The take сценарий

From Wikipedia, the free encyclopedia

The Take
Theatrical release poster
Directed by	Robert Hartford-Davis
Written by	Franklin Coen Del Reisman
Based on	Sir, You Bastard by G. F. Newman
Produced by	Howard Brandy Stanley Rubin Rick Senat
Starring	Billy Dee Williams Eddie Albert Frankie Avalon Sorrell Booke Tracy Reed Albert Salmi
Cinematography	Duke Callaghan
Edited by	David de Wilde Aaron Stell
Music by	Fred Karlin
Production company	World Film Services
Distributed by	Columbia Pictures
Release date	May 15, 1974 (Los Angeles)[1]
Running time	91 minutes
Countries	United Kingdom United States
Language	English

The Take is a 1974 British-American action neo noir crime drama film directed by Robert Hartford-Davis and starring Billy Dee Williams, Eddie Albert, Frankie Avalon, Sorrell Booke, Tracy Reed, and Albert Salmi. It is based on the 1970 novel Sir, You Bastard by G. F. Newman. The film was released by Columbia Pictures in May 1974.^[2][3][4]

Plot[edit]

Lt. Terrence Sneed, a San Francisco policeman, is summoned to Paloma, New Mexico to help take down a local organized crime syndicate led by kingpin Victor Manso, a respected community leader. Soon after Sneed’s arrival, he and Captain Frank Dolek stop a group of gangsters who ambush a courthouse and attempt to flee in a truck, but four officers are killed in the shootout. Later, Sneed visits his former lover, Dr. Nancy Edmondson, but she refuses to revive their relationship and accuses him of corruption. Sneed drives to the home office of Manso and accepts an envelope of cash to act as a middleman between law enforcement and the crime syndicate; Sneed learns that Capt. Dolek is also on the take.

Sometime later, Sneed hooks up with his money launderer Oscar, whom Sneed orders to follow Dolek. Sneed goes to the apartment of suspect Danny James, overpowers him and intimidates him into becoming an informant. Later, James informs reveals that a drug dealer named Zeno Elliot will be making a delivery to Manso. Sneed and Native American detective John Tallbear break into Elliot’s apartment and find cocaine. Back at the station, Dolek tells Sneed that Elliot is to be released from police custody under orders of Manso, but Sneed blackmails Manso by revealing that he’s had the captain followed. When Sneed returns to Manso’s office he is beaten up for betraying Dolek, but Manso nevertheless calls Sneed valuable and gives him another cash payment. Manso’s henchmen dump Sneed at Nancy’s house, where she tends to his wounds.

Sneed and Tallbear raid Manso’s mansion while he is attending a ceremony. They have to flee when Manso returns early after suffering a heart attack, but they obtain enough information to put a strike force into operation to intercept the vans Manso uses to transport illegal goods. Sneed leads a stakeout of Manso’s front business, a paper company. However, Dolek has informed Manso of the plan. After two decoy vans mislead police, Sneed gives chase to a third van headed for the Mexican border; after it stalls in a river and Sneed fights the driver, Benedetto, he finds the van full of counterfeiting equipment. Benedetto bribes Sneed to minimize his charges, while Capt. Dolek double-crosses Sneed by informing Chief Berrigan about Sneed’s corruption. After Sneed collects his take from Benedetto, he is confronted by Chief Berrigan and several officers in a set-up that Manso arranged. While Sneed pleads innocence back at the police station, claiming that the cash was his own (having switched the incriminating notes with Oscar), Benedetto is shot dead by Tallbear, eliminating Berrigan’s only witness. Sneed’s gun is returned to him and he goes to Manso’s estate with several other officers, but Sneed refuses to admit guilt and Sneed gives in. Later, Tallbear informs Sneed that the price of Benedetto’s murder is «fifty percent of everything.» Sneed then reveals that he’s been promoted to captain.

Cast[edit]

• Billy Dee Williams as Lt. Terrence Sneed
• Eddie Albert as Chief Berrigan
• Frankie Avalon as Danny James
• Sorrell Booke as Oscar
• Tracy Reed as Nancy Edmondson
• Albert Salmi as Capt. Frank Dolek
• Vic Morrow as Victor Manso
• A Martinez as John Tallbear
• James Luisi as Benedetto
• Kathrine Baumann as James’ Girl (as Kathy Bauman)
• John Davis Chandler as Man with Braces (as John Chandler)
• Robert Miller Driscoll as Zeno Elliot
• Kathleen Hughes as School Nurse
• William Sargent as Barry Indus
• Vernon Weddle as Vanessi
• Dick Yarmy as Roclair
• Vic Perrin as Radio Announcer (uncredited)

Reception[edit]

Variety noted, «Tame police meller looks more like a vidseries pilot than a theatrical release. Okay of its omnipresent kind.»^[5] Gene Siskel of the Chicago Tribune gave the film one-and-a-half stars out of four and wrote, «Is he a crooked cop, or he is just grabbing some extra dough while doing his job? If you can sit thru at least a dozen murders, assorted illegalities by both hoods and police, and the ubiquitous car chase, you will get an answer to the question. But believe me, it isn’t worth the wait.»^[6] Kevin Thomas of the Los Angeles Times called it «a lively, well-made action film, distinctive largely for its deeply cynical tone … A film without anyone to root for or care much about is a risky proposition, but so much happens at such a fast clip that ‘The Take’ is actually quite diverting.»^[7] Geoff Brown of The Monthly Film Bulletin declared that there is «no denying that at times The Take positively bristles with pace and professionalism: cars swerve about with tyres and sirens screaming, helicopters swoop, bullets sizzle and bodies fall—all captured with neatly feverish editing and a pounding soundtrack. And the film maintains its momentum in spite of its rather indecipherable story-line.»^[8]

References[edit]

External links[edit]

• The Take at IMDb

From Wikipedia, the free encyclopedia

The Take
Theatrical release poster
Directed by	Robert Hartford-Davis
Written by	Franklin Coen Del Reisman
Based on	Sir, You Bastard by G. F. Newman
Produced by	Howard Brandy Stanley Rubin Rick Senat
Starring	Billy Dee Williams Eddie Albert Frankie Avalon Sorrell Booke Tracy Reed Albert Salmi
Cinematography	Duke Callaghan
Edited by	David de Wilde Aaron Stell
Music by	Fred Karlin
Production company	World Film Services
Distributed by	Columbia Pictures
Release date	May 15, 1974 (Los Angeles)[1]
Running time	91 minutes
Countries	United Kingdom United States
Language	English

The Take is a 1974 British-American action neo noir crime drama film directed by Robert Hartford-Davis and starring Billy Dee Williams, Eddie Albert, Frankie Avalon, Sorrell Booke, Tracy Reed, and Albert Salmi. It is based on the 1970 novel Sir, You Bastard by G. F. Newman. The film was released by Columbia Pictures in May 1974.^[2][3][4]

Plot[edit]

Lt. Terrence Sneed, a San Francisco policeman, is summoned to Paloma, New Mexico to help take down a local organized crime syndicate led by kingpin Victor Manso, a respected community leader. Soon after Sneed’s arrival, he and Captain Frank Dolek stop a group of gangsters who ambush a courthouse and attempt to flee in a truck, but four officers are killed in the shootout. Later, Sneed visits his former lover, Dr. Nancy Edmondson, but she refuses to revive their relationship and accuses him of corruption. Sneed drives to the home office of Manso and accepts an envelope of cash to act as a middleman between law enforcement and the crime syndicate; Sneed learns that Capt. Dolek is also on the take.

Sometime later, Sneed hooks up with his money launderer Oscar, whom Sneed orders to follow Dolek. Sneed goes to the apartment of suspect Danny James, overpowers him and intimidates him into becoming an informant. Later, James informs reveals that a drug dealer named Zeno Elliot will be making a delivery to Manso. Sneed and Native American detective John Tallbear break into Elliot’s apartment and find cocaine. Back at the station, Dolek tells Sneed that Elliot is to be released from police custody under orders of Manso, but Sneed blackmails Manso by revealing that he’s had the captain followed. When Sneed returns to Manso’s office he is beaten up for betraying Dolek, but Manso nevertheless calls Sneed valuable and gives him another cash payment. Manso’s henchmen dump Sneed at Nancy’s house, where she tends to his wounds.

Sneed and Tallbear raid Manso’s mansion while he is attending a ceremony. They have to flee when Manso returns early after suffering a heart attack, but they obtain enough information to put a strike force into operation to intercept the vans Manso uses to transport illegal goods. Sneed leads a stakeout of Manso’s front business, a paper company. However, Dolek has informed Manso of the plan. After two decoy vans mislead police, Sneed gives chase to a third van headed for the Mexican border; after it stalls in a river and Sneed fights the driver, Benedetto, he finds the van full of counterfeiting equipment. Benedetto bribes Sneed to minimize his charges, while Capt. Dolek double-crosses Sneed by informing Chief Berrigan about Sneed’s corruption. After Sneed collects his take from Benedetto, he is confronted by Chief Berrigan and several officers in a set-up that Manso arranged. While Sneed pleads innocence back at the police station, claiming that the cash was his own (having switched the incriminating notes with Oscar), Benedetto is shot dead by Tallbear, eliminating Berrigan’s only witness. Sneed’s gun is returned to him and he goes to Manso’s estate with several other officers, but Sneed refuses to admit guilt and Sneed gives in. Later, Tallbear informs Sneed that the price of Benedetto’s murder is «fifty percent of everything.» Sneed then reveals that he’s been promoted to captain.

Cast[edit]

• Billy Dee Williams as Lt. Terrence Sneed
• Eddie Albert as Chief Berrigan
• Frankie Avalon as Danny James
• Sorrell Booke as Oscar
• Tracy Reed as Nancy Edmondson
• Albert Salmi as Capt. Frank Dolek
• Vic Morrow as Victor Manso
• A Martinez as John Tallbear
• James Luisi as Benedetto
• Kathrine Baumann as James’ Girl (as Kathy Bauman)
• John Davis Chandler as Man with Braces (as John Chandler)
• Robert Miller Driscoll as Zeno Elliot
• Kathleen Hughes as School Nurse
• William Sargent as Barry Indus
• Vernon Weddle as Vanessi
• Dick Yarmy as Roclair
• Vic Perrin as Radio Announcer (uncredited)

Reception[edit]

Variety noted, «Tame police meller looks more like a vidseries pilot than a theatrical release. Okay of its omnipresent kind.»^[5] Gene Siskel of the Chicago Tribune gave the film one-and-a-half stars out of four and wrote, «Is he a crooked cop, or he is just grabbing some extra dough while doing his job? If you can sit thru at least a dozen murders, assorted illegalities by both hoods and police, and the ubiquitous car chase, you will get an answer to the question. But believe me, it isn’t worth the wait.»^[6] Kevin Thomas of the Los Angeles Times called it «a lively, well-made action film, distinctive largely for its deeply cynical tone … A film without anyone to root for or care much about is a risky proposition, but so much happens at such a fast clip that ‘The Take’ is actually quite diverting.»^[7] Geoff Brown of The Monthly Film Bulletin declared that there is «no denying that at times The Take positively bristles with pace and professionalism: cars swerve about with tyres and sirens screaming, helicopters swoop, bullets sizzle and bodies fall—all captured with neatly feverish editing and a pounding soundtrack. And the film maintains its momentum in spite of its rather indecipherable story-line.»^[8]

References[edit]

External links[edit]

• The Take at IMDb

Описание серий

• 1

  1

  Эпизод 1

  Episode 1

  17 июня 2009

  Едва освободившись из тюрьмы, амбициозный гангстер Фредди Джексон пытается сделать себе имя на улицах Лондона 1980-х с помощью вора в законе Оззи, с которым герой познакомился в заключении. Объединившись с кузеном и другом Джимми, Фредди начинает восхождение по карьерной лестнице преступного мира, попутно удовлетворяя свою страсть к жестокости.

• 2

  2

  Эпизод 2

  Episode 2

  17 июня 2009

  Спустя три года появляется культура рейва, а для Джексонов открывается новый рынок наркотиков – экстази. Оззи отправляет кузенов на переговоры с организаторами рейвов, а Джимми обнаруживает возможность заключить сделку с наркоторговцем Дэзом. Однако сотрудничество оказывается под угрозой, когда у Фредди случается приступ ярости.

• 3

  3

  Эпизод 3

  Episode 3

  24 июня 2009

  В 1994 году становится понятно, что маленький Фредди идет по следам отца и все более очевидно проявляет свои садистические наклонности, подстраивая разборки между Джеки и Мэгги. В это время Джимми не собирается сдаваться и начинает строить собственную империю, заказывая нападение на Оззи в тюрьме. Кто же станет новый королем преступного мира?

• 4

  4

  Эпизод 4

  Episode 4

  1 июля 2009

  Джимми вынуждает Фредди нести ответственность за поступки Фредди-младшего, когда Джимми-младший оказывается мертв по вине родственника. Смогут ли Джексоны пережить эту семейную трагедию? В конце концов Мэгги раскрывает правду об отце Джимми-младшего, что приводит к тяжелому разговору между женщиной и изнасиловавшим ее человеком.

Прикуп (The Take)

Искал информацию об актёре Томе Харди и наткнулся на этот фильм, решил глянуть. На самом деле, это 4-х серийный фильм. Снят он по одноименному произведению Мартины Коул. Мартина Коул известная британская писательница.

Сама картина, это криминальная драма. Здесь очень интересный сюжет и его развитие. В криминальных драмах примерно знаешь что произойдёт дальше, то здесь нельзя до конца предугадать, что будет потом. Полностью фильм идёт практически 3 часа, но смотреть его не устаёшь. Хочется узнать что дальше произойдёт. Настолько захватывает сюжет.

Стоит отметить просто прекрасную игру Тома Харди. Это надо суметь так хорошо сыграть такого отмороженного типа.

Это одна из лучших криминальных драм, которые я когда-либо видел. Фильм рекомендуется к просмотру, особенно тем, кто любит криминальные драмы.

From Wikipedia, the free encyclopedia

The Take
Also known as	Martina Cole’s The Take
Genre	Crime drama
Written by	Neil Biswas
Directed by	David Drury
Starring	Tom Hardy Shaun Evans Kierston Wareing Charlotte Riley Margot Leicester Brian Cox
Opening theme	Kasabian – «Club Foot»
Composer	Ruth Barrett
Country of origin	United Kingdom
Original language	English
No. of series	1
No. of episodes	4 (list of episodes)
Production
Executive producer	Helen Flint
Producer	Willow Grylls
Cinematography	Owen McPolin
Editor	Chris Ridsdale
Running time	50 minutes
Production company	Company Pictures
Distributor	All3Media
Release
Original network	Sky1
Picture format	16:9 (1080i)
Audio format	Stereo
Original release	17 June – 1 July 2009

The Take is a four-part British television crime drama series, adapted by Neil Biswas from the novel by Martina Cole, that first broadcast on Sky1 on 17 June 2009. Directed by David Drury, The Take follows the activities of criminal sociopath Freddie Jackson (Tom Hardy), who has recently been released from prison, only to find that his cousin Jimmy (Shaun Evans) is attempting to make a name for himself on the back of his reputation. The series also stars Brian Cox, Kierston Wareing, Margot Leicester and Charlotte Riley among others.^[1]

Principal shooting for the series took place in Dublin.^[2] As well as original music by Ruth Barrett, the series also makes use of Kasabian’s «Club Foot» as its opening theme. The Take was the first of two Cole novels to be adapted by Company Pictures for Sky1, the other being The Runaway, starring Jack O’Connell and Joanna Vanderham, that followed in 2011. The Take was released on Region 2 DVD on 6 July 2009 by ITV Studios Home Entertainment.^[3]

The series aired in the United States between 2 and 23 December 2009 on Encore. The first episode gathered 180,000 viewers, while the second attracted 152,000.^[4] The series was also released on Region 1 DVD on 28 August 2012, via BFS Entertainment.^[5] The series received critical acclaim for Hardy’s portrayal of Freddie Jackson. Notably, Hardy and Charlotte Riley, who first met whilst working together on the series, later married.

Plot[edit]

Freddie Jackson (Tom Hardy) has just been released from prison. He has done his time, made the right connections and now he is ready to use them. His wife Jackie (Kierston Wareing) dreams of having her husband home but she has forgotten the rows and the girls Freddie cannot leave alone.^[1] His younger cousin, Jimmy (Shaun Evans), dreams of making a name for himself on Freddie’s coattails. At first Freddie gets everything he ever wanted and Jimmy is taken along for the ride: a growing crime empire that gives them all the respect and money they have hungered for. Behind it all sits Ozzy (Brian Cox) — the legendary criminal godfather who manipulates Freddie and Jimmy’s fates from prison cell.^[1]

Bitter, resentful and increasingly unstable, Jackie sees her life crumble while her little sister Maggie’s (Charlotte Riley) star rises. In love with Freddie’s cousin Jimmy, Maggie is determined not to end up like her sister. Freddie and Jackie watch Jimmy and Maggie achieve all the dreams that they failed to realise: love, family, stability and respect. Resentment and an inability to control himself force Freddie to put the business and his family at risk. Torn between being loyal to a cousin he loves and being true to his own destiny, Jimmy is forced to decide between protecting Freddie or the life he has built with Maggie.^[1]

Cast[edit]

• Tom Hardy as Freddie Jackson Jr.
• Shaun Evans as Jimmy Jackson
• Kierston Wareing as Jackie Jackson
• Charlotte Riley as Maggie Summers
• Margot Leicester as Lena Summers
• Brian Cox as Ozzy
• Jane Wood as Maddie
• Steve Nicolson as Lewis
• John Ashton as Joseph
• Megan Jossa as Kim
• Sara Stewart as Patricia
• Obi Abili as Des
• Macdara Joyce as Little Jimmy
• René Zagger as Altay Nevzat
• Sam Vincenti as Fatik Nevzat
• Nicholas Day as Freddie Jackson Snr.
• Mark Huberman as Harry
• Chelsea O’Toole as Kimberly
• David Schofield as Siddy Clancy
• Hayley Angel Holt as Kitty Mason
• Sammy Williams as little Freddie

Episodes[edit]

Reception[edit]

Awards and nominations[edit]

References[edit]

External links[edit]

• Official site
• IMDb
• Company Pictures Site
• The Take An ENCORE Original Event

Архетипичную историю о том, как «пацан к успеху шел» во всех странах снимают по-разному. Голливуд заставляет зрителя восторгаться обаятельным нахальством Лапши из «Однажды в Америке» и слегка грустить об ушедшей эпохе сухого закона, умопомрачительно элегантных гангстерах из итальянских или ирландских кварталов и их роскошных женщинах. Авторы российских бандитских саг вроде «Бригады» и аналогичных киноэкскрементов толкают нам шнягу из «Радио шансон»: «не мы такие, жизнь такая», «пацан сказал – пацан сделал», «не ломайте молодую жизнь, господа присяжные заседатели, мой подзащитный рос без отца!». Британцы снимают коротко (в «Прикупе» всего 4 серии) и так злобно, что потом от послевкусия невозможно отплеваться. Меня день трясло после просмотра – очень уж хотелось взять и у..бать главного героя Фредди (превосходная работа Тома Харди, просто пре-вос-ход-на-я) и его верную спутницу жизни Джекки (Кирстон Вэрэйнг). Передайте им мои респекты.

Традиционно коротко о сюжете. Отмотавшего срок за пустяки Фредди на свободе встречают жена Джекки, старинный друг Джимми и дружки из криминальной структуры босса Оззи. В Британии середины 80-х для человека с талантами Фредди работы валом: можно грабить супермаркеты без камер наблюдения и автозаправки, можно крышевать фарцу и проституток, а можно и заняться торговлей «экстези», товара на рынке нового, но обещающего солидные прибыли.

Золотые, ..ять, 90-е. Все помнят, как это было? Когда-нибудь я выберусь из Ростова, чтобы забить осиновые колья в могилки откинувшихся отцов перестройки и в глотки тем, кто еще по недоразумению коптит небо.

Всё шло к тому, что, чоткий и дерзкий Фредди через 10-15 лет купил бы себе фешенебельный район в Лондоне или пару Гавайских островов и жил бы себе, поживал, но это ж вам не мудрый зэк Оззи и даже не застенчивый трусишка Джимми. Это, ..ять, конченный у..бок, классическая быдлота и гопота, одинаковая для Ростова и Нью-Йорка. Вдумчиво и неторопливо Фредди наживает себе врагов, совершенно без задней мысли гадит на головы всем вокруг – ачотакова? — и в итоге добивается своего. Его хотят убить враги и друзья, съемочная группа и особенно зрители. На этом прекращаю спойлерить. Скачивайте и заряжайтесь негативом сами, но я предупреждаю – просмотр вырабатывает килотонны ненависти.

Трансформация образа Джимми по сюжету — полный провал сценаристов, так им и передайте. Пересмотрите, идиоты, как в «Крестном отце» из бесперспективного Майкла рождается новый дон. Ну? А как это у вас с тихого задрота вылупляется сильный управленец? Не ве-рю.

В чем же мессидж сей картины, просите меня вы, к какой мысли нас подталкивала съемочная группа? Вот не знаю, честно. Что-то типа «быть мудаком-алкашом – плохо, а быть солидным наркоторговцем и любящим мужем – хорошо»?

Джекки — суперски сыграла. Убил бы, потом попросил бы санта-клауса ее оживить и снова бы убил.

Наверное, мессиджа (какое гадкое слово, вы заметили?) здесь и нет, есть лишь очень точный срез эпохи, портрет части поколения, совсем близкого мне по возрасту и потому понятного. Молодых и дерзких в 80-е, в нарядных спортивных костюмах и ножами-«бабочками» в кармане, представительных в 90-е, в дорогих «армани» (а есть такой же, но с перламутровыми пуговицами и малиновый?) и с красными от перепоя/передоза глазами за темными стеклами очков, и совсем уж основательных и солидных в нулевые, бросивших наркотики, следящих за здоровьем и курсом йены на лондонской бирже. Чем-то финал картины напомнил мне наши «Жмурки», но только «Прикуп» более трагичен, а Харди талантливее всех вместе взятых паниных, дюжевых и прочих сиятвинд.