role.

Production[edit]

Development[edit]

Director Peter Jackson began working with Christian Rivers to storyboard the series in August 1997, as well as getting Richard Taylor and Weta Workshop to begin creating his interpretation of Middle-earth.[36] Jackson told them to make Middle-earth as plausible and believable as possible, and to think of it in a historical manner.[37]

In November,[37] Alan Lee and John Howe became the film trilogy’s primary conceptual designers, having had previous experience as illustrators for the book and various other tie-ins. Lee worked for the Art Department creating places such as Rivendell, Isengard, Moria, and Lothlórien, giving Art Nouveau and geometry influences to the Elves and Dwarves respectively.[37][38] Though Howe contributed with Bag End and the Argonath,[37][38] he focused on the design of the characters’ armour, having studied it his entire life.[39] Weta and the Art Department continued to design, with Grant Major turning the Art Department’s designs into architecture, and Dan Hennah scouting locations.[37] On 1 April 1999, Ngila Dickson joined the crew as costume designer. She and 40 seamstresses would create 19,000 costumes, 40 per version for the actor and their doubles, wearing them out for an impression of age.[21]

Filming locations[edit]

Arwen faces the Nazgûl at the Fords of Bruinen (Arrow River)

Filming took place in various locations across New Zealand. A list of filming locations, sorted by appearance order in the film:[40][41]

Fictional
location
Specific location
in New Zealand
General area
in New Zealand
Mordor (Prologue) Whakapapa skifield Tongariro National Park
Hobbiton Matamata Waikato
Gardens of Isengard Harcourt Park Upper Hutt
The Shire woods Otaki Gorge Road Kapiti Coast District
Bucklebury Ferry Keeling Farm, Manakau Horowhenua
Forest near Bree Takaka Hill Nelson
Trollshaws Waitarere Forest Horowhenua
Flight to the Ford Tarras Central Otago
Ford of Bruinen Arrow River, Skippers Canyon Queenstown and Arrowtown
Rivendell Kaitoke Regional Park Upper Hutt
Eregion Mount Olympus Nelson
Dead Marshes Kepler Mire Southland
Dimrill Dale Lake Alta The Remarkables
Dimrill Dale Mount Owen Nelson
Lothlórien Paradise Glenorchy
River Anduin Upper Waiau River Fiordland National Park
River Anduin Rangitikei River Rangitikei District
River Anduin Poets’ Corner Upper Hutt
Parth Galen Paradise Glenorchy
Amon Hen Mavora Lakes, Paradise and Closeburn Southern Lakes

Special effects[edit]

The Fellowship of the Ring makes extensive use of digital, practical and make-up special effects. One notable illusion used in almost every scene involved setting a proper scale so that the characters all appear to be the correct height. For example, Elijah Wood is 5 feet 6 inches (1.68 m) tall in real life, but his character, Frodo Baggins, is barely four feet in height. A variety of techniques were used to depict the hobbits and Gimli the Dwarf as being of diminutive stature. Fortunately, John-Rhys Davies – who played Gimli – happens to be the correct height in proportion to the hobbit actors, so did not need to be filmed separately as a third height variation. Large- and small-scale doubles were used in certain scenes, while entire duplicates of certain sets (including Bag End in Hobbiton) were built at two different scales, so that the characters would appear to be the appropriate size. At one point in the film, Frodo runs along a corridor in Bag End, followed by Gandalf. Elijah Wood and Ian McKellen were filmed in separate versions of the same corridor, built at two different scales, and a fast camera pan conceals the edit between the two. Forced perspective was also employed, so that it would look as though the short hobbits were interacting with taller Men and Elves. Even the simple use of kneeling down, to the filmmakers’ surprise, turned out to be an effective method in creating the illusion.

For the battle between the Last Alliance and Sauron’s forces that begins the film, an elaborate CGI animation system, called MASSIVE, was developed by Stephen Regelous; it allowed thousands of individual animated characters, or «agents» in the program, to act independently. This lent the illusion of realism to the battle sequences. The «Making of» Lord of the Rings DVD reports some interesting initial problems: for instance, in the first execution of a battle between groups of characters, the wrong groups attacked each other. In another early demo, some of the warriors at the edge of the field could be seen running away. They were initially moving in the wrong direction, and had been programmed to keep running until they encountered an enemy.

The digital creatures were important due to Jackson’s requirement of biological plausibility. Their surface texture was scanned from large maquettes before numerous digital details of their skeletons and muscles were added. In the case of the Balrog, Gray Horsfield created a system that copied recorded imagery of fire.

Score[edit]

James Horner turned down the offer to compose the score.[42] The musical score for The Lord of the Rings films was composed by Howard Shore. It was performed by the New Zealand Symphony Orchestra, the London Philharmonic Orchestra, the London Voices, The London Oratory School Schola, and the Maori Samoan Choir, and featured several vocal soloists. Shore wrote almost four hours of finalized music for the film (of which just over three hours are used as underscore), featuring a number of non-orchestral instruments, and a large number (49–62) of leitmotives.

Two original songs, «Aníron» and the end title theme «May It Be», were composed and sung by Enya, who allowed her label, Reprise Records, to release the soundtrack to The Fellowship of the Ring and its two sequels. In addition to these, Shore composed «In Dreams», which was sung by Edward Ross of the London Oratory School Schola.

Release[edit]

Theatrical[edit]

The world premiere of The Fellowship of the Ring was held at the Odeon Leicester Square in London on 10 December 2001. It was released on Wednesday, 19 December 2001 internationally in most major territories on 10,000 screens.[43] It opened in New Zealand on 20 December.

Marketing[edit]

A special featurette trailer was released in 2000. The trilogy sizzle reel was shown before Thirteen Days and the teaser trailer before Pearl Harbor. The theatrical trailer was attached with the television premiere of Angel and before Harry Potter and the Philosopher’s Stone. Both trailers appeared as easter eggs on the Rush Hour 2 and Little Nicky DVD and VHS.

Home media[edit]

The Fellowship of the Ring was released on VHS and DVD on 6 August 2002.[44] It was the best-selling DVD release at the time with 14.5 million copies being sold. This record was dethroned by Finding Nemo the following year.[45]

Theatrical and extended release[edit]

On 12 November 2002, an extended edition was released on VHS and DVD, with 30 minutes of new material, added special effects and music, plus 19 minutes of fan-club credits, totaling to 228 minutes.[46][47][48] The DVD set included four commentaries and over three hours of supplementary material.

On 29 August 2006, a limited edition of The Fellowship of the Ring was released on DVD. The set included both the film’s theatrical and extended editions on a double-sided disc along with all-new bonus material.

Blu-ray edition[edit]

The theatrical Blu-ray version of The Lord of the Rings was released in the United States on 6 April 2010. There were two separate sets: one with digital copies and one without.[49] The individual Blu-ray disc of The Fellowship of the Ring was released on 14 September 2010 with the same special features as the complete trilogy release, except there was no digital copy.[50]

The extended Blu-ray editions were released in the US on 28 June 2011.[51] This version has a runtime of 238 minutes[47][52] (the extended editions include the names of all fan club members at the time of their release; the additional 9 minutes in the Blu-ray version are because of expanded member rolls, not any additional story material).

The Fellowship of the Ring was released in Ultra HD Blu-ray on 30 November 2020 in the United Kingdom and on 1 December 2020 in the United States, along with the other films of the trilogy, including both the theatrical and the extended editions of the films.[53]

Reception[edit]

Box office[edit]

On its opening day, it grossed $18.2 million in the United States and Canada from 3,359 cinemas and $11.5 million in 13 countries, including $3 million from 466 screens in the United Kingdom.[3][54] It grossed $75.1 million in its first five days in the United States and Canada, including $47.2 million on its opening weekend, placing it at number one at the US box office, setting a December opening record, beating Ocean’s Eleven.[55][3]

The film also opened at number one in 29 international markets and remained there for a second week in all but the Netherlands. It set a record opening day gross in Australia with $2.09 million from 405 screens, beating the record $1.3 million set by Star Wars: Episode I – The Phantom Menace. It had a record opening weekend in Germany with 1.5 million admissions and in Spain with a gross of $5.3 million from 395 screens. It also grossed a record $2.5 million in 15 days in New Zealand.[56] This record would last for less than a decade before being surpassed by Avatar.[57] In its first 15 days, it had grossed $183.5 million internationally and $178.7 million in the United States and Canada for a worldwide total of $362.2 million.[56][3]

In its initial release, it went on to gross $313.4 million in the United States and Canada and $547.2 million in the rest of the world for a worldwide total of $860.5 million.[5] Box Office Mojo estimates that the film sold over 54 million tickets in the US and Canada in its initial theatrical run.[58] Following subsequent reissues, the film has grossed $315.7 million in the United States and Canada and $581.9 million in the rest of the world for a worldwide total of $897.7 million.[3]

Critical response[edit]

On review aggregator Rotten Tomatoes, the film holds an approval rating of 91% based on 234 reviews, with an average rating of 8.2/10. The website’s critics consensus reads, «Full of eye-popping special effects, and featuring a pitch-perfect cast, The Lord of the Rings: The Fellowship of the Ring brings J.R.R. Tolkien’s classic to vivid life.»[59] Metacritic, which uses a weighted average, assigned the film a score of 92 out of 100 based on 34 critics, indicating «universal acclaim».[60] Audiences polled by CinemaScore gave the film an average grade of «A−» on an A+ to F scale.[61]

The Fellowship of the Ring was released to universal critical acclaim. Colin Kennedy for Empire gave the film five stars out of five, writing «Brooking no argument, history should quickly regard Peter Jackson’s The Fellowship of the Ring as the first instalment of the best fantasy epic in motion picture history… Putting formula blockbusters to shame, Fellowship is impeccably cast and constructed with both care and passion: this is a labour of love that never feels laboured. Emotional range and character depth ultimately take us beyond genre limitations…»[62] Roger Ebert of the Chicago Sun-Times gave the film three out of four stars and stating that while it is not «a true visualization of Tolkien’s Middle-earth», it is «a work for, and of, our times. It will be embraced, I suspect, by many Tolkien fans and take on aspects of a cult. It is a candidate for many Oscars. It is an awesome production in its daring and breadth, and there are small touches that are just right».[63] USA Today also gave the film three out of four stars and wrote, «this movie version of a beloved book should please devotees as well as the uninitiated».[64] In his review for The New York Times, Elvis Mitchell wrote, «The playful spookiness of Mr. Jackson’s direction provides a lively, light touch, a gesture that doesn’t normally come to mind when Tolkien’s name is mentioned».[65] Lisa Schwarzbaum for Entertainment Weekly gave the film an A grade and wrote «The cast take to their roles with becoming modesty, certainly, but Jackson also makes it easy for them: His Fellowship flows, never lingering for the sake of admiring its own beauty … Every detail of which engrossed me. I may have never turned a page of Tolkien, but I know enchantment when I see it».[66] In his review for the BBC, Nev Pierce gave the film four stars out of five, describing it as «Funny, scary, and totally involving», and wrote that Jackson turned «the book’s least screen-worthy volume into a gripping and powerful adventure movie».[67] In his review for The Guardian, Xan Brooks wrote «Rather than a stand-alone holiday blockbuster, The Fellowship of the Ring offers an epic act one», and commented that the ending was «closer in spirit to an art-house film than a popcorn holiday romp».[68]

In his review for the New York Post, Lou Lumenick gave the film four stars out of four, praising Jackson’s direction, the casting, the sets, and the score, and describing the film as «the three most exciting hours we’ve seen on a movie screen in years» and «easily one of the year’s best movies».[69] In her review for The Washington Post, Rita Kempley gave the film five stars out of five, and praised the cast, in particular, «Mortensen, as Strider, is a revelation, not to mention downright gorgeous. And McKellen, carrying the burden of thousands of years’ worth of the fight against evil, is positively Merlinesque».[70] Time magazine’s Richard Corliss praised Jackson’s work: «His movie achieves what the best fairy tales do: the creation of an alternate world, plausible and persuasive, where the young — and not only the young — can lose themselves. And perhaps, in identifying with the little Hobbit that could, find their better selves».[71] In his review for The Village Voice, J. Hoberman wrote, «Peter Jackson’s adaptation is certainly successful on its own terms».[72] Rolling Stone magazine’s Peter Travers wrote, «It’s emotion that makes Fellowship stick hard in the memory… Jackson deserves to revel in his success. He’s made a three-hour film that leaves you wanting more».[73] A mixed review was written by Peter Bradshaw. Writing for The Guardian, he lauded the art direction and the visual look of the film, but he also commented «there is a strange paucity of plot complication, an absence of anything unfolding, all the more disconcerting because of the clotted and indigestible mythic back story that we have to wade through before anything happens at all». Overall, Bradshaw found the tone of the film too serious and self-important, and wrote «signing up to the movie’s whole hobbity-elvish universe requires a leap of faith… It’s a leap I didn’t feel much like making – and, with two more movie episodes like this on the way, the credibility gap looks wider than ever.»[74] Jonathan Rosenbaum was also less positive about The Fellowship of the Ring: in his review for the Chicago Reader, he granted that the film was «full of scenic splendors with a fine sense of scale», but he commented that its narrative thrust seemed «relatively pro forma», and that he found the battle scenes boring.[75]

Accolades[edit]

In 2002, the film won four Academy Awards from thirteen nominations.[76] The winning categories were for Best Cinematography, Best Visual Effects, Best Makeup, and Best Original Score. It was also nominated for Best Actor in a Supporting Role (Ian McKellen), Best Art Direction, Best Director, Best Film Editing, Best Original Song (Enya, Nicky Ryan and Roma Ryan for «May It Be»), Best Picture, Best Sound (Christopher Boyes, Michael Semanick, Gethin Creagh and Hammond Peek), Best Costume Design and Best Adapted Screenplay.

The film won the 2002 Hugo Award for Best Dramatic Presentation. It also won Empire readers’ Best Film award, as well as five BAFTAs, including Best Film, the David Lean Award for Best Direction, the Audience Award (voted for by the public), Best Special Effects, and Best Make-up. The film was nominated for an MTV Movie Award for Best Fight between Gandalf and Saruman.

In June 2008, AFI revealed its «10 Top 10″—the ten best films in ten «classic» American film genres—after polling over 1,500 people from the creative community. The Fellowship of the Ring was acknowledged as the second best film in the fantasy genre.[77][78] The film was also listed as the 50th best film in the 2007 list AFI’s 100 Years…100 Movies (10th Anniversary Edition).

References[edit]

  1. ^ a b c d e «The Lord of the Rings: The Fellowship of the Ring». AFI Catalog of Feature Films. Archived from the original on 12 May 2019. Retrieved 28 December 2018.
  2. ^ «The Lord Of The Rings — The Fellowship Of The Ring». British Board of Film Classification. Retrieved 7 September 2022.
  3. ^ a b c d e «The Lord of the Rings: The Fellowship of the Ring (2001)». Box Office Mojo. IMDb. Archived from the original on 17 May 2020. Retrieved 17 May 2020.
  4. ^ a b «The Lord of the Rings: The Fellowship of the Ring». Box Office Mojo. Retrieved 2 May 2021.
  5. ^ a b «All Time Worldwide Box Office». Box Office Mojo. Archived from the original on 1 October 2002.
  6. ^ Tartaglione, Nancy (14 December 2021). «National Film Registry Adds Return Of The Jedi, Fellowship Of The Ring, Strangers On A Train, Sounder, WALL-E & More». Deadline Hollywood. Retrieved 14 December 2021.
  7. ^ a b c d e f The Fellowship of the Cast (DVD). New Line Cinema. 2002.
  8. ^ Sibley, Brian (2001). The Lord of the Rings: Official Movie Guide. Harpercollins. pp. 100–101. ISBN 0-00-711908-9.
  9. ^ a b Sibley, Brian (2006). «Ring-Master». Peter Jackson: A Film-maker’s Journey. London: Harpercollins. pp. 445–519. ISBN 0-00-717558-2.
  10. ^ Clinton, Paul (18 December 2001). «Review: Dazzling, flawless ‘Rings’ a classic». CNN. Retrieved 7 September 2008.
  11. ^ «Official Frodo Press Release!». The One Ring.net. 9 July 1999. Retrieved 15 October 2006.
  12. ^ a b c d e f g h i j k Sibley, Brian (2006). «Three-Ring Circus». Peter Jackson: A Film-maker’s Journey. London: HarperCollins. pp. 388–444. ISBN 0-00-717558-2.
  13. ^ a b c Flynn, Gillian (16 November 2001). «Ring Masters». Entertainment Weekly. Retrieved 16 September 2007.
  14. ^ «How Jake Gyllenhaal flubbed his ‘Lord of the Rings’ audition». Entertainment Weekly.
  15. ^ «New York Con Reports, Pictures and Video». TrekMovie. 9 March 2008. Retrieved 12 March 2008.
  16. ^ «Obituary: Patrick McGoohan». 14 January 2009.
  17. ^ «Christopher Plummer Turned Down The Role Of Gandalf» – via conanclassic.com.
  18. ^ a b xoanon (15 October 1999). «Daniel Day-Lewis Offered role of Aragorn, Again!». theonering.net. Retrieved 23 August 2012.
  19. ^ Carroll, Larry (7 December 2007). «Will Smith Snagged ‘I Am Legend’ From Schwarzenegger, But Can You Imagine Nicolas Cage In ‘The Matrix’?». MTV. Retrieved 8 December 2007.
  20. ^ a b Cameras in Middle-earth: Filming The Fellowship of the Ring (DVD). New Line Cinema. 2002.
  21. ^ a b Costume Design (DVD). New Line Cinema. 2002.
  22. ^ «Liv Tyler will be in LOTR – Updated». TheOneRing.net. 25 August 1999. Retrieved 26 January 2011.
  23. ^ «Lucy Lawless – Hotcelebs Magazine».
  24. ^ Parkes, Diane (19 September 2008). «Who’s that playing The Mikado?». Birmingham Mail. Retrieved 22 September 2008.
  25. ^ Archived at Ghostarchive and the Wayback Machine: Josh Gad (31 May 2020). «One Zoom to Rule Them All | Reunited Apart LORD OF THE RINGS Edition» – via YouTube.
  26. ^ «Sala Baker». British Film Institute. Retrieved 13 September 2022.
  27. ^ a b From Book to Screen (DVD). New Line Cinema. 2002.
  28. ^ Tolkien, J.R.R. (1981). The Letters of J. R. R. Tolkien. Houghton Mifflin. ISBN 978-0-618-05699-6.
  29. ^ Doman, Rejina (7 January 2008). «Can Hollywood Be Restrained?». Hollywood Jesus. Archived from the original on 5 February 2008. Retrieved 31 January 2008.
  30. ^ «The Fellowship of the Ring». The One Ring: The Home of Tolkien Online. 2001. Archived from the original on 6 April 2015. Retrieved 4 November 2014.
  31. ^ Croft, Janet Brennan (2003). «The Mines of Moria: Anticipation and Flattening in Peter Jackson’s The Fellowship of the Ring«. Presented at the Southwest/Texas Popular Culture Association Conference. Archived from the original on 31 October 2011. Retrieved 4 November 2014.
  32. ^ Wloszczyna, Susan; Schaefer, Stephen; Puig, Claudia (14 December 2001). «More Profiles from the Land of Tolkien». USA Today. Archived from the original on 15 June 2015. Retrieved 4 November 2014.
  33. ^ Porter, Lynnette R. (2005). Unsung Heroes of The Lord of the Rings: From the Page to the Screen. Westport, Connecticut: Greenwood. p. 71. ISBN 0-275-98521-0.
  34. ^ Winter, Molly; Swickard, Grace. «The Fellowship of the Ring, Condensed». Arwen-Undomiel.com. Archived from the original on 4 June 2016. Retrieved 4 November 2014.
  35. ^ Russell, Gary (2003). The Art of the Two Towers. Harper Collins. p. 8. ISBN 0-00-713564-5.
  36. ^ a b c d e Designing Middle-earth (DVD). New Line Cinema. 2002.
  37. ^ a b Big-atures (DVD). New Line Cinema. 2002.
  38. ^ Sibley (2001), p.90
  39. ^ «The Lord of the Rings Trilogy filming locations». newzealand.com/us. Archived from the original on 28 September 2016. Retrieved 23 March 2016.
  40. ^ «15 LOTR Locations In New Zealand». huffingtonpost.com. 19 September 2015. Archived from the original on 22 March 2016. Retrieved 23 March 2016.
  41. ^ «R.I.P. James Horner». The A.V. Club. 23 June 2015.
  42. ^ Nathan, Ian (April 2021). «The World Is Changed». Empire. p. 65.
  43. ^ «Kia Reaches for the Gold ‘Ring’«. hive4media.com. 4 June 2002. Archived from the original on 16 June 2002. Retrieved 12 September 2019.
  44. ^ Susman, Gary (19 November 2003). «Nemo is already top-selling DVD ever». Entertainment Weekly. Archived from the original on 7 April 2022. Retrieved 7 February 2022.
  45. ^ «THE LORD OF THE RINGS – THE FELLOWSHIP OF THE RING (PG)». British Board of Film Classification. 16 July 2002. Retrieved 16 October 2012.
  46. ^ a b «The Lord of the Rings: The Fellowship of the Ring». movies.com. Archived from the original on 15 September 2015. Retrieved 12 December 2018.
  47. ^ Bennett, Dan (17 August 2002). «Lord of the Rings Will Sing a New Tune». hive4media.com. Archived from the original on 8 September 2002. Retrieved 22 September 2019.
  48. ^ «The Lord of the Rings: The Motion Picture Trilogy Blu-ray: Theatrical Editions». Blu-ray.com. Archived from the original on 25 February 2010. Retrieved 18 February 2010.
  49. ^ Calogne, Juan (23 June 2010). «Lord of the Rings Movies Get Separate Blu-ray editions». Blu-ray.com. Archived from the original on 26 June 2010. Retrieved 28 November 2010.
  50. ^ «Lord of the Rings Pre-order Now Available». Amazon.com. 31 May 2011. Archived from the original on 30 May 2011. Retrieved 31 May 2011.
  51. ^ «The Lord of the Rings: The Fellowship of the Ring». IMDb.com. 19 December 2001. Archived from the original on 28 May 2011. Retrieved 31 May 2011.
  52. ^ Brew, Simon (9 October 2020). «Lord Of The Rings and The Hobbit set for 4K release in November». filmstories.co.uk. Archived from the original on 21 October 2020. Retrieved 30 November 2020.
  53. ^ Boland, Michaela (24 December 2001). «‘Rings’ tolls in bright B.O. day o’seas». Variety. p. 9.
  54. ^ «‘Lord of the Rings’ rules holiday weekend». News-Journal. 27 December 2001. p. 2. Archived from the original on 18 September 2022. Retrieved 18 September 2022 – via Newspapers.com. open access
  55. ^ a b Boland, Michaela (7 January 2002). «‘Lord’ runs rings ’round o’seas B.O.». Variety. p. 15.
  56. ^ Rutledge, Daniel (2 November 2010). «Avatar becomes NZ’s highest grossing film ever». Newshub. Retrieved 7 August 2018.
  57. ^ «The Lord of the Rings: The Fellowship of the Ring». Box Office Mojo. Archived from the original on 3 June 2016. Retrieved 31 May 2016.
  58. ^ «The Lord of the Rings: The Fellowship of the Ring (2001)». Rotten Tomatoes. Fandango. Archived from the original on 17 May 2020. Retrieved 17 May 2020.
  59. ^ «The Lord of the Rings: The Fellowship of the Ring (2001)». Metacritic. CBS Interactive. Archived from the original on 17 May 2020. Retrieved 17 May 2020.
  60. ^ «Cinemascore». CinemaScore. Archived from the original on 20 December 2018. Retrieved 22 March 2020.
  61. ^ «Lord Of The Rings: The Fellowship Of The Ring». Empire.
  62. ^ Ebert, Roger (19 December 2001). «Lord of the Rings: The Fellowship of the Ring«. Chicago Sun-Times. Archived from the original on 27 July 2010. Retrieved 12 May 2009.
  63. ^ Puig, Claudia (18 December 2001). «Middle-earth leaps to life in enchanting, violent film». USA Today. Archived from the original on 10 July 2009. Retrieved 12 May 2009.
  64. ^ Mitchell, Elvis (19 December 2001). «Hit the Road, Middle-Earth Gang». The New York Times. Retrieved 12 May 2009.
  65. ^ Schwarzbaum, Lisa (5 December 2001). «The Lord of the Rings: The Fellowship of the Ring«. Entertainment Weekly. Archived from the original on 10 July 2009. Retrieved 12 May 2009.
  66. ^ «BBC – Films – review – The Lord of the Rings: The Fellowship of the Ring». BBC.
  67. ^ «Film review: ‘Like an Anglo-Saxon cousin to Crouching Tiger, Hidden Dragon’«. the Guardian. 10 December 2001.
  68. ^ Lumenick, Lou (18 December 2001). «PRAISE ‘THE LORD’!». New York Post. Retrieved 13 February 2022.
  69. ^ Kempley, Rita (19 December 2001). «Frodo Lives! A Spirited Lord of the Rings«. The Washington Post. Archived from the original on 12 August 2018. Retrieved 12 May 2009.
  70. ^ Corliss, Richard (17 December 2001). «Lord of the Films». Time. Archived from the original on 10 July 2009. Retrieved 12 May 2009.
  71. ^ Hoberman, J (18 December 2001). «Plastic Fantastic». The Village Voice. Archived from the original on 10 July 2009. Retrieved 12 May 2009.
  72. ^ Travers, Peter (17 January 2002). «The Lord of the Rings: The Fellowship of the Ring«. Rolling Stone. Archived from the original on 27 June 2009. Retrieved 12 May 2009.
  73. ^ Bradshaw, Peter (14 December 2001). «The Lord of the Rings: The Fellowship of the Ring«. The Guardian. UK. Archived from the original on 9 May 2014. Retrieved 12 May 2009.
  74. ^ Rosenbaum, Jonathan (17 December 2001). «The Lord of the Rings: The Fellowship of the Ring». Chicago Reader.
  75. ^ «The 74th Academy Awards (2002) Nominees and Winners». oscars.org. Archived from the original on 21 August 2011. Retrieved 19 November 2011.
  76. ^ American Film Institute (17 June 2008). «AFI Crowns Top 10 Films in 10 Classic Genres». ComingSoon.net. Archived from the original on 19 June 2008. Retrieved 18 June 2008.
  77. ^ «Top 10 Fantasy». American Film Institute. Archived from the original on 10 February 2009. Retrieved 18 June 2008.

External links[edit]

The Lord of the Rings:
The Fellowship of the Ring
The Lord of the Rings The Fellowship of the Ring (2001).jpg

Theatrical release poster

Directed by Peter Jackson
Screenplay by
  • Fran Walsh
  • Philippa Boyens
  • Peter Jackson
Based on The Fellowship of the Ring
by J. R. R. Tolkien
Produced by
  • Barrie M. Osborne
  • Peter Jackson
  • Fran Walsh
  • Tim Sanders
Starring
  • Elijah Wood
  • Ian McKellen
  • Liv Tyler
  • Viggo Mortensen
  • Sean Astin
  • Cate Blanchett
  • John Rhys-Davies
  • Billy Boyd
  • Dominic Monaghan
  • Orlando Bloom
  • Christopher Lee
  • Hugo Weaving
  • Sean Bean
  • Ian Holm
  • Andy Serkis
Cinematography Andrew Lesnie
Edited by John Gilbert
Music by Howard Shore

Production
companies

  • New Line Cinema[1]
  • WingNut Films[1]
Distributed by New Line Cinema[1]

Release dates

  • 10 December 2001 (Odeon Leicester Square)
  • 19 December 2001 (United States)
  • 20 December 2001 (New Zealand)

Running time

178 minutes[2]
Countries
  • New Zealand[1]
  • United States[1]
Language English
Budget $93 million[3]
Box office $897.7 million[4]

The Lord of the Rings: The Fellowship of the Ring is a 2001 epic fantasy adventure film directed by Peter Jackson from a screenplay by Fran Walsh, Philippa Boyens, and Jackson, based on 1954’s The Fellowship of the Ring, the first volume of the novel The Lord of the Rings by J. R. R. Tolkien. The film is the first installment in The Lord of the Rings trilogy. It features an ensemble cast including Elijah Wood, Ian McKellen, Liv Tyler, Viggo Mortensen, Sean Astin, Cate Blanchett, John Rhys-Davies, Billy Boyd, Dominic Monaghan, Orlando Bloom, Christopher Lee, Hugo Weaving, Sean Bean, Ian Holm, and Andy Serkis.

Set in Middle-earth, the story tells of the Dark Lord Sauron, who seeks the One Ring, which contains part of his might, to return to power. The Ring has found its way to the young hobbit Frodo Baggins. The fate of Middle-earth hangs in the balance as Frodo and eight companions (who form the Fellowship of the Ring) begin their journey to Mount Doom in the land of Mordor, the only place where the Ring can be destroyed. The Fellowship of the Ring was financed and distributed by American studio New Line Cinema, but filmed and edited entirely in Jackson’s native New Zealand, concurrently with the other two parts of the trilogy.

It premiered on 10 December 2001 at the Odeon Leicester Square in London, and was then released on 19 December in the United States and on 20 December in New Zealand. The film was acclaimed by critics and fans alike, who considered it to be a landmark in filmmaking and an achievement in the fantasy film genre. It received praise for its visual effects, performances, Jackson’s direction, screenplay, musical score, and faithfulness to the source material. It grossed over $880 million worldwide in its initial release, making it the second highest-grossing film of 2001 and the fifth highest-grossing film of all time at the time of its release.[5] Following subsequent reissues, it has as of 2021 grossed over $897 million.[4] Like its successors, The Fellowship of the Ring is widely recognized as one of the greatest and most influential films ever made. The film received numerous accolades; at the 74th Academy Awards, it was nominated for thirteen awards, including Best Picture, winning for Best Cinematography, Best Makeup, Best Original Score, and Best Visual Effects.

In 2007, the American Film Institute named it one of the 100 greatest American films in history, being both the most recent film and the only film released in the 21st century to make it to the list. In 2021, the film was selected for preservation in the United States National Film Registry by the Library of Congress for being «culturally, historically, or aesthetically significant».[6] Two sequels, The Two Towers and The Return of the King, followed in 2002 and 2003, respectively.

Plot[edit]

In the Second Age of Middle-earth, the lords of Elves, Dwarves, and Men are given Rings of Power. Unbeknownst to them, the Dark Lord Sauron forges the One Ring in Mount Doom, instilling into it a great part of his power, to dominate the other Rings to conquer Middle-earth. A final alliance of Men and Elves battles Sauron’s forces in Mordor. Isildur of Gondor severs Sauron’s finger and the Ring with it, thereby vanquishing Sauron and returning him to spirit form. With Sauron’s first defeat, the Third Age of Middle-earth begins. The Ring’s influence corrupts Isildur, who takes it for himself and is later killed by Orcs. The Ring is lost in a river for 2,500 years until it is found by Gollum, who owns it for over four and a half centuries. The ring abandons Gollum and it is subsequently found by a hobbit named Bilbo Baggins, who is unaware of its history.

Sixty years later, Bilbo celebrates his 111th birthday in the Shire, reuniting with his old friend, the wizard Gandalf the Grey. Bilbo departs the Shire for one last adventure, and he leaves his inheritance, including the Ring, to his nephew Frodo. Gandalf investigates the Ring, discovers its true nature, and learns that Gollum was captured and tortured by Sauron’s Orcs, revealing two words during his interrogation: «Shire» and «Baggins.» Gandalf returns and warns Frodo to leave the Shire. As Frodo departs with his friend, gardener Samwise Gamgee, Gandalf rides to Isengard to meet with the wizard Saruman, but discovers his betrayal and alliance with Sauron, who has dispatched his nine undead Nazgûl servants to find Frodo.

Frodo and Sam are joined by fellow hobbits Merry and Pippin, and they evade the Nazgûl before arriving in Bree, where they are meant to meet Gandalf. However, Gandalf never arrives, having been taken prisoner by Saruman. The hobbits are then aided by a Ranger named Strider, who promises to escort them to Rivendell; however, they are ambushed by the Nazgûl on Weathertop, and their leader, the Witch-King, stabs Frodo with a Morgul blade. Arwen, an Elf and Strider’s beloved, locates Strider and rescues Frodo, summoning flood-waters that sweep the Nazgûl away. She takes him to Rivendell, where he is healed by the Elves. Frodo meets with Gandalf, who escaped Isengard on a Great Eagle. That night, Strider reunites with Arwen, and they affirm their love for each other.

Learning of Saruman’s betrayal from Gandalf and now realizing that they are facing threats from both Sauron and Saruman, Arwen’s father, Lord Elrond, decides against keeping the Ring in Rivendell. He holds a council of Elves, Men, and Dwarves, also attended by Frodo and Gandalf, that decides the Ring must be destroyed in the fires of Mount Doom. Frodo volunteers to take the Ring, accompanied by Gandalf, Sam, Merry, Pippin, Elf Legolas, Dwarf Gimli, Boromir of Gondor, and Strider—who is actually Aragorn, Isildur’s heir and the rightful King of Gondor. Bilbo, now living in Rivendell, gives Frodo his sword Sting, and a chainmail shirt made of mithril.

The Fellowship of the Ring makes for the Gap of Rohan, but discover it is being watched by Saruman’s spies. They instead set off over the mountain pass of Caradhras, but Saruman summons a storm that forces them to travel through the Mines of Moria. After finding the Dwarves of Moria dead, the Fellowship is attacked by Orcs and a cave troll. They hold them off but are confronted by Durin’s Bane: a Balrog residing within the mines. While the others escape, Gandalf fends off the Balrog and casts it into a vast chasm, but the Balrog drags Gandalf down into the darkness with him. The devastated Fellowship reaches Lothlórien, ruled by the Elf-queen Galadriel, who privately informs Frodo that only he can complete the quest and that one of the Fellowship will try to take the Ring. She also shows him a vision of the future in which Sauron succeeds in enslaving Middle-earth, including the Shire. Meanwhile, Saruman creates an army of Uruk-hai in Isengard to find and kill the Fellowship.

The Fellowship travels by river to Parth Galen. Frodo wanders off and is confronted by Boromir, who, as Lady Galadriel had warned, tries to take the Ring. Uruk-hai scouts then ambush the Fellowship; their leader, Lurtz, mortally wounds Boromir as he fails to stop them from taking Merry and Pippin as prisoners. Aragorn arrives and kills Lurtz before comforting Boromir as he dies, promising to help the people of Gondor in the coming conflict. Fearing the Ring will corrupt his friends, Frodo decides to travel to Mordor alone, but allows Sam to come along, recalling his promise to Gandalf to look after him. As Aragorn, Legolas, and Gimli set out to rescue Merry and Pippin, Frodo and Sam make their way down the mountain pass of Emyn Muil, journeying on to Mordor.

Cast[edit]

The eponymous Fellowship from left to right: (Top row) Aragorn, Gandalf, Legolas, Boromir, (bottom row) Sam, Frodo, Merry, Pippin, Gimli

Before filming began on 11 October 1999, the principal actors trained for six weeks in sword fighting (with Bob Anderson), riding and boating. Jackson hoped such activities would allow the cast to bond so chemistry would be evident on screen as well as getting them used to life in Wellington.[7] They were also trained to pronounce Tolkien’s verses properly.[8] After the shoot, the nine cast members playing the Fellowship got a tattoo, the Elvish symbol for the number nine, with the exception of John Rhys-Davies, whose stunt double got the tattoo instead.[9] The film is noted for having an ensemble cast,[10] and some of the cast and their respective characters include:

  • Elijah Wood as Frodo Baggins: A young hobbit who inherits the One Ring from his uncle Bilbo. Wood was the first actor to be cast on 7 July 1999.[11] Wood was a fan of the book, and he sent in an audition dressed as Frodo, reading lines from the novel.[12] Wood was selected from 150 actors who auditioned.[13] Jake Gyllenhaal unsuccessfully auditioned for the role.[14]
  • Ian McKellen as Gandalf the Grey: An Istari wizard and mentor to Frodo. Sean Connery was approached for the role, but did not understand the plot,[12] while Patrick Stewart turned it down as he disliked the script.[15] Patrick McGoohan was also offered the role, but turned it down due to health issues.[16] Christopher Plummer also turned down the role.[17] Sam Neill was also offered the role but declined due to his scheduling conflict with Jurassic Park III. Before being cast, McKellen had to sort his schedule with 20th Century Fox as there was a two-month overlap with X-Men.[13] He enjoyed playing Gandalf the Grey more than his transformed state in the next two films,[9] and based his accent on Tolkien. Unlike his on-screen character, McKellen did not spend much time with the actors playing the Hobbits; instead he worked with their scale doubles.[7]
  • Viggo Mortensen as Aragorn «Strider» Elessar II: A Dúnedain ranger and heir to Gondor’s throne. Daniel Day-Lewis was offered the part at the beginning of pre-production, but turned it down.[18] Nicolas Cage also received an offer, declining because of «family obligations»,[19] while Vin Diesel, a fan of the book, auditioned for Aragorn.[citation needed] Stuart Townsend was cast in the role, before being replaced during filming when Jackson realised he was too young.[12] Russell Crowe was considered as a replacement, but he turned it down because he does not want to be typecast and believed it to be a similar role in Gladiator.[12] Day-Lewis was offered the role for a second time, but declined again.[18] Executive Producer Mark Ordesky saw Mortensen in a play. Mortensen’s son, a fan of the book, convinced him to take the role.[7] Mortensen read the book on the plane, received a crash course lesson in fencing from Bob Anderson and began filming the scenes on Weathertop.[20] Mortensen became a hit with the crew by patching up his costume[21] and carrying his «hero» sword around with him off-camera.[7]
  • Sean Astin as Samwise Gamgee: Better known as Sam, a hobbit gardener and Frodo’s best friend. Astin, who had recently become a father, bonded with the 18-year-old Wood in a protective manner, which mirrored Sam’s relationship with Frodo.[7]
  • Sean Bean as Boromir: A son of the Stewards of Gondor who journeys with the Fellowship towards Mordor. Bruce Willis, a fan of the book, expressed interest in the role, while Liam Neeson was sent the script, but passed.[12]
  • Billy Boyd as Peregrin Took: Better known as Pippin, an extremely foolish hobbit who is a distant cousin of Frodo and travels with the Fellowship on their journey to Mordor.
  • Dominic Monaghan as Meriadoc Brandybuck: Better known as Merry, a distant cousin of Frodo. Monaghan was cast as Merry after auditioning for Frodo.[12]
  • John Rhys-Davies as Gimli: A dwarf warrior who accompanies the Fellowship to Mordor after they set out from Rivendell. Billy Connolly, who was considered for the part of Gimli, would later portray Dáin II Ironfoot in Peter Jackson’s The Hobbit film trilogy.[12] Rhys-Davies wore heavy prosthetics to play Gimli, which limited his vision, and eventually he developed eczema around his eyes.[7] Rhys-Davies also played Gimli’s father Glóin during the scene where the fellowship is forged.
  • Orlando Bloom as Legolas Greenleaf: A prince of the elves’ Woodland Realm and a skilled archer. Bloom initially auditioned for Faramir, who appears in the second film, a role which went to David Wenham.[12]
  • Liv Tyler as Arwen Undómiel: An elf of Rivendell and Aragorn’s lover. The filmmakers approached Tyler after seeing her performance in Plunkett & Macleane, and New Line Cinema leaped at the opportunity of having one Hollywood star in the film. Actress Helena Bonham Carter had expressed interest in the role.[12] Tyler came to shoot on short occasions, unlike the rest of the actors. She was one of the last actors to be cast, on 25 August 1999.[22]
  • Cate Blanchett as Galadriel: The elven co-ruler of Lothlórien alongside her husband Celeborn. Lucy Lawless was considered for the role.[23]
  • Christopher Lee as Saruman the White: The fallen head of the Istari Order who succumbs to Sauron’s will through his use of the palantír. Lee was a major fan of the book, and read it once a year. He had also met J. R. R. Tolkien.[20] He originally auditioned for Gandalf, but was judged too old.[12]
  • Hugo Weaving as Elrond: The Elven-Lord of Rivendell who leads the Council of Elrond, which ultimately decides to destroy the Ring. David Bowie expressed interest in the role, but Jackson stated, «To have a famous, beloved character and a famous star colliding is slightly uncomfortable.»[13]
  • Ian Holm as Bilbo Baggins: Frodo’s uncle who gives him the Ring after he decides to retire to Rivendell. Holm previously played Frodo in a 1981 radio adaption of The Lord of the Rings, and was cast as Bilbo after Jackson remembered his performance.[12] Sylvester McCoy, who would later play Radagast the Brown Wizard in The Hobbit, was contacted about playing the role, and was kept in place as a potential Bilbo for six months before Jackson went with Holm.[24]
  • Andy Serkis as Gollum (voice/motion-capture): A wretched hobbit-like creature whose mind was poisoned by the Ring after bearing it for 500 years. This character appears briefly in the prologue. In Mordor, one can only hear his voice shouting and in Moria, only his eyes and his nose appear. Serkis was working on the 1999 six-episode Oliver Twist miniseries when his agent told him that Jackson wanted to approach him to play Gollum. Despite ultimately accepting the role, Serkis was initially doubtful about taking the part as one of his Oliver Twist fellow actors opined that it wasn’t a good idea if his face wasn’t going to appear onscreen, aside that Jackson was unsure if Gollum could be portrayed with motion-capture performance as they wished.[25]

The cast also includes:[citation needed]

  • Sala Baker as Sauron the Deceiver:[26] The Dark Lord of Mordor and the One Ring’s true master who manifests as an Eye after the destruction of his physical form.
  • Marton Csokas as Celeborn the Wise: The Elven-Lord of Lothlórien and Galadriel’s husband.
  • Lawrence Makoare as Lurtz: The commander of Saruman’s Uruk-Hai forces.
  • Craig Parker as Haldir: The leader of the Galadhrim warriors guarding the border of Lothlórien.
  • Mark Ferguson as Ereinion Gil-galad: The last Elven-King of the Noldor.
  • Peter McKenzie as Elendil the Tall: The last High King of Arnor and Gondor.
  • Harry Sinclair as Isildur: Elendil’s son and Aragorn’s ancestor who originally defeated Sauron.

Comparison with the source material[edit]

Jackson, Walsh and Boyens made numerous changes to the story, for purposes of pacing and character development. Jackson said his main desire was to make a film focused primarily on Frodo and the Ring, the «backbone» of the story.[27] The prologue condenses Tolkien’s backstory, in which The Last Alliance’s seven-year siege of the Barad-dûr is a single battle, where Sauron is shown to explode, though Tolkien only said his spirit flees.[28]

Some events from the book are condensed or omitted at the beginning of the film. The time between Gandalf leaving the Ring to Frodo and returning to reveal its inscription, which is 17 years in the book, is compressed for timing reasons. The filmmakers also decided to move the opening scenes of The Two Towers, the Uruk-hai ambush and Boromir’s death, to the film’s linear climax.[27]

The tone of the Moria sequence was altered. In the book, following the defeat on the Caradhras road, Gandalf advocates the Moria road against the resistance of the rest of the Fellowship (save Gimli), suggesting «there is a hope that Moria is still free…there is even a chance that Dwarves are there,» though no one seems to think this likely. Frodo proposes they take a company vote, but the discovery of Wargs on their trail forces them to accept Gandalf’s proposal. They only realize the Dwarves are all dead once they reach Balin’s tomb. The filmmakers chose instead for Gandalf to resist the Moria plan as a foreshadowing device. Gandalf says to Gimli he would prefer not to enter Moria, and Saruman is shown to be aware of Gandalf’s hesitance, revealing an illustration of the Balrog in one of his books. The corpses of the dwarves are instantly shown as the Fellowship enter Moria.[30] One detail that many critics commented upon is that, in the novel, Pippin tosses a mere pebble into the well in Moria («They then hear what sounds like a hammer tapping in the distance»), whereas in the film, he knocks an entire skeleton in («Next, the skeleton … falls down the well, also dragging down a chain and bucket. The noise is incredible.»).[31][32][33][34][35]

When Frodo is struck by a Nazgûl at Weathertop, in the book, the elf Glorfindel rides him to Rivendell, whereas in the film, Arwen takes on this role.

Production[edit]

Development[edit]

Director Peter Jackson began working with Christian Rivers to storyboard the series in August 1997, as well as getting Richard Taylor and Weta Workshop to begin creating his interpretation of Middle-earth.[36] Jackson told them to make Middle-earth as plausible and believable as possible, and to think of it in a historical manner.[37]

In November,[37] Alan Lee and John Howe became the film trilogy’s primary conceptual designers, having had previous experience as illustrators for the book and various other tie-ins. Lee worked for the Art Department creating places such as Rivendell, Isengard, Moria, and Lothlórien, giving Art Nouveau and geometry influences to the Elves and Dwarves respectively.[37][38] Though Howe contributed with Bag End and the Argonath,[37][38] he focused on the design of the characters’ armour, having studied it his entire life.[39] Weta and the Art Department continued to design, with Grant Major turning the Art Department’s designs into architecture, and Dan Hennah scouting locations.[37] On 1 April 1999, Ngila Dickson joined the crew as costume designer. She and 40 seamstresses would create 19,000 costumes, 40 per version for the actor and their doubles, wearing them out for an impression of age.[21]

Filming locations[edit]

Arwen faces the Nazgûl at the Fords of Bruinen (Arrow River)

Filming took place in various locations across New Zealand. A list of filming locations, sorted by appearance order in the film:[40][41]

Fictional
location
Specific location
in New Zealand
General area
in New Zealand
Mordor (Prologue) Whakapapa skifield Tongariro National Park
Hobbiton Matamata Waikato
Gardens of Isengard Harcourt Park Upper Hutt
The Shire woods Otaki Gorge Road Kapiti Coast District
Bucklebury Ferry Keeling Farm, Manakau Horowhenua
Forest near Bree Takaka Hill Nelson
Trollshaws Waitarere Forest Horowhenua
Flight to the Ford Tarras Central Otago
Ford of Bruinen Arrow River, Skippers Canyon Queenstown and Arrowtown
Rivendell Kaitoke Regional Park Upper Hutt
Eregion Mount Olympus Nelson
Dead Marshes Kepler Mire Southland
Dimrill Dale Lake Alta The Remarkables
Dimrill Dale Mount Owen Nelson
Lothlórien Paradise Glenorchy
River Anduin Upper Waiau River Fiordland National Park
River Anduin Rangitikei River Rangitikei District
River Anduin Poets’ Corner Upper Hutt
Parth Galen Paradise Glenorchy
Amon Hen Mavora Lakes, Paradise and Closeburn Southern Lakes

Special effects[edit]

The Fellowship of the Ring makes extensive use of digital, practical and make-up special effects. One notable illusion used in almost every scene involved setting a proper scale so that the characters all appear to be the correct height. For example, Elijah Wood is 5 feet 6 inches (1.68 m) tall in real life, but his character, Frodo Baggins, is barely four feet in height. A variety of techniques were used to depict the hobbits and Gimli the Dwarf as being of diminutive stature. Fortunately, John-Rhys Davies – who played Gimli – happens to be the correct height in proportion to the hobbit actors, so did not need to be filmed separately as a third height variation. Large- and small-scale doubles were used in certain scenes, while entire duplicates of certain sets (including Bag End in Hobbiton) were built at two different scales, so that the characters would appear to be the appropriate size. At one point in the film, Frodo runs along a corridor in Bag End, followed by Gandalf. Elijah Wood and Ian McKellen were filmed in separate versions of the same corridor, built at two different scales, and a fast camera pan conceals the edit between the two. Forced perspective was also employed, so that it would look as though the short hobbits were interacting with taller Men and Elves. Even the simple use of kneeling down, to the filmmakers’ surprise, turned out to be an effective method in creating the illusion.

For the battle between the Last Alliance and Sauron’s forces that begins the film, an elaborate CGI animation system, called MASSIVE, was developed by Stephen Regelous; it allowed thousands of individual animated characters, or «agents» in the program, to act independently. This lent the illusion of realism to the battle sequences. The «Making of» Lord of the Rings DVD reports some interesting initial problems: for instance, in the first execution of a battle between groups of characters, the wrong groups attacked each other. In another early demo, some of the warriors at the edge of the field could be seen running away. They were initially moving in the wrong direction, and had been programmed to keep running until they encountered an enemy.

The digital creatures were important due to Jackson’s requirement of biological plausibility. Their surface texture was scanned from large maquettes before numerous digital details of their skeletons and muscles were added. In the case of the Balrog, Gray Horsfield created a system that copied recorded imagery of fire.

Score[edit]

James Horner turned down the offer to compose the score.[42] The musical score for The Lord of the Rings films was composed by Howard Shore. It was performed by the New Zealand Symphony Orchestra, the London Philharmonic Orchestra, the London Voices, The London Oratory School Schola, and the Maori Samoan Choir, and featured several vocal soloists. Shore wrote almost four hours of finalized music for the film (of which just over three hours are used as underscore), featuring a number of non-orchestral instruments, and a large number (49–62) of leitmotives.

Two original songs, «Aníron» and the end title theme «May It Be», were composed and sung by Enya, who allowed her label, Reprise Records, to release the soundtrack to The Fellowship of the Ring and its two sequels. In addition to these, Shore composed «In Dreams», which was sung by Edward Ross of the London Oratory School Schola.

Release[edit]

Theatrical[edit]

The world premiere of The Fellowship of the Ring was held at the Odeon Leicester Square in London on 10 December 2001. It was released on Wednesday, 19 December 2001 internationally in most major territories on 10,000 screens.[43] It opened in New Zealand on 20 December.

Marketing[edit]

A special featurette trailer was released in 2000. The trilogy sizzle reel was shown before Thirteen Days and the teaser trailer before Pearl Harbor. The theatrical trailer was attached with the television premiere of Angel and before Harry Potter and the Philosopher’s Stone. Both trailers appeared as easter eggs on the Rush Hour 2 and Little Nicky DVD and VHS.

Home media[edit]

The Fellowship of the Ring was released on VHS and DVD on 6 August 2002.[44] It was the best-selling DVD release at the time with 14.5 million copies being sold. This record was dethroned by Finding Nemo the following year.[45]

Theatrical and extended release[edit]

On 12 November 2002, an extended edition was released on VHS and DVD, with 30 minutes of new material, added special effects and music, plus 19 minutes of fan-club credits, totaling to 228 minutes.[46][47][48] The DVD set included four commentaries and over three hours of supplementary material.

On 29 August 2006, a limited edition of The Fellowship of the Ring was released on DVD. The set included both the film’s theatrical and extended editions on a double-sided disc along with all-new bonus material.

Blu-ray edition[edit]

The theatrical Blu-ray version of The Lord of the Rings was released in the United States on 6 April 2010. There were two separate sets: one with digital copies and one without.[49] The individual Blu-ray disc of The Fellowship of the Ring was released on 14 September 2010 with the same special features as the complete trilogy release, except there was no digital copy.[50]

The extended Blu-ray editions were released in the US on 28 June 2011.[51] This version has a runtime of 238 minutes[47][52] (the extended editions include the names of all fan club members at the time of their release; the additional 9 minutes in the Blu-ray version are because of expanded member rolls, not any additional story material).

The Fellowship of the Ring was released in Ultra HD Blu-ray on 30 November 2020 in the United Kingdom and on 1 December 2020 in the United States, along with the other films of the trilogy, including both the theatrical and the extended editions of the films.[53]

Reception[edit]

Box office[edit]

On its opening day, it grossed $18.2 million in the United States and Canada from 3,359 cinemas and $11.5 million in 13 countries, including $3 million from 466 screens in the United Kingdom.[3][54] It grossed $75.1 million in its first five days in the United States and Canada, including $47.2 million on its opening weekend, placing it at number one at the US box office, setting a December opening record, beating Ocean’s Eleven.[55][3]

The film also opened at number one in 29 international markets and remained there for a second week in all but the Netherlands. It set a record opening day gross in Australia with $2.09 million from 405 screens, beating the record $1.3 million set by Star Wars: Episode I – The Phantom Menace. It had a record opening weekend in Germany with 1.5 million admissions and in Spain with a gross of $5.3 million from 395 screens. It also grossed a record $2.5 million in 15 days in New Zealand.[56] This record would last for less than a decade before being surpassed by Avatar.[57] In its first 15 days, it had grossed $183.5 million internationally and $178.7 million in the United States and Canada for a worldwide total of $362.2 million.[56][3]

In its initial release, it went on to gross $313.4 million in the United States and Canada and $547.2 million in the rest of the world for a worldwide total of $860.5 million.[5] Box Office Mojo estimates that the film sold over 54 million tickets in the US and Canada in its initial theatrical run.[58] Following subsequent reissues, the film has grossed $315.7 million in the United States and Canada and $581.9 million in the rest of the world for a worldwide total of $897.7 million.[3]

Critical response[edit]

On review aggregator Rotten Tomatoes, the film holds an approval rating of 91% based on 234 reviews, with an average rating of 8.2/10. The website’s critics consensus reads, «Full of eye-popping special effects, and featuring a pitch-perfect cast, The Lord of the Rings: The Fellowship of the Ring brings J.R.R. Tolkien’s classic to vivid life.»[59] Metacritic, which uses a weighted average, assigned the film a score of 92 out of 100 based on 34 critics, indicating «universal acclaim».[60] Audiences polled by CinemaScore gave the film an average grade of «A−» on an A+ to F scale.[61]

The Fellowship of the Ring was released to universal critical acclaim. Colin Kennedy for Empire gave the film five stars out of five, writing «Brooking no argument, history should quickly regard Peter Jackson’s The Fellowship of the Ring as the first instalment of the best fantasy epic in motion picture history… Putting formula blockbusters to shame, Fellowship is impeccably cast and constructed with both care and passion: this is a labour of love that never feels laboured. Emotional range and character depth ultimately take us beyond genre limitations…»[62] Roger Ebert of the Chicago Sun-Times gave the film three out of four stars and stating that while it is not «a true visualization of Tolkien’s Middle-earth», it is «a work for, and of, our times. It will be embraced, I suspect, by many Tolkien fans and take on aspects of a cult. It is a candidate for many Oscars. It is an awesome production in its daring and breadth, and there are small touches that are just right».[63] USA Today also gave the film three out of four stars and wrote, «this movie version of a beloved book should please devotees as well as the uninitiated».[64] In his review for The New York Times, Elvis Mitchell wrote, «The playful spookiness of Mr. Jackson’s direction provides a lively, light touch, a gesture that doesn’t normally come to mind when Tolkien’s name is mentioned».[65] Lisa Schwarzbaum for Entertainment Weekly gave the film an A grade and wrote «The cast take to their roles with becoming modesty, certainly, but Jackson also makes it easy for them: His Fellowship flows, never lingering for the sake of admiring its own beauty … Every detail of which engrossed me. I may have never turned a page of Tolkien, but I know enchantment when I see it».[66] In his review for the BBC, Nev Pierce gave the film four stars out of five, describing it as «Funny, scary, and totally involving», and wrote that Jackson turned «the book’s least screen-worthy volume into a gripping and powerful adventure movie».[67] In his review for The Guardian, Xan Brooks wrote «Rather than a stand-alone holiday blockbuster, The Fellowship of the Ring offers an epic act one», and commented that the ending was «closer in spirit to an art-house film than a popcorn holiday romp».[68]

In his review for the New York Post, Lou Lumenick gave the film four stars out of four, praising Jackson’s direction, the casting, the sets, and the score, and describing the film as «the three most exciting hours we’ve seen on a movie screen in years» and «easily one of the year’s best movies».[69] In her review for The Washington Post, Rita Kempley gave the film five stars out of five, and praised the cast, in particular, «Mortensen, as Strider, is a revelation, not to mention downright gorgeous. And McKellen, carrying the burden of thousands of years’ worth of the fight against evil, is positively Merlinesque».[70] Time magazine’s Richard Corliss praised Jackson’s work: «His movie achieves what the best fairy tales do: the creation of an alternate world, plausible and persuasive, where the young — and not only the young — can lose themselves. And perhaps, in identifying with the little Hobbit that could, find their better selves».[71] In his review for The Village Voice, J. Hoberman wrote, «Peter Jackson’s adaptation is certainly successful on its own terms».[72] Rolling Stone magazine’s Peter Travers wrote, «It’s emotion that makes Fellowship stick hard in the memory… Jackson deserves to revel in his success. He’s made a three-hour film that leaves you wanting more».[73] A mixed review was written by Peter Bradshaw. Writing for The Guardian, he lauded the art direction and the visual look of the film, but he also commented «there is a strange paucity of plot complication, an absence of anything unfolding, all the more disconcerting because of the clotted and indigestible mythic back story that we have to wade through before anything happens at all». Overall, Bradshaw found the tone of the film too serious and self-important, and wrote «signing up to the movie’s whole hobbity-elvish universe requires a leap of faith… It’s a leap I didn’t feel much like making – and, with two more movie episodes like this on the way, the credibility gap looks wider than ever.»[74] Jonathan Rosenbaum was also less positive about The Fellowship of the Ring: in his review for the Chicago Reader, he granted that the film was «full of scenic splendors with a fine sense of scale», but he commented that its narrative thrust seemed «relatively pro forma», and that he found the battle scenes boring.[75]

Accolades[edit]

In 2002, the film won four Academy Awards from thirteen nominations.[76] The winning categories were for Best Cinematography, Best Visual Effects, Best Makeup, and Best Original Score. It was also nominated for Best Actor in a Supporting Role (Ian McKellen), Best Art Direction, Best Director, Best Film Editing, Best Original Song (Enya, Nicky Ryan and Roma Ryan for «May It Be»), Best Picture, Best Sound (Christopher Boyes, Michael Semanick, Gethin Creagh and Hammond Peek), Best Costume Design and Best Adapted Screenplay.

The film won the 2002 Hugo Award for Best Dramatic Presentation. It also won Empire readers’ Best Film award, as well as five BAFTAs, including Best Film, the David Lean Award for Best Direction, the Audience Award (voted for by the public), Best Special Effects, and Best Make-up. The film was nominated for an MTV Movie Award for Best Fight between Gandalf and Saruman.

In June 2008, AFI revealed its «10 Top 10″—the ten best films in ten «classic» American film genres—after polling over 1,500 people from the creative community. The Fellowship of the Ring was acknowledged as the second best film in the fantasy genre.[77][78] The film was also listed as the 50th best film in the 2007 list AFI’s 100 Years…100 Movies (10th Anniversary Edition).

References[edit]

  1. ^ a b c d e «The Lord of the Rings: The Fellowship of the Ring». AFI Catalog of Feature Films. Archived from the original on 12 May 2019. Retrieved 28 December 2018.
  2. ^ «The Lord Of The Rings — The Fellowship Of The Ring». British Board of Film Classification. Retrieved 7 September 2022.
  3. ^ a b c d e «The Lord of the Rings: The Fellowship of the Ring (2001)». Box Office Mojo. IMDb. Archived from the original on 17 May 2020. Retrieved 17 May 2020.
  4. ^ a b «The Lord of the Rings: The Fellowship of the Ring». Box Office Mojo. Retrieved 2 May 2021.
  5. ^ a b «All Time Worldwide Box Office». Box Office Mojo. Archived from the original on 1 October 2002.
  6. ^ Tartaglione, Nancy (14 December 2021). «National Film Registry Adds Return Of The Jedi, Fellowship Of The Ring, Strangers On A Train, Sounder, WALL-E & More». Deadline Hollywood. Retrieved 14 December 2021.
  7. ^ a b c d e f The Fellowship of the Cast (DVD). New Line Cinema. 2002.
  8. ^ Sibley, Brian (2001). The Lord of the Rings: Official Movie Guide. Harpercollins. pp. 100–101. ISBN 0-00-711908-9.
  9. ^ a b Sibley, Brian (2006). «Ring-Master». Peter Jackson: A Film-maker’s Journey. London: Harpercollins. pp. 445–519. ISBN 0-00-717558-2.
  10. ^ Clinton, Paul (18 December 2001). «Review: Dazzling, flawless ‘Rings’ a classic». CNN. Retrieved 7 September 2008.
  11. ^ «Official Frodo Press Release!». The One Ring.net. 9 July 1999. Retrieved 15 October 2006.
  12. ^ a b c d e f g h i j k Sibley, Brian (2006). «Three-Ring Circus». Peter Jackson: A Film-maker’s Journey. London: HarperCollins. pp. 388–444. ISBN 0-00-717558-2.
  13. ^ a b c Flynn, Gillian (16 November 2001). «Ring Masters». Entertainment Weekly. Retrieved 16 September 2007.
  14. ^ «How Jake Gyllenhaal flubbed his ‘Lord of the Rings’ audition». Entertainment Weekly.
  15. ^ «New York Con Reports, Pictures and Video». TrekMovie. 9 March 2008. Retrieved 12 March 2008.
  16. ^ «Obituary: Patrick McGoohan». 14 January 2009.
  17. ^ «Christopher Plummer Turned Down The Role Of Gandalf» – via conanclassic.com.
  18. ^ a b xoanon (15 October 1999). «Daniel Day-Lewis Offered role of Aragorn, Again!». theonering.net. Retrieved 23 August 2012.
  19. ^ Carroll, Larry (7 December 2007). «Will Smith Snagged ‘I Am Legend’ From Schwarzenegger, But Can You Imagine Nicolas Cage In ‘The Matrix’?». MTV. Retrieved 8 December 2007.
  20. ^ a b Cameras in Middle-earth: Filming The Fellowship of the Ring (DVD). New Line Cinema. 2002.
  21. ^ a b Costume Design (DVD). New Line Cinema. 2002.
  22. ^ «Liv Tyler will be in LOTR – Updated». TheOneRing.net. 25 August 1999. Retrieved 26 January 2011.
  23. ^ «Lucy Lawless – Hotcelebs Magazine».
  24. ^ Parkes, Diane (19 September 2008). «Who’s that playing The Mikado?». Birmingham Mail. Retrieved 22 September 2008.
  25. ^ Archived at Ghostarchive and the Wayback Machine: Josh Gad (31 May 2020). «One Zoom to Rule Them All | Reunited Apart LORD OF THE RINGS Edition» – via YouTube.
  26. ^ «Sala Baker». British Film Institute. Retrieved 13 September 2022.
  27. ^ a b From Book to Screen (DVD). New Line Cinema. 2002.
  28. ^ Tolkien, J.R.R. (1981). The Letters of J. R. R. Tolkien. Houghton Mifflin. ISBN 978-0-618-05699-6.
  29. ^ Doman, Rejina (7 January 2008). «Can Hollywood Be Restrained?». Hollywood Jesus. Archived from the original on 5 February 2008. Retrieved 31 January 2008.
  30. ^ «The Fellowship of the Ring». The One Ring: The Home of Tolkien Online. 2001. Archived from the original on 6 April 2015. Retrieved 4 November 2014.
  31. ^ Croft, Janet Brennan (2003). «The Mines of Moria: Anticipation and Flattening in Peter Jackson’s The Fellowship of the Ring«. Presented at the Southwest/Texas Popular Culture Association Conference. Archived from the original on 31 October 2011. Retrieved 4 November 2014.
  32. ^ Wloszczyna, Susan; Schaefer, Stephen; Puig, Claudia (14 December 2001). «More Profiles from the Land of Tolkien». USA Today. Archived from the original on 15 June 2015. Retrieved 4 November 2014.
  33. ^ Porter, Lynnette R. (2005). Unsung Heroes of The Lord of the Rings: From the Page to the Screen. Westport, Connecticut: Greenwood. p. 71. ISBN 0-275-98521-0.
  34. ^ Winter, Molly; Swickard, Grace. «The Fellowship of the Ring, Condensed». Arwen-Undomiel.com. Archived from the original on 4 June 2016. Retrieved 4 November 2014.
  35. ^ Russell, Gary (2003). The Art of the Two Towers. Harper Collins. p. 8. ISBN 0-00-713564-5.
  36. ^ a b c d e Designing Middle-earth (DVD). New Line Cinema. 2002.
  37. ^ a b Big-atures (DVD). New Line Cinema. 2002.
  38. ^ Sibley (2001), p.90
  39. ^ «The Lord of the Rings Trilogy filming locations». newzealand.com/us. Archived from the original on 28 September 2016. Retrieved 23 March 2016.
  40. ^ «15 LOTR Locations In New Zealand». huffingtonpost.com. 19 September 2015. Archived from the original on 22 March 2016. Retrieved 23 March 2016.
  41. ^ «R.I.P. James Horner». The A.V. Club. 23 June 2015.
  42. ^ Nathan, Ian (April 2021). «The World Is Changed». Empire. p. 65.
  43. ^ «Kia Reaches for the Gold ‘Ring’«. hive4media.com. 4 June 2002. Archived from the original on 16 June 2002. Retrieved 12 September 2019.
  44. ^ Susman, Gary (19 November 2003). «Nemo is already top-selling DVD ever». Entertainment Weekly. Archived from the original on 7 April 2022. Retrieved 7 February 2022.
  45. ^ «THE LORD OF THE RINGS – THE FELLOWSHIP OF THE RING (PG)». British Board of Film Classification. 16 July 2002. Retrieved 16 October 2012.
  46. ^ a b «The Lord of the Rings: The Fellowship of the Ring». movies.com. Archived from the original on 15 September 2015. Retrieved 12 December 2018.
  47. ^ Bennett, Dan (17 August 2002). «Lord of the Rings Will Sing a New Tune». hive4media.com. Archived from the original on 8 September 2002. Retrieved 22 September 2019.
  48. ^ «The Lord of the Rings: The Motion Picture Trilogy Blu-ray: Theatrical Editions». Blu-ray.com. Archived from the original on 25 February 2010. Retrieved 18 February 2010.
  49. ^ Calogne, Juan (23 June 2010). «Lord of the Rings Movies Get Separate Blu-ray editions». Blu-ray.com. Archived from the original on 26 June 2010. Retrieved 28 November 2010.
  50. ^ «Lord of the Rings Pre-order Now Available». Amazon.com. 31 May 2011. Archived from the original on 30 May 2011. Retrieved 31 May 2011.
  51. ^ «The Lord of the Rings: The Fellowship of the Ring». IMDb.com. 19 December 2001. Archived from the original on 28 May 2011. Retrieved 31 May 2011.
  52. ^ Brew, Simon (9 October 2020). «Lord Of The Rings and The Hobbit set for 4K release in November». filmstories.co.uk. Archived from the original on 21 October 2020. Retrieved 30 November 2020.
  53. ^ Boland, Michaela (24 December 2001). «‘Rings’ tolls in bright B.O. day o’seas». Variety. p. 9.
  54. ^ «‘Lord of the Rings’ rules holiday weekend». News-Journal. 27 December 2001. p. 2. Archived from the original on 18 September 2022. Retrieved 18 September 2022 – via Newspapers.com. open access
  55. ^ a b Boland, Michaela (7 January 2002). «‘Lord’ runs rings ’round o’seas B.O.». Variety. p. 15.
  56. ^ Rutledge, Daniel (2 November 2010). «Avatar becomes NZ’s highest grossing film ever». Newshub. Retrieved 7 August 2018.
  57. ^ «The Lord of the Rings: The Fellowship of the Ring». Box Office Mojo. Archived from the original on 3 June 2016. Retrieved 31 May 2016.
  58. ^ «The Lord of the Rings: The Fellowship of the Ring (2001)». Rotten Tomatoes. Fandango. Archived from the original on 17 May 2020. Retrieved 17 May 2020.
  59. ^ «The Lord of the Rings: The Fellowship of the Ring (2001)». Metacritic. CBS Interactive. Archived from the original on 17 May 2020. Retrieved 17 May 2020.
  60. ^ «Cinemascore». CinemaScore. Archived from the original on 20 December 2018. Retrieved 22 March 2020.
  61. ^ «Lord Of The Rings: The Fellowship Of The Ring». Empire.
  62. ^ Ebert, Roger (19 December 2001). «Lord of the Rings: The Fellowship of the Ring«. Chicago Sun-Times. Archived from the original on 27 July 2010. Retrieved 12 May 2009.
  63. ^ Puig, Claudia (18 December 2001). «Middle-earth leaps to life in enchanting, violent film». USA Today. Archived from the original on 10 July 2009. Retrieved 12 May 2009.
  64. ^ Mitchell, Elvis (19 December 2001). «Hit the Road, Middle-Earth Gang». The New York Times. Retrieved 12 May 2009.
  65. ^ Schwarzbaum, Lisa (5 December 2001). «The Lord of the Rings: The Fellowship of the Ring«. Entertainment Weekly. Archived from the original on 10 July 2009. Retrieved 12 May 2009.
  66. ^ «BBC – Films – review – The Lord of the Rings: The Fellowship of the Ring». BBC.
  67. ^ «Film review: ‘Like an Anglo-Saxon cousin to Crouching Tiger, Hidden Dragon’«. the Guardian. 10 December 2001.
  68. ^ Lumenick, Lou (18 December 2001). «PRAISE ‘THE LORD’!». New York Post. Retrieved 13 February 2022.
  69. ^ Kempley, Rita (19 December 2001). «Frodo Lives! A Spirited Lord of the Rings«. The Washington Post. Archived from the original on 12 August 2018. Retrieved 12 May 2009.
  70. ^ Corliss, Richard (17 December 2001). «Lord of the Films». Time. Archived from the original on 10 July 2009. Retrieved 12 May 2009.
  71. ^ Hoberman, J (18 December 2001). «Plastic Fantastic». The Village Voice. Archived from the original on 10 July 2009. Retrieved 12 May 2009.
  72. ^ Travers, Peter (17 January 2002). «The Lord of the Rings: The Fellowship of the Ring«. Rolling Stone. Archived from the original on 27 June 2009. Retrieved 12 May 2009.
  73. ^ Bradshaw, Peter (14 December 2001). «The Lord of the Rings: The Fellowship of the Ring«. The Guardian. UK. Archived from the original on 9 May 2014. Retrieved 12 May 2009.
  74. ^ Rosenbaum, Jonathan (17 December 2001). «The Lord of the Rings: The Fellowship of the Ring». Chicago Reader.
  75. ^ «The 74th Academy Awards (2002) Nominees and Winners». oscars.org. Archived from the original on 21 August 2011. Retrieved 19 November 2011.
  76. ^ American Film Institute (17 June 2008). «AFI Crowns Top 10 Films in 10 Classic Genres». ComingSoon.net. Archived from the original on 19 June 2008. Retrieved 18 June 2008.
  77. ^ «Top 10 Fantasy». American Film Institute. Archived from the original on 10 February 2009. Retrieved 18 June 2008.

External links[edit]

I. О хоббитах

В книге речь пойдет в основном о хоббитах. Читатель узнает немало и о них, и об их истории, а коли захочет узнать больше, пусть заглянет в Алую Книгу Западного Крома. Кое-что из нее уже публиковалось в книжке «Хоббит» – это начальные главы, написанные знаменитым на весь мир Бильбо, первым по-настоящему прославившимся хоббитом. Он назвал эти фрагменты «Туда и Обратно», потому что повествуют они о путешествии на Восток и возвращении в родные места, а главное – о Приключении, которое повлекло за собой величайшие события Эпохи, во многом изменившие, конечно, и жизнь хоббитов. Об этих событиях и пойдет рассказ.

Многие читали «Хоббита», многие, да не все, поэтому в нашей книге не обойтись без основных сведений об этом замечательном народе, да заодно уж надо напомнить и о самом Приключении.

Хоббиты – народ неприметный, но древний, в прошлом весьма многочисленный. В том, что их стало меньше, нет ничего удивительного, если учесть стремление хоббитов к мирной жизни и любовь к ухоженной земле. Самое милое дело для них – тщательно и заботливо возделанные поле или садик. Есть и всякие приспособления, но только те, без которых не обойтись, – кузнечные мехи, водяные мельницы да ручные ткацкие станки – других они не признают и не держат.

Нас они издавна звали Верзилами и сторонились, предпочитая не связываться. Сейчас встретить хоббита – большая редкость: слух у них чуткий, зрение – острое, а движения проворные и ловкие, несмотря на склонность к полноте и стремление к покою. Издавна владели они умением исчезать бесшумно и бесследно, едва заслышав издали спотыкающуюся поступь какого-нибудь Верзилы. И так это у них ловко получалось, что люди стали поговаривать о волшебстве. На самом деле ни с какой магией хоббиты, конечно, не знались, а неуловимостью своей обязаны были исключительно мастерству, основанному на бережном отношении к традициям, большой практике и близкой дружбе с землей, что для неуклюжих Больших народов и несвойственно, и непонятно.

Хоббиты – народ маленький, ростом чуть поменьше Гномов, и не такие кряжистые, конечно. По нашим меркам – фута три-четыре в вышину. Сейчас-то и трехфутовые – редкость, а в давние дни, конечно, бывали и повыше. Из Алой Книги можно узнать, например, о Бандобрасе Туке, сыне Изенгрима Второго, – был он четырех с половиной футов ростом и мог ездить на лошади. Только два героя древности превосходили его ростом, но о них речь впереди.

Хоббиты, населявшие Шир во дни мира и благоденствия, были веселым народом, одевались в яркие цвета (больше всего любили желтое и зеленое), а обувались редко – подошвы у них были что твоя подметка, и ноги (книзу в особенности) покрывал густой курчавый волос (как, впрочем, и головы), чаще всего шатеновой масти. Само собой, сапожное ремесло у хоббитов не в почете, а вообще-то народ они умелый и здорово мастерят всякие мелкие штуки. Красавцами хоббитов не назовешь, а вот добродушия им не занимать: круглолицые, краснощекие, рот в любой момент готов разулыбаться до ушей, если, конечно, нет более важных занятий: завтрака там или обеда. Вот уж в этом хоббиты знают толк, в «поесть-попить» душу вкладывают, могут за стол и по шести раз на день усаживаться – было бы что на стол поставить. Гостеприимство у них в обычае, подарки дарят с легкой душой и принимают с радостью.

Совершенно понятно: хоть и разошлись мы с ними за долгие века, но они нам родня, куда ближе Эльфов или тех же Гномов. И язык у нас с хоббитами общий был, и любили-ненавидели мы с ними примерно одно и то же. Но где, в каком колене это родство – теперь уже не вспомнишь. В незапамятной древности затерялись корни хоббитов. О том времени помнят Эльфы, но их предания ограничиваются эльфийской историей. В них и люди-то упоминаются мимоходом, а о хоббитах и вовсе ничего нет. Как бы там ни было, а хоббиты жили себе потихоньку в Среднеземье еще задолго до того, как остальные народы заметили их. Оно и понятно: в мире без счета всяких странных созданий, до хоббитов ли тут! Но во дни Бильбо и его племянника Фродо все вдруг изменилось: хоббиты, без всякого на то желания, стали важными, знаменитыми и заставили думать о себе Мудрых и Великих.

Те Дни Третьей Эпохи Среднеземья давно канули в прошлое, даже очертания материков с тех пор изменились, но хоббиты и посейчас живут там, где тогда жили: на северо-западе Древнего Мира, к востоку от Моря. Откуда пришли в эти края их предки, никто не помнил уже во времена Бильбо. Не хоббитам хвастать любовью к отвлеченным знаниям (кроме генеалогии, пожалуй), но в некоторых знатных домах все же читали старинные летописи и даже добавляли к ним кое-что услышанное от Эльфов, Гномов или от Людей. Собственные хоббитские хроники начинаются с прихода в Шир, и самые древние легенды не заглядывают в прошлое дальше Дней Скитаний. Однако, если внимательно присмотреться к этим легендам, к характерным словечкам и обычаям, станет ясно, что Хоббиты, как и другие известные народы Среднеземья, переселялись с востока на запад. Их самые первые предания относятся, видимо, к тому периоду, когда они жили в верховьях Андуина, между окраиной Ясного Бора и Мглистыми Горами. Достоверно неизвестно, какая причина побудила их предпринять долгий и опасный переход через горы в Эриадор. Сами Хоббиты жаловались на Людей, которых-де, стало слишком много, а иногда упоминали Тень, превратившую Ясный Бор в Сумеречье.

Еще до того, как началось переселение, существовало три хоббичьих рода-племени: Мохноноги – посмуглее, поменьше других ростом, но и попроворнее, – предпочитали холмы и взгорья; Хваты – большерукие и крепконогие, кряжистей других хоббитов, – населяли равнины и речные долины; ну а светлокожие и светловолосые, высокие и гибкие Лесовики, само собой, всем прочим местам предпочитали лесные дебри.

В давние времена Мохноноги долго жили в предгорьях и водились с Гномами. Они раньше других двинулись на Запад и добрались уже до Заветери, когда остальные еще только собирались в путь. Они-то и есть самые взаправдашние Хоббиты и по числу, и по верности старым обычаям селиться кучно в норах и пещерах.

Хваты надолго задержались на берегах Великой Реки и там близко сошлись с Людьми. На Запад Хваты двинулись после Мохноногов и выбрали путь вниз по течению Гремячей на юг, где и обосновались надолго между Тарбадом и дунгарскими землями, прежде чем снова сняться с места и уйти на север.

Лесовиков-северян и во все-то времена было немного. Ходили они в друзьях у Эльфов и, видно, от Дивного Народа переняли способность к языкам и пенью, а вот в ремеслах не преуспели. Поэтому в старину они предпочитали охоту земледелию. Стронувшись с места, Лесовики пересекли горы севернее Дольна, а затем спустились по течению Седонны и вскоре смешались в Эриадоре с родичами, пришедшими раньше их. Отчаянные и неугомонные, они часто становились вождями в кланах Мохноногов и Хватов. Даже во времена Бильбо крепкие корни Лесовиков питали уважаемые роды Туков и хозяев Заскочья.

На западных землях Эриадора, между Мглистыми и Синими Горами, хоббиты общались и с людьми, и с эльфами. Здесь еще можно было встретить дунаданов, королей Людей, пришедших из-за Моря, с Заокраинного Запада, а теперь быстро терявших влияние и вынужденных наблюдать, как земли некогда могучего Северного Княжества приходят в запустение. Для хоббитов свободного места оказалось предостаточно, и пришельцы начали обживать новые земли. Конечно, ко времени Бильбо многие из этих первых поселений исчезли без следа, многие, но не все. Вот, например, Брыль уцелел, хотя и уменьшился существенно. Располагалась эта деревня в Чагром Бору, милях в сорока восточнее Шира.

Видимо, ко дням первых поселений относится знакомство хоббитов с письменностью. Учителями были, конечно, дунаданы, перенявшие, в свою очередь, искусство письма от эльфов. Древние языки постепенно забылись, и хоббиты говорили на Вестроне – Всеобщем языке, распространенном от Арнора до Гондора и от Белфаласа до Линдона, однако некоторые свои словечки все же сохранили, особенно в именах и названиях дней и месяцев.

Переселение на Запад дало начало хоббитскому летосчислению. Исторические хроники начинаются с путешествия, предпринятого в 1601 году Третьей Эпохи братьями Марчо и Бланко. Заручившись ленной грамотой у великого князя в Форносте[1]Судя по гондорским хроникам, это был Аргелеб, двадцатый князь Арнора, из рода северных князей, прервавшегося спустя три сотни лет, после Арведуи. – Примеч. авт. , братья во главе великого множества хоббитов пересекли по Мосту Каменных Луков темноводный Берендуин и обосновались между рекой и Дальними Холмами. Земли были дарованы им в обмен на обязательство присматривать за мостами и дорогами и всячески содействовать княжьим гонцам.

Вот с этого момента и начинаются хроники Шира – год перехода через Брендидуин (так хоббиты на свой манер стали звать реку) стал Первым Годом, и дальше летосчисление велось от этой даты[2]Например, годы Третьей Эпохи по счету эльфов и дунаданов можно вычислить, прибавляя к году по летосчислению Шира число 1600.. Новый край полюбился западным хоббитам, и вскоре они вторично исчезли из истории Людей и Эльфов. Хоббиты сами избирали своих правителей, интересовались только своими делами и ни в какие события внешнего мира не вмешивались. Правда, на последнюю битву с Чародеем из Ангмара они, по их собственным словам, послали в Форност отряд лучников, но ни в одной из хроник Людей об этом нет ни слова. Вскоре после той войны пришел конец Северному Княжеству. Теперь хоббиты и вовсе считали страну своей собственной. Правитель стал зваться Таном, и к нему перешла вся власть, принадлежавшая раньше князю. После Темной Чумы (в 37 году) около тысячи лет край не тревожили ни войны, ни другие стихийные бедствия. Хоббиты множились и процветали вплоть до самой Долгой Зимы и последующего за ней голода, унесшего тысячи жизней. Но ко времени нашей истории Дни Смертной Напасти (1158–1160 гг. по летоисчислению Шира) давным-давно стали историей и канули в прошлое, а хоббиты снова успели привыкнуть к благоденствию. Когда-то здешние земли славились как богатейшие княжеские угодья. Долгий отдых перед приходом хоббитов пошел им только на пользу, и плодородие страны казалось неиссякаемым.

Страна эта протянулась на 40 миль от Лисьих Ложков до Брендидуинского Моста и на 50 миль – от западных взгорий до болот на юге. Хоббиты звали страну Широм, правил ею Тан, сообразуясь со здравым смыслом, и трудолюбивое население без устали обихаживало свой уютный закоулок Большого Мира, словно ничего другого на свете не существовало. Мало-помалу хоббиты стали считать, что и во всем остальном Среднеземье царят мир да покой и любой достойный народ имеет полное право на обеспеченную жизнь. Об Охранителях, чьими трудами так долго поддерживался благостный уклад Шира, хоббиты то ли запамятовали, то ли не хотели думать. Они находились под защитой, но почему это так и кто взял на себя сей труд, не понимали.

Воинственностью хоббиты не отличались никогда. Конечно, в древние времена, в суровом тогдашнем мире, приходилось и им браться за оружие, но ко дням Бильбо воспоминания об этом сохранились только в редких преданиях. Первая и последняя битва, случившаяся возле самых границ Шира, стала достоянием седой истории, но в Хрониках упоминалась: то было сражение на Зеленых Полях в 1147 году, когда Бандобрас Тук отразил нападение орков. С годами даже климат в стране стал мягче, а волки, хлынувшие сюда с севера в годы Долгой Зимы, сохранились только в бабушкиных сказках. Правда, кое-какое оружие в Шире имелось: место ему было отведено над каминами и на стенках гостиных, а некоторая часть хранилась в музее, звавшемся Маттом Домом. Словечко маттом обозначало у хоббитов то, что в общем-то и не нужно, а выбросить жалко. Немало маттомов было и в домах, часто они переходили из рук в руки в качестве подарков.

Как ни странно, долгое благоденствие ничуть не повлияло на поразительную стойкость хоббитов к невзгодам. Это был крепкий народ, способный терпеливо переносить лишения и беды. Такое свойство неизменно приводило в недоумение всякого, не способного увидеть суть за румяными рожицами и солидными животиками добродушных обитателей Шира. Чтобы вызвать в хоббите гнев, надо было очень постараться; никто никогда не убивал здесь животных ради забавы, но при необходимости ловкие хоббичьи руки вполне могли управиться и с оружием. Лучниками, например, они были прекрасными, а зверушки, шаставшие по садам и огородам, усвоили твердо – если уж хоббит нагнулся за камнем, лучше немедля убраться с глаз долой.

Поначалу все хоббиты жили в норах (надо сказать, они и до сих пор чувствуют себя уютней всего именно в норах), но со временем жилье стало разнообразней. Уже при Бильбо древних обычаев позволяли себе придерживаться только самые богатые и самые бедные семьи. Последние рыли норы с единственным окошком или вовсе без него, а зажиточных простое рытье, конечно, не устраивало, и они создавали под землей настоящие хоромы (их называли смеалами ) со множеством переходов и залов. Для такого жилья требовалось подходящее место, которое не вдруг найдешь, поэтому на равнинах и в низинах хоббиты стали строиться на поверхности. Вслед за тем и в холмистой местности, даже в исконных норьих областях – в Хоббитоне, в Тукборо, в Микорыте на Белых Увалах, – появились во множестве деревянные, каменные и кирпичные дома. Селился в них все больше мастеровой люд – мельники, кузнецы, каретники. Вскоре и при богатых норах появились наземные постройки – сараи, мастерские.

Обычай строить усадьбы и амбары пошел от жителей Марей. Здесь, в Восточной Чети, жили степенные, крупные хоббиты, в слякотную погоду разгуливавшие в гномьих башмаках. Конечно, они вели свое происхождение от Хватов, на это указывала короткая поросль у многих на подбородках. Ни у Мохноногов, ни у Лесовиков никакого намека на бороду и в помине не было. На самом деле жители Марей и Заскочья – поселения на восточном берегу реки – пришли в Шир позже остальных откуда-то с юга и принесли с собой немало чудных имен и странных словечек, нигде больше в Шире не встречавшихся.

Вполне вероятно, что дома хоббиты научились строить у дунаданов, а то и прямо у тех , Первых Эльфов. Ведь ко времени нашей истории еще не все Высокие Эльфы покинули Среднеземье; их поселения встречались и в Серебристой Гавани, и в других местах, не так уж далеко от Шира. Сразу за болотами стояли с незапамятных времен три эльфийские башни – две поближе, одна – самая высокая – подальше на зеленом холме. Лунными ночами их странный мерцающий свет был виден издалека. Хоббиты Западной Чети поговаривали, что с вершины башни на холме можно увидеть Море, но, насколько известно, ни один из них туда не лазал. Да и то сказать, к Морю хоббитов не тянуло. Мало кто из них бывал на побережье, а таких, чтобы вернулись и рассказали – и того меньше. Что-то у хоббитов с водой не ладилось: и речки особенной любви не вызывали, а уж чтобы по ним в лодках или так плавать – это и вовсе не про них!

Раз башни стояли так недалеко, значит, когда-то эльфы были у хоббитов в соседях, но время шло и отношение к ним со стороны хоббитов почему-то менялось от добрососедского до настороженно-недоверчивого. Слово «Море» постепенно приобрело зловещий, загробный оттенок, и про башни на западных холмах хоббиты постарались забыть.

От кого бы ни позаимствовали хоббиты навыки в строительстве, башен они не строили. Наоборот, предпочитали дома низкие, длинные, удобные. Самые первые из них были теми же самыми смеалами , крытыми соломой или дерном, со сводчатыми стенами, лишь немного приподнимающимися над землей. Со временем хоббиты переняли кое-какие секреты и строительные приспособления у Гномов, кое-что и сами сообразили, и постройки в Шире стали куда более разнообразными. Неизменным осталось только пристрастие к круглым дверям и окнам.

И дома, и норы в Шире всегда были большими, рассчитанными на многочисленные хоббитские семьи (холостяки Бильбо и Фродо были здесь редчайшим исключением, ну так у них и других странностей хватало – чего стоила одна только дружба с эльфами!). Иногда, как в Смеалищах Туков или у Брендискоков в Брендинорье, в наследственном поместье более или менее мирно уживались много поколений родичей. Родством хоббиты дорожат необыкновенно. С величайшей тщательностью рисуются во многих семьях сложнейшие фамильные древа, и всякий, кто имеет дело с этим народом, должен точно знать, кто с кем в родстве и в каком. Здесь мы не рискнем приводить эти запутанные схемы, но в конце Алой Книги Западного Крома есть еще одна небольшая как бы самостоятельная часть, которую все, кроме хоббитов, нашли бы невероятно скучной. Она содержит именно генеалогические древа многих хоббитских родов. Ее-то, пожалуй, чаще всего и читают хоббиты, предпочитающие всей другой литературе что-нибудь хорошо знакомое, четкое, ясное и без всяких там сложных противоречий.

II. О трубочном зелье

Говоря о прежних днях хоббитов, надо упомянуть об одной удивительной привычке, усвоенной этим народом давно и прочно: они с помощью трубок из дерева или глины вдыхают и выдыхают дым от тлеющих высушенных листьев растения, известного под названием «трубочного зелья», или просто «листьев». Похоже, это какая-то разновидность табака. Происхождение обычая или, как говорят сами хоббиты, «искусства» курения теперь уже не установишь. Все, что было известно по этому поводу, собрано и сведено воедино Мериадоком Брендискоком (позднее – хозяином Заскочья) в трактате «Травник Шира». И табак, и Мериадок родом из Южной Чети, и тот и другой упоминаются в нашем повествовании, поэтому стоит обратить внимание на вступление к «Травнику».

«Это искусство, – пишет почтенный Мериадок, – мы смело можем считать своим собственным изобретением. Трудно сказать, когда впервые изо рта и ноздрей хоббитов пошел дым. Во всех легендах и семейных преданиях табак упомянут. За многие века в качестве набивки трубок перепробовали множество разных трав – и едких, и сладковатых на вкус. Но все летописи отводят первенство в выращивании настоящего трубочного зелья Тобольду Дудкинсу из Долгой Долины в Южной Чети, а было это во дни Изенгрима Второго, около 1070 года по счету Шира. С тех пор все лучшие сорта поступают именно оттуда: и «Лист Долгой Долины», и «Старый Тоби», и «Южная Звезда».

Никто не знает, как Старый Тоби нашел табак, и сам он до последнего дня никому об этом не рассказывал. Путешествовал он немного, вряд ли ходил дальше Брыля, но о травах знал все. Вполне возможно, что именно в Брыле Тоби и узнал о табаке. Во всяком случае, сейчас он растет там на любом южном склоне. Конечно, брыльские хоббиты считают себя первыми курильщиками, но их послушать, так они во всем впереди Шира. Хотя насчет табака они, похоже, правы. Верно и то, что к Гномам трубочное зелье пришло через Брыль. А потом уж втянулись и другие народы – Следопыты, Маги и прочие, которые до сих пор ходят взад-вперед через древний перекресток. Таким образом, центр этого искусства определяется достоверно – корчма «Резвый Пони», которую с незапамятных времен содержит семья Маслютиков.

Однако мне не раз приходилось путешествовать на юг, и я пришел к выводу, что табак не всегда рос на землях Шира. К нам на север он пришел из низовий Андуина, а туда попал в свое время из-за Моря вместе с Людьми Запада. В Гондоре его сколько угодно, там он выше и гуще. Разводят его ради запаха цветов. За века, прошедшие со времен Элендила, табак по Зеленопутью добрался до севера и обосновался в теплых защищенных местах, подобных Долгой Долине. Но хоть в Гондоре и начали разводить табак немного раньше, набить им трубки первыми догадались хоббиты. Маги, и те переняли искусство курения от нас. Правда, один из моих знакомых магов утверждал, что владеет этим искусством давным-давно, и в это можно поверить: курит он так же здорово, как и все остальное делает».

III. Устройство Шира

Шир состоит из четырех четвертей, или Четей: Северной, Южной, Восточной и Западной. Каждая из них содержит, в свою очередь, множество областей, поселений и местечек, чаще всего носящих имена родов, некогда обитавших на этих землях. Почти все Туки жили или живут в своих Тукгорах, а вот о Сумниксах или Умниксах этого не скажешь. Восточные и западные окраины составляли отдельные, не входящие в Чети области. Заскочье и Западный Кром вошли в состав Шира в 1462 году.

В то время никакого «правительства» в Шире не было. Каждый род занимался своими делами, сводившимися в основном к тому, чтобы вырастить, а потом съесть еду, и дела эти занимали практически все время. Жители Шира скупостью не страдали, обходились тем, что имели, и ради богатства из кожи вон не лезли. Наверное, поэтому небольшие фермы, маленькие мастерские и лавчонки оставались неизменными на памяти многих поколений обитателей Шира.

Воспоминание о княжеской власти в Форносте еще жило в народе, хотя князя не было уже без малого тысячу лет, а развалины Форноста (или Северины, как называли его хоббиты) давно заросли буйными травами. Ощущая себя живущими в настоящем государстве, хоббиты с пренебрежением относятся ко всяким диким народам и прочим тварям (вроде троллей), живущим «без царя в голове». Все свои проверенные временем Правила (так хоббиты называют те немногие законы, по которым живет Шир) они приписывают князю и соблюдают неукоснительно.

Среди знатных хоббитских родов испокон веку выделялся род Туков; еще лет триста назад булава Тана перешла к нему от Староскоков, и с тех пор каждый новый старейшина Туков неизменно принимал этот титул. Он созывал сходы и считался воеводой ширской дружины и хоббитского ополчения, но нужды в них не возникало уже так давно, что танство постепенно превратилось просто в почетное звание. Уважение Тукам приносили более весомые вещи: многочисленность, богатство и целый ряд выдающихся родичей, обладавших в равной мере и сильным характером, и склонностью к авантюрам. Правда, всяких приключений в Шире не любили – морока с ними сплошная, – но Тукам прощали, а старейшину Туков величали не иначе, как полным именем (вообще-то употреблявшимся в Шире редко) с добавлением числительного при необходимости, – например, Изенгрим Второй.

В ту пору, о которой пойдет речь, единственным представителем власти был мэр Микорыта (и всего Шира). Его избирали на Вольной Ярмарке в Белых Увалах, проводившейся каждые семь лет в середине лета. Первейшей (и чуть ли не единственной) обязанностью мэра было присутствие на пирах по случаю праздников (а в них недостатка никогда не было). Заодно мэр исполнял обязанности Почтмейстера и Первого Ширрифа (что-то вроде начальника полиции). Но если почтовая служба еще требовала некоторых хлопот, – хоббиты, владеющие грамотой, без конца писали своим родственникам, друзьям и знакомым, жившим дальше полутора послеобеденных прогулок, – то ширрифам делать было попросту нечего. Единственным признаком формы для них являлось перо на шляпе, а полицейские функции сводились к розыску заблудившегося скота да разбирательствам из-за потрав, в коих повинен был все тот же скот. На всю Управу Благочиния вполне хватало двенадцати ширрифов – по три на каждую Четь. На границах их требовалось больше. Там они, что называется, «околачивали» – присматривали за всякими «околотнями», большими и маленькими, чтобы не досаждали.

Как раз когда начиналась эта история, околотней развелось великое множество. Посыпались сообщения и жалобы на всяких разумных и неразумных чужаков, наводнивших Приграничье. А уж это – первейший признак неблагополучия: все не так, как следовало бы и как всегда было. Правда, большинство хоббитов и ухом не вело, даже Бильбо не задумался над тем, что сулят эти события. Шестьдесят лет минуло с тех пор, как он вернулся из Путешествия. Даже по хоббитским меркам возраст его считался весьма преклонным, ведь едва ли половина хоббитов справляет свое столетие. Но как бы там ни было, а Бильбо жил себе да жил, и, надо заметить, жил безбедно; видно, от богатства, обретенного в странствиях, кое-что еще оставалось. Что привез, да что истратил, да сколько осталось – про то он никому не рассказывал, даже любимому племяннику Фродо. И найденное кольцо по-прежнему хранил в тайне.

IV. История находки кольца

«Хоббите» рассказано, как в один прекрасный день у дверей Бильбо появился могучий Маг Гэндальф Серый и с ним – тринадцать гномов, а именно: сам Торин Дубощит, гном царского рода в изгнании, со товарищи. И в этой компании Бильбо, к своему немалому удивлению, апрельским утром 1341 года по ширскому счету отправился в путь, добывать сокровища Подгорных Королей, которые гномы потеряли где-то под Эребором. Предприятие завершилось успешно, дракона при сокровищах удалось извести; но, хотя было совершено немало подвигов, а в Битве Пяти Воинств пал Торин, в долгих хрониках Третьей Эпохи великие эти события заняли бы всего несколько строчек, если бы не «случай» в пути. В Мглистых Горах на путников напали орки, и отставший Бильбо заплутал в подгорных лабиринтах. Там в темноте он нашарил на камнях кольцо и положил в карман. Тогда находка показалась ему просто маленькой удачей.

В поисках выхода Бильбо спускался все глубже, к корням гор, пока наконец не забрел в тупик. Дальше хода не было. Здесь, навсегда скрытое от всякого света, лежало вечно спокойное озерцо, посредине которого жил на острове Горлум – маленькое отвратительное создание. В крошечной лодочке, больше похожей на корыто, гребя широкими лапами, пялясь в темноту огромными, бледно-мерцающими глазами, он шастал по озеру, ловил слепую от рождения рыбу и пожирал живьем. Впрочем, он не был привередлив: удавалось без особенных хлопот словить орка – годился и орк. Горлум владел сокровищем. Давным-давно, когда он жил еще на свету, к нему попало кольцо, золотое кольцо, делавшее своего обладателя невидимым. Ничего, никого и никогда Горлум не любил так, как это странное украшение. Он называл кольцо «моя прелесть», разговаривал с ним, даже если не носил при себе. Когда не надо было охотиться, выслеживать орков, он хранил свое сокровище в укромной ямке на островке.

Будь кольцо при нем, он не задумываясь напал бы на Бильбо, как только встретил его. Но именно в этот момент кольца у Горлума не оказалось, зато хоббит сжимал в руке острый эльфийский клинок. Стремясь выиграть время и отвлечь внимание, Горлум предложил Бильбо поиграть в загадки, поставив на кон обещание показать дорогу к выходу против жизни хоббита, которому в случае проигрыша предстояло пойти на обед Горлуму. У Бильбо не было выбора: он окончательно заблудился и совершенно не представлял, куда идти. Пришлось соглашаться. Они загадали друг другу немало загадок, и в конце концов Бильбо повезло. Мучительно придумывая очередную загадку, он нащупал в кармане незнакомый предмет и машинально воскликнул: «Что это у меня в кармане?», а Горлум, приняв вопрос за загадку, не смог отгадать с трех раз.

Мастера старинной игры расходятся во мнениях, можно ли считать такой вопрос загадкой, но все признают, что если уж Горлум принялся отвечать и ответил три раза, все было честно и проигрыш требовал уплаты. Бильбо настаивал на выполнении условий, но втайне подозревал со стороны скользкой твари подвох, хотя обещания, данные в подобных условиях, во все времена и у всех народов соблюдались свято, и только самые распоследние злыдни рисковали нарушать их. Однако именно таким злыднем и стал Горлум за долгие годы, проведенные во мраке, наедине с кольцом. Он замыслил черное предательство, оставил Бильбо и бросился на свой островок за кольцом. Он изрядно проголодался, злился из-за проигрыша и, будь с ним «его прелесть», свернул бы хоббиту шею, не посмотрев на оружие.

Но кольца на островке не было. Горлум потерял его. Оно ушло. От жуткого визга Горлума, обнаружившего пропажу, у Бильбо волосы встали дыбом, хоть он, конечно, не понял, в чем дело. Зато Горлум, правда с запозданием, нашел ответ на загадку. «Что там у него в карманах?» – зашипел он, и бледные глаза запылали во мраке зеленым пламенем. Одно желание легко читалось в них: вернуться, немедленно прикончить хоббита и отыскать «свою прелесть». Бильбо едва успел заметить опасность и метнулся прочь от воды. Ему снова повезло: на бегу он сунул руку в карман, и кольцо словно само скользнуло ему на палец. Горлум промчался мимо, не заметив хоббита, он спешил к выходу, чтобы не пропустить «вора». Бильбо осторожно двинулся за ним. Горлум скулил на ходу, ругался, жаловался и причитал, без конца поминая «свое сокровище». Постепенно Бильбо кое-что понял, и надежда забрезжила перед ним. Раз ему посчастливилось найти настоящее волшебное кольцо, значит, появился шанс ускользнуть и от Горлума, и от орков.

Горлум привел хоббита к незаметному лазу у подножия восточного склона и улегся поперек выхода, принюхиваясь и прислушиваясь. Бильбо чуть было не поддался искушению пустить в дело меч, но жалость остановила его руку – положение-то было неравным: у него были и кольцо, и меч, а у Горлума – ничего. Поэтому, собравшись с духом, он просто перепрыгнул через Горлума и помчался к выходу, преследуемый истошными воплями: «Вор! Вор Сумникс! Мы навсегда ненавидим его!»

Любопытно, что, встретившись со своими спутниками, Бильбо описал события не совсем так, как они происходили. Оказывается, в случае проигрыша Горлум обещал ему «подарочек», но когда, и в самом деле проиграв, отправился за ним – волшебным кольцом, полученным некогда в день рождения, – на остров, оказалось, что кольца нет. Конечно, ведь Бильбо еще раньше нашел это самое кольцо, а теперь еще и выиграл его, поэтому кольцо принадлежало хоббиту по праву. Но раз Горлум не сдержал обещания, Бильбо потребовал показать дорогу к выходу и так выбрался наружу. Эта же версия оказалась записанной и в воспоминаниях Бильбо, он сам настолько поверил в нее, что даже Совет у Элронда не заставил его усомниться. Естественно, в этом виде история попала и в Алую Книгу, и во многие списки с нее. Но некоторые хроники содержат истинное описание событий, и исходят они, конечно, либо от Фродо, либо от Сэмиуса. Они-то знали правду, хотя и не стали менять собственных записей Бильбо.

Ну а Гэндальф, например, и вовсе не поверил истории, рассказанной Бильбо. Он очень заинтересовался кольцом и в конце концов вытянул из Бильбо подлинное описание событий. На некоторое время это даже всерьез нарушило их дружеские отношения, но маг считал, что правда дороже. Гэндальфа прежде всего насторожило бессмысленное вранье, вовсе не свойственное хоббитам. Очевидно, о подарке Бильбо заговорил с подачи Горлума – тот тоже без конца твердил о «подарочке на день рождения». Маг задумался, но прошло немало времени, пока все подробности этой истории не прояснились даже в его умнейшей голове.

О дальнейших приключениях Бильбо говорить почти нечего. Кольцо помогло ему ускользнуть от орков. Он и дальше пользовался им, чтобы помочь друзьям в трудные минуты, но не показывал никому. По возвращении домой он говорил о кольце только с Гэндальфом и Фродо и был уверен, что во всем Шире никто, кроме них, не подозревает о его существовании. И рассказ о своем путешествии он показывал только Фродо.

Верный меч Шершень Бильбо повесил над камином, а бесценную кольчугу из драконьей сокровищницы, подаренную гномами, предоставил Маттом Дому в Микорыте. Зато старый плащ с капюшоном лежал дома в комоде, а кольцо на изящной цепочке всегда было в кармане у хоббита.

Бильбо вернулся домой 22 июня 1342 года на пятьдесят втором году жизни, и с тех пор в Шире не происходило ничего примечательного до того дня, когда господин Сумникс начал готовиться к празднованию своего стоодиннадцатилетия – в 1401 году по счету Шира. С этого момента и начинается наша история.

V. О летописях Шира

Роль, сыгранная хоббитами в великих событиях конца Третьей Эпохи, пробудила в них интерес к собственной истории. Шир вошел в состав Воссоединенного Королевства. По этому поводу устные предания были собраны и записаны, положив начало Летописям Шира. Некоторые знатные хоббиты оказались причастны к великим делам, и теперь во многих семьях старательно изучались древние истории и легенды.

В конце первого столетия Четвертой Эпохи в Шире насчитывалось уже немало библиотек, содержащих множество исторических трудов и хроник. Среди них отличались хранилища в Недовышках, в Смеалищах и в Брендинорье. Наше повествование о конце Третьей Эпохи заимствовано главным образом из Алой Книги Западного Крома[3]См. Приложение II: годы 1451-й, 1462-й, 1482-й и примечание в конце Приложения III., хранившейся в Недовышках, в доме Очарованов, потомственных Дозорных Западного Крома. Предположительно это подлинный личный дневник Бильбо, бывший с ним в Дольне. Фродо вернул его в Шир, существенно дополнил, а в 1420–1421 годах дописал историю Войны. Она составила отдельный том, который и хранился вместе с тремя другими, переплетенными в красную кожу, подаренными дядей племяннику при расставании. Позже к этим четырем томам добавился пятый с комментариями, генеалогией и другими материалами, касающимися хоббитов – членов Братства Кольца.

Подлинная Алая Книга не сохранилась, но потомки Сэмиуса сняли с нее несколько копий, большинство – с первого тома. Самая замечательная из этих копий имеет свою историю. Хранившаяся в Смеалищах, написана она, тем не менее в Гондоре, возможно, по настоянию внука Перегрина, и завершена в 1592 году по счету Шира, или в 172 году Четвертой Эпохи. Южный список заканчивается словами: «Финдегил, Королевский писец, завершил сей труд в 172 году и свидетельствует о точном согласии с Книгой Тана в Минас Тирите, являющейся точной копией Алой Книги Перианатов, изготовленной по велению Короля Элессара. Алая Книга Перианатов подарена Королю Элессару Таном Перегрином в день его возвращения в Гондор в 64-м году».

Судя по этой надписи, Книга Тана – наиболее полный список с Алой Книги. В Минас Тирите она была тщательно исправлена, особенно в части эльфийских имен и названий, дополнена кратким изложением «Истории Арагорна и Арвен», не связанной непосредственно с Войной. Как удалось установить, полная «История…» принадлежит перу Барахира, внука Правителя Фарамира, и записана вскоре после ухода Короля. Но самое важное в копии Финдегила – это уникальные «Переводы с эльфийского», сделанные Бильбо. Все три тома выполнены с величайшим тщанием и мастерством. Работая в Дольне с 1403 по 1418 год, Бильбо обращался к редчайшим источникам. Он не только работал с летописями, но и говорил с теми, кто помнил начало эльфийской истории. «Переводы…» повествуют о Древнейших Днях, поэтому Фродо не включил их в свой вариант и здесь они не приводятся.

Далеко не все из того, чем располагали хранилища Тукборо, нашло отражение в Алой Книге. Достославные Мериадок и Перегрин, старейшины двух знатнейших родов Шира, имели тесные связи с Гондором и Роханом, поэтому списки Брендинорья, например, содержат множество фрагментов истории Эриадора и Рохана. Часть из них записана самим Мериадоком, хотя лучше известны другие его работы: «Травник Шира» и «Летосчисление», связывающие календарный счет Шира и Брыля с календарями Дольна, Гондора и Рохана. Мериадок также является автором небольшого трактата «Древние понятия и имена Шира», содержащего любопытные рассуждения о родстве хоббитского языка с языком Рохана и объяснение происхождения особых ширских словечек и названий.

Хранилище в Смеалищах содержало источники, может быть, менее интересные для хоббитов, но весьма ценные для Большой Истории. В этом заслуга Перегрина. Он, а позже – его наследники собрали немало манускриптов, составленных писцами Гондора и содержавших копии или переложения преданий о временах Элендила. Только здесь и можно отыскать сведения об истории Нуменора и возвышении Саурона. Не исключено, что именно в Смеалищах с помощью архивов Мериадока была осуществлена первая сводка «Повести Лет»[4]В самом сокращенном виде она представлена в Приложении и содержит описание главнейших событий вплоть до конца Третьей Эпохи..

Несмотря на предположительный характер многих дат, особенно относящихся ко Второй Эпохе, труд заслуживает самого пристального внимания. Возможно, в этой работе Мериадок пользовался сведениями, полученными во время частых посещений Дольна. Там после ухода Элронда еще долго жили его сыновья и многие Высокие Эльфы. Говорят, что и Келеберн жил там после ухода Галадриэль, но нет упоминаний о том, когда он отправился в Серебристую Гавань. Вместе с ним из Среднеземья ушла последняя живая память о Древнейших Днях.

Понравилась статья? Поделить с друзьями:
  • Сценарий бракосочетания на золотую свадьбу
  • Сценарий бракосочетание узким кругом сценарий
  • Сценарий боярыня капуста
  • Сценарий бомжи на юбилее
  • Сценарий бомжи на новоселье